But of the members of the two parties there was not one who, upon returning home, did not bitterly realize the emptiness of his life and the feebleness of his hands.

While life outside was so colorless and so mean, the interior life of society assumed a somber aspect of silence; hypocrisy ruled in all departments of conduct; English ideas of devotion, gaiety even, had disappeared. Perhaps Providence was already preparing new ways, perhaps the herald angel of future society was already sowing in the hearts of women the seeds of human independence. But it is certain that a strange thing suddenly happened: in all the salons of Paris the men passed to one side and the women to the other; and thus, the one clad in white like a bride and the other in black like an orphan began to take measurements with the eye.

Let us not be deceived: that vestment of black which the men of our time wear is a terrible symbol; before coming to this, the armor must have fallen piece by piece and the embroidery flower by flower. Human reason has overthrown all illusions; but it bears in itself sorrow, in order that it may be consoled.

The customs of students and artists, those customs so free, so beautiful, so full of youth, began to experience the universal change. Men in taking leave of women whispered the word which wounds to the death: contempt. They plunged into the dissipation of wine and courtesans. Students and artists did the same; love was treated as glory and religion: it was an old illusion. The grisette, that class so dreamy, so romantic, so tender, and so sweet in love, abandoned herself to the counting-house and to the shop. She was poor and no one loved her; she wanted dresses and hats and she sold herself. O, misery! the young man who ought to love her, whom she loved, who used to take her to the woods of Verrieres and Romainville, to the dances on the lawn, to the suppers under the trees; he who used to talk with her as she sat near the lamp in the rear of the shop on the long winter evenings; he who shared her crust of bread moistened with the sweat of her brow, and her love at once sublime and poor; he, that same man, after having abandoned her, finds her after a night of orgie, pale and leaden, forever lost, with hunger on her lips and prostitution in her heart.

About this time two poets, whose genius was second only to that of Napoleon, consecrated their lives to the work of collecting all the elements of anguish and of grief scattered over the universe. Goethe, the patriarch of a new literature, after having painted in "Werther" the passion which leads to suicide, traced in his "Faust" the most somber human character which has ever represented evil and unhappiness. His writings began to pass from Germany into France. From his studio, surrounded by pictures and statues, rich, happy and at ease, he watched with a paternal smile, his gloomy creations marching in dismal procession across the frontiers of France. Byron replied to him by a cry of grief which made Greece tremble, and suspended "Manfred" over the abyss as if nothingness had been the answer of the hideous enigma, with which he enveloped him.

Pardon me! O, great poets! who are now but ashes and who sleep in peace! Pardon me; you are demi-gods and I am only a child who suffers. But while writing all this I can not help cursing you. Why did you not sing of the perfume of flowers, of the voices of nature, of hope and of love, of the vine and the sun, of the azure heavens and of beauty. You must have understood life, you must have suffered, and the world was crumbling to pieces about you, you wept on its ruins and you despaired; and your mistresses were false; your friends calumniated, your compatriots misunderstood; and your heart was empty; death was in your eyes, and you were the very Colossi of grief. But tell me, you noble Goethe, was there no more consoling voice in the religious murmur of your old German forests? You, for whom beautiful poesy was the sister of science, could you with their aid find in immortal nature no healing plant for the heart of their favorite? You, who were a pantheist, and antique poet of Greece, a lover of sacred forms, could you not put a little honey in the beautiful vases you made; you, who had only to smile and allow the bees to come to your lips? And thou, thou Byron, hadst thou not near Ravenna, under thy orange trees of Italy, under thy beautiful Venetian sky, near thy dear Adriatic, hadst thou not thy well beloved? O, God! I who speak to you and who am only a feeble child, I have perhaps known sorrows that you have never suffered, and yet I believe and I hope, and yet I bless God.

When English and German ideas passed thus over our heads there ensued disgust and mournful silence, followed by a terrible convulsion. For to formulate general ideas is to change saltpeter into powder, and the Homeric brain of the great Goethe had sucked up, as an alembic, all the juice of the forbidden fruit. Those who did not read him did not believe it, knew nothing of it. Poor creatures! The explosion carried them away like grains of dust into the abyss of universal doubt.

It was a degeneration of all things of heaven and of earth that might be termed disenchantment, or if you preferred, despair; as if humanity in lethargy had been pronounced dead by those who held its place. Like a soldier who was asked: "In what do you believe?" and who replied: "In myself." Thus the youth of France, hearing that question, replied: "In nothing."

Then they formed into two camps: on one side the exalted spirits, sufferers, all the expansive souls who had need of the infinite, bowed their heads and wept; they wrapt themselves in unhealthy dreams and there could be seen nothing but broken reeds on an ocean of bitterness. On the other side the men of the flesh remained standing, inflexible in the midst of positive joys, and cared for nothing except to count the money they had acquired. It was only a sob and a burst of laughter, the one coming from the soul, the other from the body.

This is what the soul said: