"It's the next day when the stage starts; Old Monte is crackin' his whip in a hardened way, carin' nothin' for road agents as long as they don't interfere with the licker traffic. Thar's only one passenger.
"Shore enough, jest as it's closin' in some dark in Apache Canyon, an' the stage is groanin' an' creakin' along on a up grade, thar's a trio of hold-ups shows on the trail, an' the procession comes to a halt. Old Monte sets the brake, wrops the reins about it, locks his hands over his head, an' turns in to cuss. The hold-ups takes no notice. They yanks down the Wells-Fargo chest, pulls off the letter bag, accepts a watch an' a pocket-book from the gent inside, who's scared an' shiverin' an' scroogin' back in the darkest corner, he's that terror-bit, an' then they applies a few epithets to Old Monte an' commands him to pull his freight. An' Old Monte shorely obeys them mandates, an' goes crashin' off up the canyon on the run.
"Them outlaws hauls the plunder to one side of the trail an' lays for the mail-bag with a bowie. All three is as busy as prairy dogs after a rain, rippin' open letters an' lookin' for checks an' drafts. Later they aims at some op'rations on the express company's box.
"But they never gets to the box. Thar's the lively tones of a Winchester which starts the canyon's echoes to talkin'. That rifle ain't forty foot away, an' it speaks three times before ever you- all, son, could snap your fingers. An' that weepon don't make them observations in vain. It ain't firin' no salootes. Quick as is the work, the sights shifts to a new target every time. At the last, all three hold-ups lays kickin' an' jumpin' like chickens that a-way, two is dead an' the other is too hard hit to respond.
"Whoever does it? Jack Moore, he's that one shiverin' passenger that time. He slides outen the stage as soon as ever it turns the angle of the canyon, an' comes scoutin' an' crawlin' back on his prey. An' I might add, it shore soothes Jack's vanity a lot, when the first remainder shows down as that artless maverick, Davis. Jack lights a pine splinter an' looks him over-pale an' dead an' done.
"'Which you-all is the victim of over-play,' says Jack to this yere Davis, same as if he hears him, 'If you never asks to see my gun that time, it's even money my suspicions concernin' you might be sleepin' yet.'"