What I mean is art and[and] aesthetic education. It is, however, art in such a general sense of the term that I hardly like to call it by that name. Art is a special example. What we want is to draw out habits of aesthetic apprehension. According to the metaphysical doctrine which I have been developing, to do so is to increase the depth of individuality. The analysis of reality indicates the two factors, activity emerging into individualised aesthetic value. Also the emergent value is the measure of the individualisation of the activity. We must foster the creative initiative towards the maintenance of objective values. You will not obtain the apprehension without the initiative, or the initiative without the apprehension. As soon as you get towards the concrete, you cannot exclude action. Sensitiveness without impulse spells decadence, and impulse without sensitiveness spells brutality. I am using the word “sensitiveness” in its most general signification, so as to include apprehension of what lies beyond oneself; that is to say, sensitiveness to all the facts of the case. Thus “art” in the general sense which I require is any selection by which the concrete facts are so arranged as to elicit attention to particular values which are realisable by them. For example, the mere disposing of the human body and the eyesight so as to get a good view of a sunset is a simple form of artistic selection. The habit of art is the habit of enjoying vivid values.

But, in this sense, art concerns more than sunsets. A factory, with its machinery, its community of operatives, its social service to the general population, its dependence upon organising and designing genius, its potentialities as a source of wealth to the holders of its stock is an organism exhibiting a variety of vivid values. What we want to train is the habit of apprehending such an organism in its completeness. It is very arguable that the science of political economy, as studied in its first period after the death of Adam Smith (1790), did more harm than good. It destroyed many economic fallacies, and taught how to think about the economic revolution then in progress. But it riveted on men a certain set of abstractions which were disastrous in their influence on modern mentality. It de-humanised industry. This is only one example of a general danger inherent in modern science. Its methodological procedure is exclusive and intolerant, and rightly so. It fixes attention on a definite group of abstractions, neglects everything else, and elicits every scrap of information and theory which is relevant to what it has retained. This method is triumphant, provided that the abstractions are judicious. But, however triumphant, the triumph is within limits. The neglect of these limits leads to disastrous oversights. The anti-rationalism of science is partly justified, as a preservation of its useful methodology; it is partly mere irrational prejudice. Modern professionalism is the training of minds to conform to the methodology. The historical revolt of the seventeenth century, and the earlier reaction towards naturalism, were examples of transcending the abstractions which fascinated educated society in the Middle Ages. These early ages had an ideal of rationalism, but they failed in its pursuit. For they neglected to note that the methodology of reasoning requires the limitations involved in the abstract. Accordingly, the true rationalism must always transcend itself by recurrence to the concrete in search of inspiration. A self-satisfied rationalism is in effect a form of anti-rationalism. It means an arbitrary halt at a particular set of abstractions. This was the case with science.

There are two principles inherent in the very nature of things, recurring in some particular embodiments whatever field we explore—the spirit of change, and the spirit of conservation. There can be nothing real without both. Mere change without conservation is a passage from nothing to nothing. Its final integration yields mere transient non-entity. Mere conservation without change cannot conserve. For after all, there is a flux of circumstance, and the freshness of being evaporates under mere repetition. The character of existent reality is composed of organisms enduring through the flux of things. The low type of organisms have achieved a self-identity dominating their whole physical life. Electrons, molecules, crystals, belong to this type. They exhibit a massive and complete sameness. In the higher types, where life appears, there is greater complexity. Thus, though there is a complex, enduring pattern, it has retreated into deeper recesses of the total fact. In a sense, the self-identity of a human being is more abstract than that of a crystal. It is the life of the spirit. It relates rather to the individualisation of the creative activity; so that the changing circumstances received from the environment, are differentiated from the living personality, and are thought of as forming its perceived field. In truth, the field of perception and the perceiving mind are abstractions which, in the concrete, combine into the successive bodily events. The psychological field, as restricted to sense-objects and passing emotions, is the minor permanence, barely rescued from the nonentity of mere change; and the mind is the major permanence, permeating that complete field, whose endurance is the living soul. But the soul would wither without fertilisation from its transient experiences. The secret of the higher organisms lies in their two grades of permanences. By this means the freshness of the environment is absorbed into the permanence of the soul. The changing environment is no longer, by reason of its variety, an enemy to the endurance of the organism. The pattern of the higher organism has retreated into the recesses of the individualised activity. It has become a uniform way of dealing with circumstances; and this way is only strengthened by having a proper variety of circumstances to deal with.

