One criticism, strange to say, no one ever thought of making—and yet, to us, it seems the first, the most obvious of all criticisms, and that is that the play was horribly profane. This cowardly, drunken, sensual Bacchus—and he is ten times worse in the original than I have ventured to make him here—this despicable wretch was one of the gods whom every one in the audience was supposed to worship. The festival which was the occasion of the theatrical exhibition was held in his honor, his altar was the centre round which the whole action of every piece revolved. And yet he was caricatured in this audacious manner, and it did not occur to anyone to object! Verily the religion of the Greeks sat very lightly on their consciences, and we cannot wonder if it had but small effect on their lives.
CHAPTER II.
NEWS FROM THE FLEET.
I anticipated the course of my story when I spoke of the first prize being adjudged to the comedy exhibited by Aristophanes. There were various competing plays—how many we do not know, but the titles and authors of two that won the second and third prizes have been preserved—and all those had of course to be performed before a decision could be made. Two or three days at least must have passed before the exhibition was at an end.
The next competitor had certainly reason to complain of his ill-luck. Just before the curtain fell for the opening scene of his comedy an incident occurred which made the people little disposed to listen to anything more that day. The spectators had just settled themselves in their places, when a young officer hastily made his way up to the bench where the magistrates were seated, and handed a roll to the president. The occurrence was very unusual. It was reckoned almost an impiety to disturb the festival of Bacchus with anything of business; only matters of the very gravest importance could be allowed to do it. The entrance of the young man, happening as it did, just in the pause of expectation before the new play began, had been generally observed. Every one could see from his dress that he was a naval officer, and many knew him as one of the most promising young men in Athens. “News from the fleet,” was the whisper that ran through the theatre, and there were few among the thousands there assembled to whom news from the fleet did not mean the life or death of father, brother, or son. The president glanced at the document put into his hands, and whispering a few words to the messenger, pointed to a seat by his side. All eyes were fastened upon him. (The magistrates, it may be explained, occupied one of the front or lowest rows of seats, and were therefore more or less in view of the whole theater, which was arranged in the form of a semicircle, with tier upon tier of benches rising upon the slope of the hill on the side of which the building was constructed.) When a moment afterwards, the curtain was withdrawn, scarcely a glance was directed to the stage. The action and the dialogue of the new piece were absolutely lost upon what should have been an audience, but was a crowd of anxious citizens, suddenly recalled from the shows of the stage to the realities of life.
The president now carefully read the document and passed it on to his colleagues. Some whispered consultations passed between them. When at the end of the first act a change of scenery caused a longer pause than usual the president quietly left the theatre, taking the bearer of the despatch with him. Some of the other magistrates followed him, the rest remaining behind because it would have been unseemly to leave the official seats wholly untenanted while the festival was still going on. This proceeding increased the agitation of the people, because it emphasized the importance of the news that had arrived. Some slipped away, unable to sit quietly in their places and endure the suspense, and vaguely hoping to hear something more outside. Among those that remained the buzz of conversation grew louder and louder. Only a few very determined play-goers even pretended to listen to what was going on upon the stage. Meanwhile the unfortunate author, to whom, after all, the fate of his play was not less urgent a matter than the fate of the city, sat upon his prompter’s stool—the author not uncomonly did the duty of prompter—and heartily cursed the bad luck which had distracted in so disastrous a way the attention of his audience.
When at last, to the great relief of everyone concerned, the performance was brought to a conclusion, the young officer told his story, supplementing the meagre contents of the despatch which he had brought, to a full conclave of magistrates, assembled in one of the senate-rooms of the Prytaneum or Town-hall of Athens. I may introduce him to my readers as Callias, the hero of my story.
Many of the details that follow had already been given by Callias, but as he had to repeat them for the benefit of the magistrates who had stopped behind in the theatre, I may as well put them all together.
“We know,” said the president, “that Conon was beaten in a battle in the harbor of Mitylene. So much we heard from Hippocles, a very patriotic person by the way, though he is an alien. He has a very swift yacht that can outstrip any war-ship in Greece, and often gives us very valuable intelligence. Do you know him?”