Young Aaron, selfish, gallant, pleased with a pretty face as with a poem, becomes flatteringly attentive to pretty Peggy Moncrieffe. She, for her side, turns restless when he leaves her, to glow like the sun when he returns. She forgets the spinning wheel for his conversation. The two walk under the trees in the Battery, or, from the quiet steps of St. Paul’s, watch the evening sun go down beyond the Jersey hills.
Madam Putnam is prudent, and does not like these symptoms. She issues a whispered mandate to the old wolf killer, with whom her word is law. Thereupon he sends the pretty Peggy to safer quarters near Kingsbridge.
That is to say, the Kingsbridge refuge, to which pretty Peggy reluctantly retires, is safe until she arrives. It presently becomes a theater of danger, since young Aaron is not a day in discovering a complete military reason for visiting it. The old wolf killer is not like Washington; there are no foolish orders or tedious dispatches for his aide to write. This gives leisure to young Aaron, which he improves in daily gallops to Kingsbridge. It is to be feared that he and pretty Peggy Moncrieffe find walks as shady, and prospects as pleasant, and moments as sweet, as when they had the Battery for a promenade and took in the Jersey hills from the twilight steps of St. Paul’s. Also, the pretty Peggy no longer pleads to join her father; albeit that parent has just been sent with his regiment to Staten Island, not an hour’s sail away.
This contentment of the pretty Peggy with things as they are, re-alarms the prudence of Madam Putnam, who regards it as a sign most sinister. Having a genius to be military, quite equal to that of her old wolf-killing husband, she attacks this dangerously tender situation in flank. She gives her commands to the old wolf killer, and at once he blindly obeys. He dispatches young Aaron on a mission to Long Island. The latter is to look up positions of defense, so as to be prepared for the English, should they carry their arms in that direction.
In two days young Aaron returns, and makes an exhaustive report; whereat the old wolf killer breaks into words of praise. This duty discharged, young Aaron is into the saddle and off, clatteringly, for Kingsbridge. The old wolf killer sees him depart and says nothing, while a cunning twinkle dances in the old gray eye. Then the twinkle subsides, and is succeeded by a self-reproachful doubt.
“He might have married her,” he observes tentatively to Madam Putnam.
“Never!” returns that clear matron. “Your young Major Burr is too coolly the selfish calculating egotist. He would win her and wear her as he might some bauble ornament, and cast her aside when the glitter was gone. As for marrying her, he’d as soon think of marrying the rings on his fingers, or the buckles on his shoes.”
Young Aaron comes clattering back from Kingsbridge. His black eyes sparkle wickedly; his face, usually so imperturbable, is the seat of an obvious anger. Moreover, he seems chokingly full of a question, which even his ingenious self-confidence is at a loss how to ask. He gets the old wolf killer alone.
“Miss Moncrieffe!” he breaks forth. Then he proceeds blunderingly: “I had occasion to go to Kingsbridge, and was surprised to find her gone.” The last concludes with a rising inflection.
“Why, yes!” retorts the old wolf killer, summoning the innocence of a sheep. “I forgot to tell you that, seeing an opportunity, I yesterday sent little Peg to Staten Island under a flag of truce. She is with her father. Between us”—here he sinks his voice mysteriously—“I was afraid the enemy might find some way to use little Peg as a spy.” Young Aaron clicks his teeth savagely, but says nothing; the old wolf killer watches him with the tail of his eye.