The Sunset Trail

by Alfred Henry Lewis

[CHAPTER IV—THE WILD ROSE OF THE CANADIAN]

The town’s name was Mobeetie and, for the expansive suddenness of its springing up, might better have been Mushroom. A Cheyenne killed a buffalo in the flats that stretch from the Canadian, and as he peeled the husk from that buffalo the nearest paleface was thirty miles away. The next day came engineers, and ran lines and mapped out town lots on the ground where that buffalo was slain; within a week thereafter Mobeetie buzzed and bustled.

Mr. Masterson, ever full of the spirit of progress, gave up buffalo hunting for the nonce, and carried “chain” and pegged corners, and did what other deeds an amateur might do towards aiding the surveyors in laying out Mobeetie. Later, he aided the public in laying out certain predatory characters who from time to time rode into Mobeetie with a purpose of spoil. These latter intermittent lifts to law and order endeared Mr. Masterson to Mobeetie; the more since he was not, speaking strictly, a resident of that hamlet, having his roofless habitat on the buffalo range, with a home-camp at the ’Dobe Walls.

All folk, whether they be white or black or red or wheat-hued, are idolators in their hearts, and those of Mobeetie worshipped Mollie Brennan. The women worshipped her because her little feet took hold on innocence, the men for the beauty of her face—for brown of cheek, and red of lip, and with eyes as softly, gently deep as are those of an antelope, Mollie Brennan was beautiful. To her worshippers Mollie Brennan was known as The Wild Rose, and the name had been given her after this fashion:

Misled by drink, a chance-blown poet once upon a time invaded the Panhandle. Beholding Mollie Brennan, he fell in love, as poets will, and sighed on her obdurate trail for a wasted twelve-month. Because she would not listen, the poet poured forth his soul in sonnets, in which vehicle of verse he identified Mollie Brennan as “The Wild Rose of the Canadian.” There were no wild roses along the Canadian, at least in any near vicinity of Mobeetie, but the love-wrung bard, more moved of the whiskey than the flora of the region, refused to be bound by that barrenness. “The Wild Rose” he made it; and, since his stanzas were granted local hearing, the Wild Rose it became, and Mollie Brennan accepted and wore the title pleasantly enough.

But the Wild Rose resolutely declined the hand of that poet; and because she would not hear him and he must tell some one, he was wont, after the fifth cup, to sob forth his soul and its defeat to the frequenters of the Lady Gay saloon. The defeat gave general satisfaction, for Mobeetie distrusted if it did not disapprove of poets, and in that harsh hour the Panhandle thought better of a Sharp’s rifle than of a sonnet. The poet, in a lucid moment, perceived as much, and, every hope of conquering the callous fancy of the Wild Rose having died, he got aboard the stage-coach for Dodge, bearing with him a bottle and a broken heart. His going was regretted at the Lady Gay, but the Wild Rose felt relieved.

Sergeant King was so early in his coming to Mobeetie as to be almost entitled to fame as one of its founders. Nor did the fact go without a value, since nothing but that residential antiquity had saved him from being warned to quit the town a dozen times.

Mobeetie confessed to no love for Sergeant King. He was dark of brow, with cruel mouth and furtive secret eye. He had been run out of Abilene, as the upshot of an enterprise wherein he combined a six-shooter with a deck of cards—the latter most improperly marked—and which resulted in the demise of a gentleman then and there playing draw-poker against him. Also, he was that creature—most detested and soonest to die in the West—a blusterer and a bully; and when a bit unbuckled of rum he would boast of the blood he had spilled.

This latter relaxation is exceeding bad form. Mobeetie could have overlooked the marked cards, since it is understood in the West that every gentleman, in what games of chance engage his interest, must be equal to his own protection or suffer those forfeits which nature everywhere imposes upon ignorance gone astray; it might have condoned the homicide, because, technically, it was a killing rather than a murder, and the departed wore his hardware at the time; even those hang-dog facial marks of an innate treachery would have passed unchallenged, for who may help his looks? but that braggart trick of, orally, reviewing what scalps he had taken, and exulting thereat, set public sentiment flowing against Sergeant King to such a height of disfavour that no one wanted his company and but few his gold. This last should be the measure of an utter public disregard for, however blackly hated your outlaw villain may be, his gold, as a rule, partakes in no wise of his unpopularity. For what says Vespasian? “The smell of all money is sweet.”

Following her inadvertent conquest of the poet, and his broken-hearted dismissal to Dodge, Sergeant King was that one who gave to the Wild Rose what he would have called his heart. The gift bred an alarm in her bosom beyond any induced by the rhyming passion of the sonneteer. Whereas the poet had only annoyed her, she drew back frightened in the base instance of Sergeant King. He saw and understood, and the bitterness which lay like poison at the bottom of his evil heart was stirred.