"I'm through the Lincoln County war, an' has been romancin' about the frontier for years; but I never tracks up on no sech outrage in my life as this disgraceful Colonel openin' a hurdy-gurdy ag'in Hamilton's, an' maverickin' his music that a-way, an' dancin' tharunto.

"It's the second night, an' Hamilton concloods he'll see about it some. He comes into the Colonel's joint, ca'm an' considerate, an' gives it out thar's goin' to be trouble if the Colonel don't close his game or play in his own fiddlers.

"'Which if you-all don't close your game or hunt out your own music,' says Hamilton, 'I'm mighty likely to get my six-shooter an' close it for you.'

"'See yere,' says my Colonel—which he's shore been learnin' since I parts with him on the Canadian—'the first hold-up who comes foolin' 'round to break up a baile of mine, I'll shorely make him hard to find. What business you got fillin' up my place with your melodies? You rolls your tunes in yere like you owns the ranch; an' then you comes curvin' over an' talks of a gun-play 'cause, instead of layin' for you for that you disturbs my peace with them harmonies, I'm that good-nachered I yields the p'int an' dances to 'em. You-all pull your freight,' says the Colonel, 'or I'll fill you full of lead.'

"This argument of the Colonel's dazzles Hamilton to that degree he don't know whether he's got the high hand or not. He thinks a minute, an' then p'ints over to the Red Light for Enright an' Doc Peets. As he leaves the rival dance-hall, the Colonel, who's callin' off his dances, turns to the quadrille, which is pausin pendin' the dispoote, an' shouts:

"'You bet I knows my business! Right hand to your partner; grand right an' left!'

"When Hamilton turns away they's shore makin' things rock an' tremble; an' all to the strains of 'The Arkansaw Traveller,' which is bein' evolved next door at Hamilton's expense.

"Which somethin's goin' to pop; says Hamilton, mighty ugly to Enright an' the rest of us, as he pours a drink into his neck. 'I allows in the interests of peace that I canters over an' sees you- alls first. I ain't out to shake up Wolfville, nor give Red Dog a chance to criticise us none as a disorderly camp; but I asks you gents, as citizens an' members of the vig'lance committee, whether I'm to stand an' let this yere sharp round-up my music to hold his revels by, an' put it all over me nightly?'

"'I don't see no difference,' says Dan Boggs, 'between this convict a-stealin' of Hamilton's music, than if he goes an' stands up Old Monte an' the stage.'

"'The same bein' my idee exact,' says Texas Thompson. 'Yere's Hamilton caterin' to this camp with a dance-hall. It's a public good thing. If a gent's morose, an' his whiskey's slow placin' itse'f, he goes over to Hamilton's hurdy-gurdy an' finds relaxation an' relief. Now yere comes this stranger—an' I makes it fifty dollars even he's from Massachusetts—an' what does he do? Never antes nor sticks in a white chip, but purloins Hamilton's strains, an' pulls off his dances tharby. It's plumb wrong, an' what this party needs is hangin'.'