PLATE XXVIII

SIDE VIEW OF A KAYAN HOUSE

VERANDAH OF A KAYAN HOUSE AT LONG LAMA, BARAM RIVER

On the 7th of February we visited a Lelak village at Long Tru. The village, as is often the case, consisted of a single house of great length, and built on piles some ten feet high. The long houses of this district of Sarawak are built along the banks of the rivers; usually a notched tree trunk is laid on the slope of the steep bank, and other logs are placed end-wise from this to the house to serve as a causeway across the slippery and often foul mud. A house consists of two portions—a verandah extending along the whole length of the river frontage, and a series of domiciles opening on to the verandah.

The verandah is entered at the end, and by two or three doorways at the side. The ladder consists of one or more notched tree trunks, usually with a slight hand-rail, the use of which is as often as not dispensed with by the nimble, bare-footed inhabitants, and even the dogs have learnt to go up and down these precarious ladders. Sometimes light, broad ladders are erected, of which the rungs are quite far apart.

On entering a verandah the first thing that one sees is the long wooden partition, about eight to ten feet in height, that separates the verandah from the dwelling apartments; this is pierced at fairly regular intervals by wooden doors, each of which gives access to a separate house. Each house, which, by-the-by, is always spoken of as the “door,” is divided into variously sized rooms or cubicles; generally a narrow passage opens into a central room, which is the living-room by day and a sleeping-room at night; the cooking may be done here or in a separate small kitchen. The wife has a separate bedroom, or if there are two wives, each has her own room, and the elder girls usually also have one. A long house numbers from ten to fifty, or even as many as eighty or ninety doors, so that there may be from fifty to five hundred people, men, women, and children, in one of these strange dwellings.

The privacy of the home is thoroughly respected, but the society of the neighbours can always be enjoyed on the verandah, which is a broad, open space that extends along one side of the house. This is practically divided into an inner common gangway on to which the doors open, and a portion that runs along the outer wall of the house, and is generally slightly raised above the general level of the floor. The space of this outer portion of the verandah opposite each house belongs to the owner of the house, and, according to his taste or means, he keeps the space in good order and lays down mats. It is here visitors are received, the public business transacted, and neighbours sit and gossip and smoke or chew betel.

Most interesting is it to lounge and watch the daily life of the village, the men and women going to or returning from their gardens, and girls bringing up water. In some tribes the pounding of the rice in heavy wooden mortars is done on the verandah, and one is never tired of watching the rhythmic movements of the nearly nude women as they husk the rice with long thick poles, and gracefully push the grain into the mortars with their feet; the sinuous motions of lithe damsels are particularly fascinating. After the husking is finished the rice is winnowed in plaited trays by standing or crouching women. Then there are the jolly children, half fearful of the white-skinned stranger, yet always ready for a game. Happy, contented little mortals they are, very rarely squabbling among themselves, and still more seldom troubled by their elders.

Hanging from the rafters of the verandah in most houses are trophies of human skulls. They may be fastened to a circular framework looking something like a ghastly parody on the glass chandeliers of our young days, or they may be suspended from a long board, which in one house that I visited was painted and carved at one end into a crocodile’s head, and the board itself was suspended from carved images of men who represented captives taken in war.