as calculated to allay doubts.

Both Mr. Kelly and Dodge breathed more freely when the contralto replied, expressed her tearful thanks, and said that, as to shipment suggested, Mr. Kelly needn’t mind.

“An’ you can gamble, Bat,” observed Mr. Kelly, solemnly, “it’s the last time I’ll open a correspondence, that a-way, with another gent’s wife.”


It was during the frosts of a next autumn that Mr. Masterson, in his official character, was over on the Cimarron looking for stolen horses. He decided upon a visit to Bear Shield’s band, since stolen horses among the Cheyennes were not without a precedent.

In the earlier hours of an evening full of moonlight and natural peace, Mr. Masterson came into Bear Shield’s village through a yelping skirmish line of dogs. As he rode leisurely forward, he could hear above the howling of the dogs the “Tunk, tunk!” of a native drum, which is not a drum but a tomtom. As he drew slowly nearer, the “Hy yah! hy yah! hy!” of savage singing taught an experienced intelligence that the Cheyennes were holding a dance. This was not surprising; the Cheyennes, when not hunting nor robbing nor scalping, are generally holding a dance.

And yet the situation was not lacking in elements of amazement. The “Tunk! tunk!” and the “Hy yah! hy yah! hy!” Mr. Masterson could explain, for he had heard them many times. But over and under and through them all ran a thin, wailing note which would have been understandable in a hurdy-gurdy, but fell strangely not to say fantastically upon the ear when heard in an Indian village among the cottonwoods, with the whispering soft rush of the Cimarron to bear it company.

Full of curiosity, and yet with a half guess, Mr. Masterson threw himself from the saddle and made his way through the circle of spectators that were as a frame for the dance. There, in good sooth! sat Mr. Pepin, flourishing a tuneful bow. He was giving them the “Gypsy Chorus,” while an Indian drummer beat out the time on his tomtom. Back of Mr. Pepin were squatted a half dozen young squaws, who furnished the “Hy yah! hy!” It cannot be said that these fair vocalists closely followed the score as written by Mr. Balfe; but they struck all about him, and since time was perfect the dancers skated and crouched and towered and leaped and crept thereunto with the utmost éclat.

Mr. Masterson moved into a position where he might have the moonlight full upon Mr. Pepin. That lost genius was indeed a splendid spectacle! His hair exhibited a plumy bristle of feathers, while the paints on his face offered a colour scheme by the dazzling side of which the most brilliant among the Cheyennes dwindled into dreary failure.

After the dance, Mr. Masterson talked with Mr. Pepin. It was as Mr. Masterson had surmised; in his despair at the threatened coming of the contralto, and having advantage of the Lone Wolf’s new friendship, Mr. Pepin had thrown himself upon the Cheyennes. They received him most decorously, for the Lone Wolf made a speech that opened their eyes. The Lone Wolf had exhibited his new “medicine,” and requested Mr. Pepin to make the ghosts talk, which he did. The hunch on Mr. Pepin’s back was also a mighty endorsement. It was as the signature of the Great Spirit, and bespoke for him an instant Cheyenne vogue. Bear Shield became his friend; the Lone Wolf continued to be his heart’s brother. He was given a lodge. Then Bear Shield bestowed upon him his daughter Red Bud to be his wife.