Down in the harbor eleven smallish vessels ride at anchor. They are of brigantine rig, each equal to transporting one hundred men. These will carry Colonel Arnold and his eleven hundred militant young rustics to the mouth of the Kennebec. In the waist of every vessel, packed one inside the other as a housewife arranges teacups on her shelves, are twenty bateaux. They are wide, shallow craft, blunt at bow and stern, and will be used to convey the expedition up the Kennebec. Each is large enough to hold five men, and so light that the five, at portages or rapids, can shoulder it with the dunnage which belongs to them and carry it across to the better water beyond.
The word of command runs along the unpolished ranks; the column begins to move toward the water front, taking its step from the incessant drums and fifes. Once at the water, the embarkation goes briskly forward. As the troops march away, the crowds follow; for the day in Newburyport is a gala occasion and partakes of the character of a celebration. No one considers the possibility of defeat. Everywhere one finds optimism, as though Quebec is already a captured city.
Now when the throngs have departed with the soldiery, the street shows comparatively deserted. This brings to view the Eagle Inn, a hostelry of the village. In the doorway of the Eagle a man and woman are standing. The woman is dashingly handsome, with cheek full of color and a bold eye. The man is about thirty-five in years. He swaggers with a forward, bragging, gamecock air, which—the basis being a coarse, berserk courage—is not altogether affectation. His features are vain, sensual, turbulent; his expression shows him to be proud in a crude way, and is noticeable because of an absence of any slightest glint of principle. There is, too, an extravagance of gold braid on his coat, which goes well with the superfluous feather in the three-cornered hat, and those russet boots of stamped Spanish leather. These swashbuckley excesses of costume bear out the vulgar promise of his face, and guarantee that intimated lack of fineness.
The pair are Colonel Arnold and Madam
Arnold. She has come to see the last of her husband as he sails away. While they stand in the door, the coach in which she will make the homeward journey to Norwich pulls up in front of the Eagle.
As Colonel Arnold leads his wife to the coach, he is saying: “No; I shall be aboard within the hour. After that we start at once. I want a word with a certain Captain Burr before I embark. I’ve offended him, it seems; for he is of your proud, high-stomached full-pursed aristocrats who look for softer treatment than does a commoner clay. I’ve ordered a bottle of wine. As we drink, I shall make shift to smooth down his ruffled plumage.”
“Captain Burr,” repeats Madam Arnold, not without a sniff of scorn. “And you are a colonel! How long is it since colonels have found it necessary to truckle to captains, and, when they pout, placate them into good humor?”
“My dear madam,” returns Colonel Arnold as he helps her into the clumsy vehicle, “permit me to know my own affairs. I tell you this thin-skinned boy is rich, and what is better was born with his hands open. He parts with money like a royal prince. One has but to drop a hint, and presto! his hand is in his purse. The gold I gave you I had from him.”
As the coach with Madam Arnold drives away, young Aaron is observed coming up from the water front. His costume, while as rough as that of the soldiers, has a fit and a finish to it which accents the graceful gentility of his manner beyond what satins and silks might do. Madam Arnold’s bold eyes cover him. He takes off his hat with a gravely accurate flourish, whereat the bold eyes glance their pleasure at the polite attention.
Coach gone, Colonel Arnold seizes young Aaron’s arm, with a familiarity which fails of its purpose by being overdone, and draws him into the inn. He carries him to a room where a table is spread. The stout landlady by way of topping out the feast is adding thereunto an apple pie, moonlike as her face and its sister for size and roundness. This, and the roast fowl which adorns the center, together with a bottle of burgundy to keep all in countenance, invest the situation with an atmosphere of hope.