“He throws his hat upon the ground far from him,” calmly answered the arquebusier.
CHAPTER XXVI. THE FETE
“Mon Dieu! quest-ce que ce monde!”
Dernieres paroles de M. Cinq-Mars
The same day that the melancholy procession took place at Lyons, and during the scenes we have just witnessed, a magnificent fete was given at Paris with all the luxury and bad taste of the time. The powerful Cardinal had determined to fill the first two towns in France with his pomp. The Cardinal’s return was the occasion on which this fete was announced, as given to the King and all his court.
Master of the French empire by force, the Cardinal desired to be master of French opinion by seduction; and, weary of dominating, hoped to please. The tragedy of “Mirame” was to be represented in a hall constructed expressly for this great day, which raised the expenses of this entertainment, says Pelisson, to three hundred thousand crowns.
The entire guard of the Prime-Minister were under arms; his four companies of musketeers and gens d’armes were ranged in a line upon the vast staircases and at the entrance of the long galleries of the Palais-Cardinal. This brilliant pandemonium, where the mortal sins have a temple on each floor, belonged that day to pride alone, which occupied it from top to bottom. Upon each step was placed one of the arquebusiers of the Cardinal’s guard, holding a torch in one hand and a long carbine in the other. The crowd of his gentlemen circulated between these living candelabra, while in the large garden, surrounded by huge chestnut-trees, now replaced by a range of archers, two companies of mounted light-horse, their muskets in their hands, were ready to obey the first order or the first fear of their master.
The Cardinal, carried and followed by his thirty-eight pages, took his seat in his box hung with purple, facing that in which the King was half reclining behind the green curtains which preserved him from the glare of the flambeaux. The whole court filled the boxes, and rose when the King appeared. The orchestra commenced a brilliant overture, and the pit was thrown open to all the men of the town and the army who presented themselves. Three impetuous waves of spectators rushed in and filled it in an instant. They were standing, and so thickly pressed together that the movement of a single arm sufficed to cause in the crowd a movement similar to the waving of a field of corn. There was one man whose head thus described a large circle, as that of a compass, without his feet quitting the spot to which they were fixed; and some young men were carried out fainting.
The minister, contrary to custom, advanced his skeleton head out of his box, and saluted the assembly with an air which was meant to be gracious. This grimace obtained an acknowledgment only from the boxes; the pit was silent. Richelieu had wished to show that he did not fear the public judgment upon his work, and had given orders to admit without distinction all who should present themselves. He began to repent of this, but too late. The impartial assembly was as cold at the tragedie-pastorale itself. In vain did the theatrical bergeres, covered with jewels, raised upon red heels, with crooks ornamented with ribbons and garlands of flowers upon their robes, which were stuck out with farthingale’s, die of love in tirades of two hundred verses; in vain did the ‘amants parfaits’ starve themselves in solitary caves, deploring their death in emphatic tones, and fastening to their hair ribbons of the favorite color of their mistress; in vain did the ladies of the court exhibit signs of perfect ecstasy, leaning over the edges of their boxes, and even attempt a few fainting-fits—the silent pit gave no other sign of life than the perpetual shaking of black heads with long hair.
The Cardinal bit his lips and played the abstracted during the first and second acts; the silence in which the third and fourth passed off so wounded his paternal heart that he had himself raised half out of the balcony, and in this uncomfortable and ridiculous position signed to the court to remark the finest passages, and himself gave the signal for applause. It was acted upon from some of the boxes, but the impassible pit was more silent than ever; leaving the affair entirely between the stage and the upper regions, they obstinately remained neuter. The master of Europe and France then cast a furious look at this handful of men who dared not to admire his work, feeling in his heart the wish of Nero, and thought for a moment how happy he should be if all those men had but one head.