Tricker continued his stroll. At Doyers Street and the Bowery he entered Barney Flynn's. There were forty customers hanging about. These loiterers were panhandlers of low degree; they were beneath the notice of Tricker, who was a purple patrician of the gangs. One of them could have lived all day on a quarter. It meant bed—ten cents—and three glasses of beer, each with a free lunch which would serve as a meal. Bowery beer is sold by the glass; but the glass holds a quart. The Bowery has refused to be pinched by the beer trust.

In Flynn's was the eminent Chuck Connors, his head on his arm and his arm on a table. Intoxicated? Perish the thought! Merely taking his usual forty winks after dinner, which repast had consisted of four beef-stews. Tricker gave him a facetious thump on the back, but he woke in a bilious mood, full of haughtiness and cold reserve.

There is a notable feature in Flynn's. The East Side is in its way artistic. Most of the places are embellished with pictures done on the walls, presumably by the old monsters of the Police News. On the rear wall of Flynn's is a portrait of Washington on a violent white horse. The Father of his Country is in conventional blue and buff, waving a vehement blade.

“Who is it?” demanded Proprietor Flynn of the artist, when first brought to bay by the violent one on the horse.

“Who is it?” retorted the artist indignantly. “Who should it be but Washin'ton, the Father of his Country?”

“Washin'ton?” repeated Flynn. “Who's Washin'ton?”

“Don't you know who Washin'ton is? Say, you ought to go to night school! Washin'ton's th' duck who frees this country from th' English.”

“An' he bate th' English, did he? I can well be-lave it! Yez can see be th' face of him he's a brave man.” Then, following a rapt silence: “Say, I'll tell ye what! Paint me a dead Englishman right down there be his horse's fut, an' I'll give ye foor dollars more.”

The generous offer was accepted, and the foreground enriched with a dead grenadier.

Coming out of Flynn's, Tricker went briefly into the Chinese Theater. The pig-tailed audience, sitting on the backs of the chairs with their feet in the wooden seats, were enjoying the performance hugely. Tricker listened to the dialogue but a moment; it was unsatisfactory and sounded like a cat-fight.