William Thom was born in 1798 of parents steeped in poverty, in a tenement in one of the narrow closes of Aberdeen, and at the age of ten began his apprenticeship to life in a cotton factory. At the age of fifteen or sixteen he entered the "School Hill Factory,"—a building since swept away,—as a weaver hand, and remained there for seventeen years. The wages of the best operatives averaged through good and bad times from six to nine shillings weekly, and of the second-class from three to five shillings. The daily hours of labor were fourteen. What that meant, not in poverty, but in absolute want of food, warmth, and the means for the sustenance of life, the degradation of rags, the shutting out of all glimpses of heaven and earth, leaving the only alleviation to the hours of toil at the rattling machines, and the squalid suffering in the reeking tenements, in the cheap and fiery stimulants of the taprooms, can be only faintly imagined. An inheritance of bad habits had also descended to the weaving class. When the factories were first established in 1770, after the invention of the spinning jenny, the wages of skillful workmen were forty shillings a week, and the operatives usually remained drunk from Saturday night until Wednesday morning, wore frilled shirts and powdered hair, sported canes, and quoted Volney in their discussions on the rights of man in the taprooms. The overplus of labor gradually reduced the wages to the starvation point, while the habits of dissipation and recklessness remained as characteristic of the craft. Thom gives a most affecting picture of the lives and thoughts of these men, many of them, strong with native intellect and passion, condemned to a life of unending servitude and degradation, too ragged to dare to enter a church, even if they wished, and getting their only glimpse of nature in the garden of Gordon's Hospital, which was open on the Sunday holiday, while the whiskey shop gave them their only taste of joy and exhilaration; and yet who had a native feeling for poetry, repeating the verses of Burns and particularly of Tannahill, their brother weaver, as they tended their looms, and applauding the poets and singers in their own ranks, whose rude verses expressed their feelings or appealed to their sympathies in the gatherings in the taprooms. The moral influences of such a life, where three or four hundred men and women were herded together in common workrooms was also very bad, and many a young girl dated her ruin in life, bringing additional desolateness to the miserable home, from the promiscuous association, and being barred out into the streets with a heavy fine for failing to be at the factory door at its opening in the early morning. How virtue, morality, or any of the decency and self-respect of humanity could exist at all in such a life may be considered a marvel, and it is a proof of the inherent strength of the Scottish character and its inherited virtues that these factories were not greater plague spots than they actually were, and that honest lives and Tinman affections flourished at all. In a poem, entitled Whisperings to the Unwashed, in the fiercely declamatory style of the Corn Law Rhymer, Thom draws a grim picture of the awakening of the weavers at the call of the town drum, used for that purpose in the smaller burghs, at six o'clock in the bleak and dark Northern mornings.
Rubadub, rnbadub, row-dow-dow!
Hark how he waukens the Weavers now;
Who lie belaired in a dreamy steep—
A mental swither, 'tween death and sleep,
Wi' hungry wame and hopeless heart,
Their food no feeding, their sleep no rest;
Arouse ye, ye sunken, unravel your rags,
No coin in your coffers, no meal in your bags.
Yet cart, barge, and wagon, with load after load,