I watched his red rear lamp dwindling down that well-oiled road, and let the Evening Star go with it until the morrow, for I could make little of his yarn, except that Fitch was not a man to get excited over trifles.
II
Promptly at the time appointed on the following afternoon, Fitch called for me; and a minute later we were gliding through orange groves along one of those broad smooth roads that amaze the European whose impressions of California have been obtained from tales of the forty-niners. The keen scent of the orange blossom yielded to a tang of new incense, as we turned into the Sunset Boulevard and ran down the long vista of tall eucalyptus trees that stand out so darkly and distinctly against the lilac-colored ranges of the Sierra Madre in the distance, and remind one of the poplar-bordered roads of France. Once we passed a swarthy cluster of Mexicans under a wayside palm. Big fragments, gnawed half-moons, of the blood-red black-pipped watermelon they had been eating, gleamed on the dark oiled surface of the road, as a splash of the sunset is reflected in a dark river. Then we ran along the coast for a little way between the palms and the low white-pillared houses, all crimson poinsettias and marble, that looked as if they were meant for the gods and goddesses of Greece, but were only the homes of a few score lotus-eating millionaires. In another minute, we had turned off the good highway, and were running along a narrow sandy road. On one side, rising from the road, were great desert hills, covered with gray-green sage-brush, tinged at the tips with rusty brown; and, on the other, there was a strip of sandy beach where the big slow breakers crumbled, and the unmolested pelicans waddled and brooded like goblin sentries.
In three minutes more, we sighted a cluster of tiny wooden houses ahead of us, and pulled up on the outskirts of a Japanese fishing village, built along the fringe of the beach itself. It was a single miniature street, nestling under the hill on one side of the narrow road and built along the sand on the other. Japanese signs stood over quaint little stores, with here and there a curious tinge of Americanism. Rice Cakes and Candies were advertised by one black-haired and boyish-looking gentleman who sat at the door of his hut, playing with three brown children, one of whom squinted at us gleefully with bright sloe-black eyes. Every tiny house, even when it stood on the beach, had its own festoon of flowers. Bare-legged, almond-eyed fishermen sat before them, mending their nets. Wistaria drooped from the jutting eaves; and—perhaps only the Japanese could explain the miracle—tall and well-nourished red geraniums rose, out of the salt sea-sand apparently, around their doors. A few had foregone their miracles and were content with window boxes, but all were in blossom. In the center of the village, on the seaward side, there was a miniature mission house. A beautifully shaped bell swung over the roof; and there was a miniature notice-board at the door. The announcements upon it were in Japanese, but it looked as if East and West had certainly met, and kissed each other there. Some of the huts had oblong letter boxes of gray tin, perched on stumps of bamboo fishing poles, in front of their doors. It is a common device to help the postman in country places where you sometimes see a letter-box on a broomstick standing half a mile from the owner's house. But here, they looked curiously Japanese, perhaps because of the names inscribed upon them, or through some trick of arrangement, for a Japanese hand no sooner touches a dead staff than it breaks into cherry blossom. We stopped before one that bore the name of Y. Kato. His unpainted wooden shack was the most Japanese of all in appearance; for the yellow placard underneath the window advertising Sweet Caporal was balanced by a single tall pole, planted in the sand a few feet to the right, and lifting a beautiful little birdhouse high above the roof.
Moreton Fitch knocked at the door, which was opened at once by a dainty creature, a piece of animated porcelain four feet high, with a black-eyed baby on her back; and we were ushered with smiles into a very bare living-room to be greeted by the polished mahogany countenance of Kato himself and the shell-spectacled intellectual pallor of Howard Knight, professor in the University of California.
"Amazing, amazing, perfectly amazing," said Knight, who was wearing two elderly tea-roses in his cheeks now from excitement. "I have just finished it. Sit down and listen."
"Wait a moment," said Fitch. "I want our friend here to see the original log of the Evening Star."
"Of course," said Knight, "a human document of the utmost value." Then, to my surprise, he took me by the arm and led me in front of a kakemono, which was the only decoration on the walls of the room.
"This is what Mr. Fitch calls the log of the Evening Star," he said. "It was found among the effects of Mr. Kato's brother on the schooner; and, fortunately, it was claimed by Mr. Kato himself. Take it to the light and examine it."
I took it to the window and looked at it with curiosity, though I did not quite see its bearing on the mystery of the Evening Star. It was a fine piece of work, one of those weird night-pictures in which the Japanese are masters, for they know how to give you the single point of light that tells you of the unseen life around the lamp of the household or the temple. This was a picture of a little dark house, with jutting eaves, and a tiny rose light in one window, overlooking the sea. At the brink of the sea rose a ghostly figure that might only be a drift of mist, for the curve of the vague body suggested that the off-shore wind was blowing it out to sea, while the great gleaming eyes were fixed on the lamp, and the shadowy arms outstretched towards it in hopeless longing. Sea and ghost and house were suggested in a very few strokes of the brush. All the rest, the peace and the tragic desire and a thousand other suggestions, according to the mood of the beholder, were concentrated into that single pinpoint of warm light in the window.