My last lecture described the influence upon the eighteenth century of the narrow and efficient scheme of scientific concepts which it had inherited from its predecessor. That scheme was the product of a mentality which found the Augustinian theology extremely congenial. The Protestant Calvinism and the Catholic Jansenism exhibited man as helpless to co-operate with Irresistible Grace: the contemporary scheme of science exhibited man as helpless to co-operate with the irresistable mechanism of nature. The mechanism of God and the mechanism of matter were the monstrous issues of limited metaphysics and clear logical intellect. Also the seventeenth century had genius, and cleared the world of muddled thought. The eighteenth century continued the work of clearance, with ruthless efficiency. The scientific scheme has lasted longer than the theological scheme. Mankind soon lost interest in Irresistible Grace; but it quickly appreciated the competent engineering which was due to science. Also in the first quarter of the eighteenth century, George Berkeley launched his philosophical criticism against the whole basis of the system. He failed to disturb the dominant current of thought. In my last lecture I developed a parallel line of argument, which would lead to a system of thought basing nature upon the concept of organism, and not upon the concept of matter. In the present lecture, I propose in the first place to consider how the concrete educated thought of men has viewed this opposition of mechanism and organism. It is in literature that the concrete outlook of humanity receives its expression. Accordingly it is to literature that we must look, particularly in its more concrete forms, namely in poetry and in drama, if we hope to discover the inward thoughts of a generation.

We quickly find that the Western peoples exhibit on a colossal scale a peculiarity which is popularly supposed to be more especially characteristic of the Chinese. Surprise is often expressed that a Chinaman can be of two religions, a Confucian for some occasions and a Buddhist for other occasions. Whether this is true of China I do not know; nor do I know whether, if true, these two attitudes are really inconsistent. But there can be no doubt that an analogous fact is true of the West, and that the two attitudes involved are inconsistent. A scientific realism, based on mechanism, is conjoined with an unwavering belief in the world of men and of the higher animals as being composed of self-determining organisms. This radical inconsistency at the basis of modern thought accounts for much that is half-hearted and wavering in our civilisation. It would be going too far to say that it distracts thought. It enfeebles it, by reason of the inconsistency lurking in the background. After all, the men of the Middle Ages were in pursuit of an excellency of which we have nearly forgotten the existence. They set before themselves the ideal of the attainment of a harmony of the understanding. We are content with superficial orderings from diverse arbitrary starting points. For instance, the enterprises produced by the individualistic energy of the European peoples presupposes physical actions directed to final causes. But the science which is employed in their development is based on a philosophy which asserts that physical causation is supreme, and which disjoins the physical cause from the final end. It is not popular to dwell on the absolute contradiction here involved. It is the fact, however you gloze it over with phrases. Of course, we find in the eighteenth century Paley’s famous argument, that mechanism presupposes a God who is the author of nature. But even before Paley put the argument into its final form, Hume had written the retort, that the God whom you will find will be the sort of God who makes that mechanism. In other words, that mechanism can, at most, presuppose a mechanic, and not merely a mechanic but its mechanic. The only way of mitigating mechanism is by the discovery that it is not mechanism.

When we leave apologetic theology, and come to ordinary literature, we find, as we might expect, that the scientific outlook is in general simply ignored. So far as the mass of literature is concerned, science might never have been heard of. Until recently nearly all writers have been soaked in classical and renaissance literature. For the most part, neither philosophy nor science interested them, and their minds were trained to ignore it.

There are exceptions to this sweeping statement; and, even if we confine ourselves to English literature, they concern some of the greatest names; also the indirect influence of science has been considerable.

A side light on this distracting inconsistency in modern thought is obtained by examining some of those great serious poems in English literature, whose general scale gives them a didactic character. The relevant poems are Milton’s Paradise Lost, Pope’s Essay on Man, Wordsworth’s Excursion, Tennyson’s In Memoriam. Milton, though he is writing after the Restoration, voices the theological aspect of the earlier portion of his century, untouched by the influence of the scientific materialism. Pope’s poem represents the effect on popular thought of the intervening sixty years which includes the first period of assured triumph for the scientific movement. Wordsworth in his whole being expresses a conscious reaction against the mentality of the eighteenth century. This mentality means nothing else than the acceptance of the scientific ideas at their full face value. Wordsworth was not bothered by any intellectual antagonism. What moved him was a moral repulsion. He felt that something had been left out, and that what had been left out comprised everything that was most important. Tennyson is the mouthpiece of the attempts of the waning romantic movement in the second quarter of the nineteenth century to come to terms with science. By this time the two elements in modern thought had disclosed their fundamental divergence by their jarring interpretations of the course of nature and the life of man. Tennyson stands in this poem as the perfect example of the distraction which I have already mentioned. There are opposing visions of the world, and both of them command his assent by appeals to ultimate intuitions from which there seems no escape. Tennyson goes to the heart of the difficulty. It is the problem of mechanism which appalls him,

“‘The stars,’ she whispers, ‘blindly run.’”

This line states starkly the whole philosophic problem implicit in the poem. Each molecule blindly runs. The human body is a collection of molecules. Therefore, the human body blindly runs, and therefore there can be no individual responsibility for the actions of the body. If you once accept that the molecule is definitely determined to be what it is, independently of any determination by reason of the total organism of the body, and if you further admit that the blind run is settled by the general mechanical laws, there can be no escape from this conclusion. But mental experiences are derivative from the actions of the body, including of course its internal behaviour. Accordingly, the sole function of the mind is to have at least some of its experiences settled for it, and to add such others as may be open to it independently of the body’s motions, internal and external.

There are then two possible theories as to the mind. You can either deny that it can supply for itself any experiences other than those provided for it by the body, or you can admit them.

If you refuse to admit the additional experiences, then all individual moral responsibility is swept away. If you do admit them, then a human being may be responsible for the state of his mind though he has no responsibility for the actions of his body. The enfeeblement of thought in the modern world is illustrated by the way in which this plain issue is avoided in Tennyson’s poem. There is something kept in the background, a skeleton in the cupboard. He touches on almost every religious and scientific problem, but carefully avoids more than a passing allusion to this one.

This very problem was in full debate at the date of the poem. John Stuart Mill was maintaining his doctrine of determinism. In this doctrine volitions are determined by motives, and motives are expressible in terms of antecedent conditions including states of mind as well as states of the body.