[89] W. M. Flinders Petrie, Naukratis, i., 1884-85; Egyptian Exploration Fund, 1886, Plate VII., Figs. 1, 6.
[90] W. H. Goodyear, “Origin of the Acanthus motive and Egg-and-Dart Moulding,” The Architectural Record, iv., 1894, p. 88.
[91] W. H. Goodyear, “Are Conventional Patterns Spontaneously Generated,” The Architectural Record, ii., 1893, p. 291.
[92] Prof. Goodyear acknowledges (Grammar of Lotus) that P. E. Newberry had independently arrived at a similar conclusion in 1885, and that Owen Jones in 1856 and Léon de Vesley in 1870 had suggested a lotus original for the egg-and-dart pattern.
[93] F. E. Hulme, The Birth and Development of Ornament, 1893, p. 86.
[94] O. Schellong, “Notizen über das Zeichnen der Melanesier,” Internat. Arch. für Ethnogr., viii., 1895, p. 57. (Plates VIII., IX.) A. C. Haddon, The Decorative Art of British New Guinea.
[95] Isaac Taylor, The Origin of the Aryans, p. 158.
[96] M. Uhle, “Holz- und Bambus-Geräthe aus N.W. Neu Guinea,” K. Eth. Mus., Dresden, vi., 1886, p. 6.
[97] W. H. Holmes, “Ancient Art of the Province of Chiriqui, Colombia,” Sixth Annual Report of the Bureau of Ethnology, 1884-85. Washington, 1888.
[98] “Mittheilungen über die zweite Xingu-Expedition in Brasilien,” Zeitschrift für Ethnologie, xxii., 1890, p. 89.