Cleanor was long in doubt whether or not he should be present at the hideous ceremony of the coming day. All the instincts of his own nature and his race revolted against such doings. The Greek temper was not particularly merciful, and certainly never shrank from taking life when occasions of policy or promptings of revenge seemed to suggest it, but it had no liking for spectacles of blood. Even in its degradation it revolted from the savage amusements which fascinated the Romans. And Cleanor had the best feelings of his race in high development. On the other hand, he reflected that if any chance suspicion should arise his presence might help to disarm it. Above all, his interest in the fate of his little foster-brother was so overpowering that he felt it impossible to keep away.
The solemnities of the day began with a great procession, in which the inferior deities of the Carthaginian faith were carried to pay their homage, as it was said, to Baal Hammon their chief. Each had his own company of priests and temple attendants; both the deity and his satellites were decked out for the occasion with all the splendours which the temple treasuries—most of them rich with the accumulation of centuries—could furnish.
First,—for it was right that the most dignified visitor should be the first to arrive,—came Melcart, Hammon's vicegerent, as he might be called, who had under his special protection the daughter cities of the Phœnician race, as he had the great mother-city of Tyre. The god was not represented by any human figure, but a great sun, with gilded rays, was borne under a canopy of rich purple curtains. Next to Melcart came Tanit or Astarte, symbolized by a similar image of the moon, but smaller, and with silver rays; and after Tanit again, Dagon, the fish-god, the special protector of the fleets of Carthage, held in less reverence since the eldest daughter of Tyre had lost the hereditary supremacy of the seas. These were the three great dignitaries of the procession; after them followed a crowd of inferior powers with figures of man or brute, always heavy with gold or sparkling with gems, but grotesque or even hideous in shape, for the Phœnician craftsman made no effort to emulate the grace of his Greek rival.
Hammon's temple was thronged, and indeed had been thronged from the hour of dawn, when its gates were thrown open, with an excited multitude. A lane, however, was kept clear in the middle by two ranks of stalwart guards, native Carthaginians, all of them splendid in gilded helmets, with nodding plumes of the African ostrich, and armour of shining steel, with short purple cloaks over their shoulders. This lane was left for the approach of the divine visitors. As the first of these drew near, the great doors, themselves covered with a scarlet curtain, that separated the sanctuary from the body of the temple, were thrown back, and the holy place became visible, to most of those present that day for the first time in their lives.
In the centre of a semicircular recess at the further end, on a throne of gold, approached by twelve steps, each flanked by the image of a lion, sat the colossal statue of Hammon. The canopy above it was formed by the meeting wings of two stooping figures. The image was made of some black stone, probably basalt, carved into a rude similitude of the human figure, with arms of steel which extended forwards. In front, so close to the image as to be partly under the arms, was an opening six feet wide, from which, now and then, a slender tongue of coloured flame might be seen to shoot forth.
When the opened doors revealed the image, an instantaneous silence fell upon the assembled multitude, in striking contrast to the babel of sounds which had filled the temple a minute before. The awful moment had come, and the multitude waited with mingled wonder and terror for what was to follow.
The silence was first broken by the voice of the high-priest as he began to chant the litany of supplication. It was heard plainly enough, but few understood it, for the form had not been changed from the earliest times, and the language was mostly obsolete. At certain intervals the voices of the inferior priests might be heard coming in with the refrain. The ancient formula ended, the high-priest added special supplications for the day. He invoked blessings on Carthage, on her armies, her fleets, her priests, and her people. He cursed her enemies, Rome first of all, with special mention of the name of Scipio. The supplications ended, the high-priest turned to the people, crying, "Sons of Carthage, offer with a willing heart, and of your best, to your Lord and Saviour Hammon!"
There was a momentary pause. Then the Shophetim descended from the seats on which they had been sitting, and, coming forward, cast gold and spices into the opening. No one imitated, or was expected to imitate them. They represented the people, and their gifts symbolized the offering of the people's wealth. The more solemn part of the sacrifice remained to be performed, and this part, for evident reasons, the priests retained in their own hands.
The high-priest began again:
"O Baal Hammon, we have given thee the most precious of things without life; now we give thee flesh of our flesh, and life of our life."