Evolution in Art: As Illustrated by the Life-histories of Designs

by Alfred C. Haddon

[179] Karl Blind, “Discovery of Odinic Songs in Shetland,” Nineteenth Century, June 1879, p. 1098.

[180] Goblet d’Alviella, loc. cit., p. 40.

[181] Loc. cit., p. 42.

[182] Ilios, 1880, Eng. edn., p. 353.

[183] Goblet d’Alviella, loc. cit., p. 45.

[184] Loc. cit., p. 45.

[185] R.P. Greg, “The Fylfot and the Swastika,” Archæologia, 1885, p. 293.

[186] H. Colley March, “The Fylfot and the Futhorc Tir,” Trans. Lanc. and Ches. Ant. Soc., 1886.

[187] Loc. cit., pp. 44 et seq.

[188] We read in the fifth book of the Odyssey (v. 270) how Odysseus “sate and cunningly guided the craft with the helm, nor did sleep fall upon his eyelids, as he viewed the Pleiads and Boötes, that setteth late, and the Bear, which they likewise call the Wain, which turneth ever in one place, and keepeth watch upon Orion, and alone hath no part in the baths of Ocean.”