This McCandlas time is doorin’ them border troubles between Missouri an’ Kansas. Jest prior tharunto, Bill gets the ill-will of the Missouri outfit by some gun play he makes at Independence, then the eastern end of the old Santa Fe trail. What Bill accomplishes at Independence is a heap effectual an’ does him proud. But it don’t endear him none to the Missouri heart. Moreover, it starts a passel of resentful zealots to lookin’ for him a heap f’rocious, an’ so he pulls his freight.
It’s mebby six months later when Bill is holdin’ down a stage station some’eres over in Kansas—it’s about a day’s ride at a road-gait from Independence—for Ben Holiday’s overland line. Thar’s the widow of a compadre of Bill who has a wickeyup about a mile away, an’ one day Bill gets on his hoss, Black Nell, an’ goes romancin’ over to see how the widow’s gettin’ on. This Black Nell hoss of Bill’s is some cel’brated. Black Nell is tame as a kitten an’ saveys more’n a hired man. She’d climb a pa’r of steps an’ come sa’n-terin’ into a dance hall or a hurdy gurdy if Bill calls to her, an’ I makes no doubt she’d a-took off her own saddle an’ bridle an’ gone to bed with a pa’r of blankets, same as folks, if Bill said it was the proper antic for a pony.
It’s afternoon when Bill rides up to pow-wow with this relict of his pard. As he comes into the one room—for said wickeyup ain’t palatial, an’ consists of one big room, that a-way, an’ a jim-crow leanto—Bill says:
“Howdy, Jule?” like that.
“Howdy, Bill?” says the widow. “’Light an’ rest your hat, while I roam ’round an’ rustle some chuck.” This widow has the right idee.
While Bill is camped down on a stool waitin’ for the promised carne an’ flap-jacks, or whatever may be the grub his hostess is aimin’ to on-loose, he casts a glance outen the window. He’s interested at once. Off across the plains he discerns the killer, McCandlas an’ his band p’intin’ straight for the widow’s. They’re from Missouri; thar’s ’leven of ’em, corral count, an’ all “bad.” As they can see his mare, Black Nell, standin’ in front of the widow’s, Bill argues jestly that the McCandlas outfit knows he’s thar; an’ from the speed they’re makin’ in their approach, he likewise dedooces that they’re a heap eager for his company.
Bill don’t have to study none to tell that thar’s somebody goin’ to get action. It’s likely to be mighty onequal, but thar’s no he’p; an’ so Bill pulls his gun-belt tighter, an’ organizes to go as far as he can. He has with him only one six-shooter; that’s a severe setback. Now, if he was packin’ two the approaching war jig would have carried feachers of comfort. But he’s got a nine-inch bowie, which is some relief. When his six-shooter’s empty, he can fall back on the knife, die hard, an’ leave his mark.
As Bill rolls the cylinder of his gun to see if she’s workin’ free, an’ loosens the bowie to avoid delays, his eye falls on a rifle hangin’ above the door.
“Is it loaded, Jule?” asks Bill.
“Loaded to the gyards,” says the widow.