But gradually the hopelessness of his literary existence became inescapable to Doctor Bryller, who was certainly no idiot. In addition, his funds for the foreseeable future were exhausted. So, incapable of killing himself if it were to become necessary, he had to focus his energy on working to earn a living. His writing activity was financially unsuccessful. He would not have the heart to take a permanent literary job—something like an editorship—aside from the fact that no one would take him. What other option did he have but to use the rest of his money to continue his interrupted university training, take the necessary state examinations, and then find himself a secure and pleasant position as a senior teacher. In point of fact, this profession seemed thoroughly comfortable to him. Convinced of the incorrigibility of human imperfection, which he had experienced first hand, and utterly convinced of the complete uselessness of physical and intellectual striving, he gladly gave free rein to any and all base impulse. He could satisfy his cravings for power, his other ambitions, even his erotic needs, most readily as a senior teacher.

Despite his moodiness and frequent peculiar behaviour, Doctor Bryller was one of the most popular teachers at the Horror High School. The small pupils idolized him, the bigger ones clung to him passionately. Of course there also were pupils who didn't like him. For example, the second-year pupil Max Mechenmal whose face he had slapped a few times without obvious reason. This could have had the most unpleasant consequences for Doctor Berthold Bryller. On the occasion of the teacher meeting called by director Rudolf Richter after the highly indignant complaint of the pupil, a large majority of the colleagues, unlike the pupils, turned out to have unfriendly feelings for the Doctor. When he, questioned about why he had pupil, smilingly replied that Mechenmal displeased him, they wanted to recommend to the authorities, following the suggestion of the respected colleague Lothar Laaks, that he be removed for a considerable time for the purpose of mental recovery in a sanatorium. Only the happenstance that the aggrieved pupil Mechenmal was hated equally by teachers and pupils, because of his overfriendly awkwardness and his malicious secret rabble-rousing, impeded such a decision. Although colleague Laaks—the only one who found words of appreciation for Mechenmal—advocated it heatedly with the use of much dirty dialectic. The colleagues were content to warn Doktor Bryller of the inappropriateness of his behavior.

One day, about a half year before the final incarceration of Berthold Bryller for life, in an insane asylum subsidized by the state, a yelling arose in the schoolyard of the Horror High School. A crowd of mostly smaller pupils surged behind a dwarfish, care-worn, lop-sided boy whose back showed the slight beginnings of a hump. They teased him cheerfully and spitefully—the words were unintelligible because of the noise but surely malicious. He was pushed so that he stumbled. Many older high school pupils looked on, amused at the lively rough-housing. Even senior teacher Laaks, who was supervising, failed to suppress an amused smile. In a window was the motionless face of Doctor Bryller.

The malformed boy continued walking without defending himself. With bent head. Often he had to wipe his eyes with his hand. Only once, when one of most impudent youths – who else but the second-year pupil Mechenmal—spat into his face while the others raucously clapped approval, did he throw himself sobbing deeply against the attacker, who immediately ran away. Through the middle of the shrieking crowd, which blocked his way in all directions, the crying humpback pursued his schoolmate. Perhaps he would have reached Mechenmal if the perennial fourth-year pupil Spinoza Spass hadn't suddenly grasped his hump as if with a hook. Spinoza Spass grinned comfortably and maliciously into the monkey-shaped, longingly apathetic face, as he propelled the little despairing Kohn like a weight slowly through the sunny spring air. By this heroic deed he became one of the most famous fourth-year pupils of the Horror High School.

Some sympathetic older high school pupils put an early end to the strange spectacle. The gaunt, pale senior Paulus snatched the tiny unfortunate boy from the venemously peering Spass and threatened to beat up anyone who annoyed the lop-sided little Kohn further. For fear of Paulus and some other like-minded boys, they left the flushed humpback in peace—at least for the time being. He walked along, pressing himself against the gray walls. And would have most happily sunk into the ground. When the school bell rang, he was glad to disappear into the classrooms.

The senior Peter Paulus was already walking along the somewhat dark corridor to the spacious room in which the parish priest Leopold Lehmann gave Hebrew lessons to the pupils in the upper classes, when the senior teacher Laaks caught up with him, called to him, and engaged him in a mysterious, very excited conversation. Laaks was apparently reprimanding Paulus. It was strange, however, that he didn't look like a teacher chastising a pupil, but rather like a mistrustful relative who believes himself taken advantage of in an inheritance matter. The behavior of the senior was also by no means the behavior of a subordinate…

The discussion between the two must have lasted a very long time. For when Peter Paulus entered more pale than usual and explained that his late arrival was caused by an official conversation, the priest Lehmann had long since concluded the topic of that day’s curriculum. He was engaged in a religious discussion which, following the modern trend, he linked regularly to the Hebrew lesson. They were speaking at the moment about God and the nature of student life, but came, after a few unimportant discussions, to the main topic: abortion and the inner life, which gave them pause. The discussion was triggered by a report in an art journal that someone had cut out and brought for the purpose of discussion. The priest read out loud:

Collapse of the famous dancer Lola Lalà

A correspondent has wired us that the famed variety dancer Lola Lalà, who also appears under the name Lo Lálalà and whose maiden name is Leni Levi, had to be taken to a lunatic asylum, which caused a tremendous sensation. The pitiful woman had been found toward morning in a wheat field, stark naked in her birthday suit, crying bitterly and smoking a large cigar. Mr Gottschalk Schulz, a poet of sensitivity, has published a moving poem about this in the "Newspaper for Enlightened Citizens". It has a piquant attraction because—so it is rumored and probably correctly—the poet maintained quite warm relations with the poor and charming dancer. Therefore this beautiful poem will not be withheld from our readers:-The poem had the heading: Smoke on the Field. The priest didn't read it out, however, because it was too smutty. Also it was not relevant. Instead he read:

As I learn further from a special, authentic source in the late evening, the cause of the mental collapse of the dancer is said to have been a fright caused by a burglary that happened after an abortion that was carried out successfully. A court-ordered investigation is underway.