The cherry-trees are seas of bloom and soft perfume and sweet perfume,
The cherry-trees are seas of bloom (and oh, so near to London!)
And there they say, when dawn is high and all the world's a blaze of sky
The cuckoo, though he's very shy, will sing a song for London.
The Dorian nightingale is rare and yet they say you'll hear him there
At Kew, at Kew in lilac-time (and oh, so near to London!)
The linnet and the throstle, too, and after dark the long halloo
And golden-eyed tu-whit, tu-whoo of owls that ogle London.
For Noah hardly knew a bird of any kind that isn't heard
At Kew, at Kew in lilac-time (and oh, so near to London!)
And when the rose begins to pout and all the chestnut spires are out
You'll hear the rest without a doubt, all chorussing for London:—
Come down to Kew in lilac-time, in lilac-time, in lilac-time;
Come down to Kew in lilac-time (it isn't far from London!)
And you shall wander hand in hand with love in summer's wonderland;
Come down to Kew in lilac-time (it isn't far from London!)
And then the troubadour begins to thrill the golden street,
In the City as the sun sinks low;
And in all the gaudy busses there are scores of weary feet
Marking time, sweet time, with a dull mechanic beat,
And a thousand hearts are plunging to a love they'll never meet,
Through the meadows of the sunset, through the poppies and the wheat,
In the land where the dead dreams go.
Verdi, Verdi, when you wrote Il Trovatore did you dream
Of the City when the sun sinks low,
Of the organ and the monkey and the many-coloured stream
On the Piccadilly pavement, of the myriad eyes that seem
To be litten for a moment with a wild Italian gleam
As A che la morte parodies the world's eternal theme
And pulses with the sunset-glow.
There's a thief, perhaps, that listens with a face of frozen stone
In the City as the sun sinks low;
There's a portly man of business with a balance of his own,
There's a clerk and there's a butcher of a soft reposeful tone.
And they're all of them returning to the heavens they have known:
They are crammed and jammed in busses and—they're each of them alone
In the land where the dead dreams go.
There's a very modish woman and her smile is very bland
In the City as the sun sinks low;
And her hansom jingles onward, but her little jewelled hand
Is clenched a little tighter and she cannot understand
What she wants or why she wanders to that undiscovered land,
For the parties there are not at all the sort of thing she planned,
In the land where the dead dreams go.
There's a rowing man that listens and his heart is crying out
In the City as the sun sinks low;
For the barge, the eight, the Isis, and the coach's whoop and shout,
For the minute-gun, the counting and the long dishevelled rout,
For the howl along the tow-path and a fate that's still in doubt,
For a roughened oar to handle and a race to think about
In the land where the dead dreams go.
There's a labourer that listens to the voices of the dead
In the City as the sun sinks low;
And his hand begins to tremble and his face to smoulder red
As he sees a loafer watching him and—there he turns his head
And stares into the sunset where his April love is fled,
For he hears her softly singing and his lonely soul is led
Through the land where the dead dreams go.