Possibly “chosen” as a term is indiscreet. Gamblers are born and not made; they occur and they do not choose; they are, compared with more conservative and lawful men, what wolves are to honest dogs—cousins, truly, but tameless depredators, living lean and hard, and dying when die they do, neglected, lone and poor. Yet it is fate; they are born to it as much as is the Ishmael wolf and must run their midnight downhill courses.
Gamblers, that is true gamblers, are folk of specialties. Casino Joe’s was the game which gave to him his name—at casino he throve invincibly.
“It is my gift,” he said.
Two things were with Casino Joe at birth; the genius for casino and that jack-knife talent to whittle which belongs with true-born Yankees. Of this latter I had proof long after poor Casino Joe wras dead and nourishing the grass. The races were in Boston; it was when Goldsmith Maid reigned Queen of the trotting turf. Her owner came to me at the Adams House and told how the aged sire of Goldsmith Maid, the great Henry Clay, was in his equine, joint-stiffened dotage pastured on a not too distant farm. He was eager to have a look at the old horse; and I went with him for this pilgrimage.
As we drove up to the tavern which the farmstead we sought surrounded, my curious eye was caught by a fluttering windmill contrivance perched upon the gable. It was the figure of a woman done in pine and perhaps four feet of height, carved in the somewhat airy character of a ballet dancer. Instead of a dance, however, the lady contented herself with an exhibition of Indian Club swinging—one in each pine palm; the breeze offering the whirling impulse—in the execution wherof she poised herself with one foot on a wooden ball not unlike the arrowing bronze Diana of Madison Square. This figure, twirling clubs, as a mere windmill would have been amazing enough; but as though this were not sufficiently wondrous, at regular intervals our ballet dancer shifted her feet on the ball, replacing the right with the left and again the left with the right in measured alternation. The miracle of it held me transfixed.
The host came fatly to his front stoop and smiled upon my wide-eyed interest.
“Where did you get it?” I asked.
“That was carved with a jack-knife,” replied mine host, “by a party called ‘Casino Joe.’ It took him’most a year; he got it mounted and goin’ jest before he died.”
For long I had lost trace of Casino Joe; it was now at this change house I blundered on the news how my old gambling friend of the Bowery came with his consumption and some eight thousand dollars—enough to end one’s life with—and made this place home until his death. His grave lay across a field in the little rural burying ground where he had played when a boy, for Casino Joe was native of these parts.
There were no cheatings or tricky illicitisms hidden in Joe’s supremacies of casino. They were works of a wax-like memory which kept the story of the cards as one makes entries in a ledger. When the last hands were out between Joe and an adversary, a glance at his mental entries of cards already played, and another at his own hand, unerringly informed him of what cards his opponent held. This he called “Telling the last four.”