This fertilisation of the soul is the reason for the necessity of art. A static value, however serious and important, becomes unendurable by its appalling monotony of endurance. The soul cries aloud for release into change. It suffers the agonies of claustrophobia. The transitions of humour, wit, irreverence, play, sleep, and—above all—of art are necessary for it. Great art is the arrangement of the environment so as to provide for the soul vivid, but transient, values. Human beings require something which absorbs them for a time, something out of the routine which they can stare at. But you cannot subdivide life, except in the abstract analysis of thought. Accordingly, the great art is more than a transient refreshment. It is something which adds to the permanent richness of the soul’s self-attainment. It justifies itself both by its immediate enjoyment, and also by its discipline of the inmost being. Its discipline is not distinct from enjoyment, but by reason of it. It transforms the soul into the permanent realisation of values extending beyond its former self. This element of transition in art is shown by the restlessness exhibited in its history. An epoch gets saturated by the masterpieces of any one style. Something new must be discovered. The human being wanders on. Yet there is a balance in things. Mere change before the attainment of adequacy of achievement, either in quality or output, is destructive of greatness. But the importance of a living art, which moves on and yet leaves its permanent mark, can hardly be exaggerated.

In regard to the aesthetic needs of civilised society the reactions of science have so far been unfortunate. Its materialistic basis has directed attention to things as opposed to values. The antithesis is a false one, if taken in a concrete sense. But it is valid at the abstract level of ordinary thought. This misplaced emphasis coalesced with the abstractions of political economy, which are in fact the abstractions in terms of which commercial affairs are carried on. Thus all thought concerned with social organisation expressed itself in terms of material things and of capital. Ultimate values were excluded. They were politely bowed to, and then handed over to the clergy to be kept for Sundays. A creed of competitive business morality was evolved, in some respects curiously high; but entirely devoid of consideration for the value of human life. The workmen were conceived as mere hands, drawn from the pool of labour. To God’s question, men gave the answer of Cain—“Am I my brother’s keeper?”; and they incurred Cain’s guilt. This was the atmosphere in which the industrial revolution was accomplished in England, and to a large extent elsewhere. The internal history of England during the last half century has been an endeavour slowly and painfully to undo the evils wrought in the first stage of the new epoch. It may be that civilisation will never recover from the bad climate which enveloped the introduction of machinery. This climate pervaded the whole commercial system of the progressive northern European races. It was partly the result of the aesthetic errors of Protestantism and partly the result of scientific materialism, and partly the result of the natural greed of mankind, and partly the result of the abstractions of political economy. An illustration of my point is to be found in Macaulay’s Essay criticising Southey’s Colloquies on Society. It was written in 1830. Now Macaulay was a very favourable example of men living at that date, or at any date. He had genius; he was kind-hearted, honourable, and a reformer. This is the extract:—“We are told, that our age has invented atrocities beyond the imagination of our fathers; that society has been brought into a state compared with which extermination would be a blessing; and all because the dwellings of cotton-spinners are naked and rectangular. Mr. Southey has found out a way he tells us, in which the effects of manufactures and agriculture may be compared. And what is this way? To stand on a hill, to look at a cottage and a factory, and to see which is the prettier.”

Southey seems to have said many silly things in his book; but, so far as this extract is concerned, he could make a good case for himself if he returned to earth after the lapse of nearly a century. The evils of the early industrial system are now a commonplace of knowledge. The point which I am insisting on is the stone-blind eye with which even the best men of that time regarded the importance of aesthetics in a nation’s life. I do not believe that we have as yet nearly achieved the right estimate. A contributory cause, of substantial efficacy to produce this disastrous error, was the scientific creed that matter in motion is the one concrete reality in nature; so that aesthetic values form an adventitious, irrelevant addition.

There is another side to this picture of the possibilities of decadence. At the present moment a discussion is raging as to the future of civilisation in the novel circumstances of rapid scientific and technological advance. The evils of the future have been diagnosed in various ways, the loss of religious faith, the malignant use of material power, the degradation attending a differential birth rate favouring the lower types of humanity, the suppression of aesthetic creativeness. Without doubt, these are all evils, dangerous and threatening. But they are not new. From the dawn of history, mankind has always been losing its religious faith, has always suffered from the malignant use of material power, has always suffered from the infertility of its best intellectual types, has always witnessed the periodical decadence of art. In the reign of the Egyptian king, Tutankhamen, there was raging a desperate religious struggle between Modernists and Fundamentalists; the cave pictures exhibit a phase of delicate aesthetic achievement as superseded by a period of comparative vulgarity; the religious leaders, the great thinkers, the great poets and authors, the whole clerical caste in the Middle Ages, have been notably infertile; finally, if we attend to what actually has happened in the past, and disregard romantic visions of democracies, aristocracies, kings, generals, armies, and merchants, material power has generally been wielded with blindness, obstinacy and selfishness, often with brutal malignancy. And yet, mankind has progressed. Even if you take a tiny oasis of peculiar excellence, the type of modern man who would have most chance of happiness in ancient Greece at its best period is probably (as now) an average professional heavy-weight boxer, and not an average Greek scholar from Oxford or Germany. Indeed, the main use of the Oxford scholar would have been his capability of writing an ode in glorification of the boxer. Nothing does more harm in unnerving men for their duties in the present, than the attention devoted to the points of excellence in the past as compared with the average failure of the present day.

