The Confession of a Child of the Century — Complete

by Alfred de Musset

I was not rich enough to help her; Desgenais, at my request, interested himself in the poor creature; he made her learn over again all of which she had a slight knowledge. But she could make no appreciable progress. When her teacher left her she would fold her arms and for hours look silently across the public square. What days! What misery! One day I threatened that if she did not work she should have no money; she silently resumed her task, and I learned that she stole out of the house a few minutes later. Where did she go? God knows. Before she left I asked her to embroider a purse for me. I still have that sad relic, it hangs in my room, a monument of the ruin that is wrought here below.

But here is another case:

It was about ten in the evening when, after a riotous day, we repaired to Desgenais’s, who had left us some hours before to make his preparations. The orchestra was ready and the room filled when we arrived.

Most of the dancers were girls from the theatres.

As soon as we entered I plunged into the giddy whirl of the waltz. That delightful exercise has always been dear to me; I know of nothing more beautiful, more worthy of a beautiful woman and a young man; all dances compared with the waltz are but insipid conventions or pretexts for insignificant converse. It is truly to possess a woman, in a certain sense, to hold her for a half hour in your arms, and to draw her on in the dance, palpitating in spite of herself, in such a way that it can not be positively asserted whether she is being protected or seduced. Some deliver themselves up to the pleasure with such modest voluptuousness, with such sweet and pure abandon, that one does not know whether he experiences desire or fear, and whether, if pressed to the heart, they would faint or break in pieces like the rose. Germany, where that dance was invented, is surely the land of love.

I held in my arms a superb danseuse from an Italian theatre who had come to Paris for the carnival; she wore the costume of a Bacchante with a robe of panther’s skin. Never have I seen anything so languishing as that creature. She was tall and slender, and while dancing with extreme rapidity, had the appearance of allowing herself to be led; to see her one would think that she would tire her partner, but such was not the case, for she moved as if by enchantment.

On her bosom rested an enormous bouquet, the perfume of which intoxicated me. She yielded to my encircling arms as would an Indian vine, with a gentleness so sweet and so sympathetic that I seemed enveloped with a perfumed veil of silk. At each turn there could be heard a light tinkling from her metal girdle; she moved so gracefully that I thought I beheld a beautiful star, and her smile was that of a fairy about to vanish from human sight. The tender and voluptuous music of the dance seemed to come from her lips, while her head, covered with a wilderness of black tresses, bent backward as if her neck was too slender to support its weight.

When the waltz was over I threw myself on a chair; my heart beat wildly: “Oh, heaven!” I murmured, “how can it be possible? Oh, superb monster! Oh! beautiful reptile! How you writhe, how you coil in and out, sweet adder, with supple and spotted skin! Thy cousin the serpent has taught thee to coil about the tree of life holding between thy lips the apple of temptation. Oh! Melusina! Melusina! The hearts of men are thine. You know it well, enchantress, with your soft languor that seems to suspect nothing! You know very well that you ruin, that you destroy; you know that he who touches you will suffer; you know that he dies who basks in your smile, who breathes the perfume of your flowers and comes under the magic influence of your charms; that is why you abandon yourself so freely, that is why your smile is so sweet, your flowers so fresh; that is why you place your arms so gently on our shoulders. Oh, heaven! what is your will with us?”

Professor Halle has said a terrible thing: “Woman is the nervous part of humanity, man the muscular.” Humboldt himself, that serious thinker, has said that an invisible atmosphere surrounds the human nerves.

I do not quote the dreamers who watch the wheeling flight of Spallanzani’s bat, and who think they have found a sixth sense in nature. Such as nature is, her mysteries are terrible enough, her powers mighty enough—that nature which creates us, mocks at us, and kills us—without our seeking to deepen the shadows that surround us. But where is the man who thinks he has lived that will deny woman’s power over us? Has he ever taken leave of a beautiful dancer with trembling hands? Has he ever felt that indefinable enervating magnetism which, in the midst of the dance, under the influence of music, and the warmth, making all else seem cold, that comes from a young woman, electrifying her and leaping from her to him as the perfume of aloes from the swinging censer?