Andrew and woolsack McNairy are members of the committee which draws a constitution for the would-be commonwealth. The constitution, when framed, is brought by its authors into open convention, and wranglingly adopted. Also, “Tennessee” is settled upon for a name, albeit the ardent Andrew, who is nothing if not tribal, urges that of “Cumberland.”
The constitution goes, with the proposition of statehood, before Congress in Philadelphia; and, following a sharp fight, in which such fossilized ones as Rufus King oppose and such quick spirits as Aaron Burr sustain, the admission of “Tennessee,” the new State is created.
Its hunting-shirt citizenry, well pleased with their successful step in nation building, elect Andrew to the House of Representatives. A little later, he is taken from the House and sent to the Senate. There he meets with Mr. Jefferson, who is the Senate's presiding officer, being vice-president of the nation, and that accurate parliamentarian and polished fine gentleman writes of him:
“He never speaks on account of the rashness of his feelings. I have seen him attempt it repeatedly, but as often choke with rage.” There also he encounters Aaron Burr; and is so far socially sagacious as to model his deportment upon that of the American Chesterfield, ironing out its backwoods wrinkles and savage creases, until it fits a salon as smoothly well as does the deportment of Burr himself. Our hero finds but one other man about Congress for whom he conceives a friendship equal to that which he feels for Aaron Burr, and he is Edward Livingston.
Andrew the energetic discovers the life of a senator to be one of dawdling uselessness, overlong drawn out; and says so. He anticipates the acrid Randolph of Roanoke, and declares that he never winds his watch while in Congress, holding all time spent there as wasted and thrown away.
Idleness rusts him; and, being of a temper even with that of best Toledo steel, he refuses to rust patiently. Preyed upon and carked of an exasperating leisure, which misfits both his years and his fierce temperament, he seeks refuge in what amusements are rife in Philadelphia. He goes to Mr. McElwee's Looking-glass Store, 70 South Fourth Street, and pays four bits for a ticket to the readings of Mr. Fennell, who gives him Goldsmith, Thompson and Young. The readings pall upon him, and athirst for something more violent, he clinks down a Mexican dollar, witnesses the horsemanship at Mr. Rickett's amphitheater, and finds it more to his horse-loving taste. When all else fails, he buys a seat in a box at the Old Theater in Cedar Street, and is entertained by the sleight of hand of wizard Signor Falconi. On the back of it all he grows heartily sick of the Senate, and of civilization, as the latter finds exposition in Philadelphia, and resigns his place and goes home.
When he arrives in Nashville, the Legislature—which still holds that he should be engaged upon some public work—elects him to the supreme bench....
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....objectionable Mr. Bean with those Galway saw-handles; and that violent person surrenders unconditionally. In elucidating his sudden tameness and its causes, Mr. Bean subsequently explains to a disgusted admirer:
“I looks at the Jedge, an' I sees shoot in his eye; an' thar warn't shoot in nary 'nother eye in the crowd. So I says to myse'f, says I, 'Old Hoss, it's about time to sing small!' An' I does.”