The Sunset Trail

by Alfred Henry Lewis

The contralto of the opera company was a large, powerful woman whose name ended in “ski.” Her upper lip was distinctly mustached, and her voice sounded like a man in a cistern. There are, in divers parts of Europe, just such beings as this contralto who, yoked with cattle, assist in agriculture by pulling plows. This happy condition, however, is confined to Europe; here they sing in Wagner.

Any lady of the theaters will tell you there is advantage in being the wife of the owner of the show. It means spotlights, music, three-sheets, puffs; in short the center of the stage. The contralto in question was wholly aware of these advantages. Acting on that knowledge, this formidable woman arose one New York morning, conveyed Mr. Pepin to the Little Church Around the Corner, almost with force and arms, and married him to her for better or for worse. It turned out to be the latter alternative in the dismal case of Mr. Pepin.

There came a time when the opera company fell upon poor days. Then the days went from poor to bad and bad to worse. Lastly, came the crash. At the close of a losing week the treasurer fled with the receipts, and a host of creditors, the sheriff at their hungry head, tore Mr. Pepin into insolvent bits. When the dust of that last fierce struggle had subsided, Mr. Pepin crawled from the wreck with two fiddles and the necessity of beginning life anew.

Mr. Pepin, at that time, would have said that he had nothing further to fear from fate. Ill-fortune, he would have argued, had shot its bolt and done its worst. Most folk, after an unbiased review, would have coincided with Mr. Pepin. Also, most folk, like Mr. Pepin, would be wrong, since they would have overlooked that fell contralto.

When the opera company went to grief, and with it her position, the contralto scrupled not to revile Mr. Pepin. She even taunted him with his misshapen back. Then she beat him. When he ran from her and concealed himself, she charged him with abandonment and cruelty, and the police dragged Mr. Pepin from his place of hiding.

One day by some masterly sleight, Mr. Pepin escaped, and went fiddling forth into the land. He was not after position; salary was no object; the one purpose of Mr. Pepin was to keep out of New York and thereby out of the clutches of his contralto, for whom—since she never left that metropolis—New York had become the dread synonym. You who read may now consider how far Mr. Pepin was justified of his shudders at the mention of Broadway.

Two days prior to the coming of those Red Stocking Blondes, Mr. Peacock’s Dance Hall had suffered an orchestral setback. In the midst of the evening’s gayety five couples presented themselves in the formation of one quadrille—a manifest solecism!

Mr. Peacock, alive to the dangerous impropriety described, warned the musicians, by a repressive gesture of his hand, not to strike up. Had Mr. Peacock’s signals been heeded there would have been no trouble in the Dance Hall, for the gentlemen concerned would have either adjusted their differences by tossing a copper or gone outside to shoot.

But the signals of Mr. Peacock were not obeyed. The violinist of the Dance Hall was one of your ill-conditioned natures that dislike a quiet life. Observing those five couple where only four should be, and careless of the pantomime of Mr. Peacock, with a brief exultant remark to the pianist that he thought he saw in the snarl the rudiments of trouble, the violinist went ranting off into the “Arkansas Traveler” and dragged the pianist along.

Somewhere it has been put forth—and the assertion has had solemn acceptance to this day—that the man was a public benefactor who made two blades of grass grow where but one had grown before. However much this may be of value as a statement concerning grass, it fails when one attempts its application to quadrilles. Instead of benefiting the public, he who sought to make two couples dance where but one had danced before, would simply be laying the foundations of civil war. And this in particular were the scene of his operations Mr. Peacock’s Dance Hall in the hour borne in mind.