Rachel Hepburn believed that her first lover had been drawn to her—when she was twenty-two years old—by the way in which she played the violin. She played it remarkably well; and she was also exceedingly pretty, in a frank open-air fashion. Until she was seventeen, she had lived on the mountainous coast of Cumberland, where she rode astride, and swam half a mile every morning before breakfast. Her family nicknamed her "the Shetland Pony"; and that was her picture to the life, as she used to come in from her swim, with her face glowing and her dark eyes like mountain pools, and the thick mane of hair blowing about her broad forehead. Her sturdy build helped the picture at the time; but she had shot up in height since then, and the phrase was no longer applicable. At twenty-four, she became beautiful, and her music began to show traces of genius. Unfortunately, she had the additional attraction of ten thousand pounds a year in her own right; and, when the marriage settlement was discussed, she proposed to share the money with her three younger sisters.
The young man behaved very badly. She told him—very quietly—that this was the result of her own folly; for, in her family, hitherto, marriages had always been "arranged." He replied—for he was an intellectual young man, who understood women, and read the most advanced novelists—that she was one of those who were ruining England with their feudal ideas. Then they parted, the young man cursing under his breath, and Rachel lilting the ballad to which she had hitherto attributed her good fortune.
"Maxwelton's braes are bonnie, where early fa's the dew,
And it's there that Annie Laurie gi'ed me her promise true,
Gi'ed me her promise true, which ne'er forgot shall be,
And for bonnie Annie Laurie, I'd lay me doon and dee."
He had quoted it so often in his letters that she was justified, perhaps, in thinking that it had influenced her fate. "You know, darling, that those words were supposed to tell the love of a soldier, who died in Flanders, fighting for England, more than a hundred years ago, and when you sing them, I feel that I, too ..." So it was the obvious thing to toss at him as she went through the door, holding her head up almost as gallantly as a soldier. But he didn't seem to mind, and the parting was final.
Rachel, apparently, minded very much indeed; but she kept it to herself and her violin, till on a certain day, she decided that she must escape from all her old surroundings and forget.
Her guardian was the only person she consulted, and he made no criticism of her scheme of travel so far as she divulged it. She had been brought up to complete freedom, while her parents were alive, and in the six years since their death, she had proved that she was capable of taking care of herself. He was wise or unwise enough not to let her know that he understood her trouble. But he tried to express a certain sympathy in his gruff parting words, "London is a grimy cavern."
"Yes, and the people are grimy, too," she replied, waving her hand to him, as she went out into the fog. She looked brighter than she had looked for months past. His last impression of her was that she looked as roses would look if they could wear furs and carry stars in their eyes.
She had been studying the sailings of the ocean-steamers for some time, but it was not her intention to follow the traveled routes more than was necessary. Her brain was busy with a new music, the music of the names in a hundred tales that she had read. The Golden Gate and Rio Grande called to her like chords in a Beethoven symphony. Yokohama and Singapore stirred her like Rossini. But it was the folk-song of travel that she wanted, something wilder and sweeter even than Tahiti, some fortunate Eden island in the South Seas.
Egypt and Ceylon were only incidents on her way. They only set the fever burning a little more restlessly in her veins; and her first moment of content was when the yacht of thirty tons, which she chartered in San Diego, carried her out to the long heave of the Pacific, and turned southward on the endless trail to the Happy Islands.
This was a part of her scheme about which she had not consulted any one at home, or she might have received some good advice about the choice of her ship. It was a sturdy little craft, with small but excellent cabins for herself and her maid. The captain and his wife were apparently created for her special benefit, being very capable people, with the quality of effacing themselves. The crew, of half a dozen Kanakas in white shirts and red pareos, was picturesque and remote enough from all the associations of cities to satisfy her desire for isolation.