But, after all, there have been real periods of decadence; and at the present time, as at other epochs, society is decaying, and there is need for preservative action. Professionals are not new to the world. But in the past, professionals have formed unprogressive castes. The point is that professionalism has now been mated with progress. The world is now faced with a self-evolving system, which it cannot stop. There are dangers and advantages in this situation. It is obvious that the gain in material power affords opportunity for social betterment. If mankind can rise to the occasion, there lies in front a golden age of beneficent creativeness. But material power in itself is ethically neutral. It can equally well work in the wrong direction. The problem is not how to produce great men, but how to produce great societies. The great society will put up the men for the occasions. The materialistic philosophy emphasised the given quantity of material, and thence derivatively the given nature of the environment. It thus operated most unfortunately upon the social conscience of mankind. For it directed almost exclusive attention to the aspect of struggle for existence in a fixed environment. To a large extent the environment is fixed, and to this extent there is a struggle for existence. It is folly to look at the universe through rose-tinted spectacles. We must admit the struggle. The question is, who is to be eliminated. In so far as we are educators, we have to have clear ideas upon that point; for it settles the type to be produced and the practical ethics to be inculcated.

But during the last three generations, the exclusive direction of attention to this aspect of things has been a disaster of the first magnitude. The watchwords of the nineteenth century have been, struggle for existence, competition, class warfare, commercial antagonism between nations, military warfare. The struggle for existence has been construed into the gospel of hate. The full conclusion to be drawn from a philosophy of evolution is fortunately of a more balanced character. Successful organisms modify their environment. Those organisms are successful which modify their environments so as to assist each other. This law is exemplified in nature on a vast scale. For example, the North American Indians accepted their environment, with the result that a scanty population barely succeeded in maintaining themselves over the whole continent. The European races when they arrived in the same continent pursued an opposite policy. They at once coöperated in modifying their environment. The result is that a population more than twenty times that of the Indian population now occupies the same territory, and the continent is not yet full. Again, there are associations of different species which mutually coöperate[coöperate]. This differentiation of species is exhibited in the simplest physical entities, such as the association between electrons and positive nuclei, and in the whole realm of animate nature. The trees in a Brazilian forest depend upon the association of various species of organisms, each of which is mutually dependent on the other species. A single tree by itself is dependent upon all the adverse chances of shifting circumstances. The wind stunts it: the variations in temperature check its foliage: the rains denude its soil: its leaves are blown away and are lost for the purpose of fertilisation. You may obtain individual specimens of fine trees either in exceptional circumstances, or where human cultivation has intervened. But in nature the normal way in which trees flourish is by their association in a forest. Each tree may lose something of its individual perfection of growth, but they mutually assist each other in preserving the conditions for survival. The soil is preserved and shaded; and the microbes necessary for its fertility are neither scorched, nor frozen, nor washed away. A forest is the triumph of the organisation of mutually dependent species. Further a species of microbes which kills the forest, also exterminates itself. Again the two sexes exhibit the same advantage of differentiation. In the history of the world, the prize has not gone to those species which specialised in methods of violence, or even in defensive armour. In fact, nature began with producing animals encased in hard shells for defence against the ills of life. It also experimented in size. But smaller animals, without external armour, warm-blooded, sensitive, and alert, have cleared these monsters off the face of the earth. Also, the lions and tigers are not the successful species. There is something in the ready use of force which defeats its own object. Its main defect is that it bars coöperation[coöperation]. Every organism requires an environment of friends, partly to shield it from violent changes, and partly to supply it with its wants. The Gospel of Force is incompatible with a social life. By force, I mean antagonism in its most general sense.

Almost equally dangerous is the Gospel of Uniformity. The differences between the nations and races of mankind are required to preserve the conditions under which higher development is possible. One main factor in the upward trend of animal life has been the power of wandering. Perhaps this is why the armour-plated monsters fared badly. They could not wander. Animals wander into new conditions. They have to adapt themselves or die. Mankind has wandered from the trees to the plains, from the plains to the seacoast, from climate to climate, from continent to continent, and from habit of life to habit of life. When man ceases to wander, he will cease to ascend in the scale of being. Physical wandering is still important, but greater still is the power of man’s spiritual adventures—adventures of thought, adventures of passionate feeling, adventures of aesthetic experience. A diversification among human communities is essential for the provision of the incentive and material for the Odyssey of the human spirit. Other nations of different habits are not enemies: they are godsends. Men require of their neighbours something sufficiently akin to be understood, something sufficiently different to provoke attention, and something great enough to command admiration. We must not expect, however, all the virtues. We should even be satisfied if there is something odd enough to be interesting.