that in many chapels on the Continent very thin slices of precious stones have been introduced in judicious places, and they form a bright spot for the eye to rest on. Goodramgate or Guthrum’s Gate, or Street, is called after Guthrum, the Danish leader who fought against King Alfred; and here is the Church of St. Crux, in the pavement near which stood until lately a market cross and tolbooth; here also is an old doorway formerly leading to the Merchants’ Hall, the interior of which is extremely interesting. It contains two halls, one of which is hung round with some fine old portraits, and underneath there is a chapel. This hall was formerly an hospital, and was founded about the year 1373, and dissolved by Edward VI., along with many other religious houses, chapels, and chantries.
Walmgate Bar has been kept in good repair and order by the city corporation, and is even in a better state than when W. H. Bartlett made his drawing of it for Britton’s Picturesque Antiquities of English Cities. It is in the entrance from Beverly, Hull, Lincoln, etc., and is supposed to derive its name from a corruption of Watling Street, the great Roman road that has already been alluded to, and in all probability this supposition is correct.
Micklegate Bar forms the chief entrance to York from the London road; and has been more noticed than any of the other bars, from its advantageous position. The stone of the gate singularly shows its variety of date, and corresponds with the architectural features that adorn it. Drake, the historian of York, Britton tells us, regarded the stone-grit as a certain indication of Roman architecture, and he went so far as to suppose that the semicircular arches were of Roman construction from their form; but this hardly stands the test of somewhat more modern criticism, though the Earl of Burlington and other distinguished antiquaries of the period fully held the same view; but Mr. J. Essex, in Archæologia, vol. iv., has quite refuted this, as has also Sir H. Englefield in his observations on the ancient buildings of York. Britton truly says that “no person who has studied the peculiarities of ancient architecture can fail to recognise the Norman style in these three arches. The upper part of the building may be pretty safely referred to the reign of Edward III., whose arms, old France and England quarterly, are sculptured on a large shield in the centre, between two shields bearing the arms of York City.” The outwork was sometimes called the Barbican or Turnpike, from its being guarded by a military engine of that particular name.
Bootham Bar, Britton says, was rebuilt after the dreadful vengeance that William the Conqueror inflicted on the city after its revolt in the year 1070. It crosses the old Roman road, and was much damaged in the wars of the Commonwealth.
Coney Street runs almost parallel to the River Ouse, between Sampson Square and the water; and in many of the houses, such as the old George Hotel, are traces of former splendour; indeed at one time this street was the favourite quarter for the residences of the nobility and gentry. Too frequently Micklegate Bar was used for exhibiting the decapitated heads of partisans of different reigning houses, especially during the wars of the Roses. The heads of Richard Duke of York, the Earl of Northumberland, Lord Scrope, and Lords Devonshire and Wiltshire, with many others of similar rank, have been exposed on this bar after the senseless quarrels were over or lulled.
“Off with his head, and set it on York gates,
So York may overlook the town of York.”
is the unfeminine speech of Queen Margaret after stabbing the Duke of York. Nor does she seem to have felt much remorse, for afterwards, when the head must have been there for some time, she says, in entering York, to Henry—
“Welcome, my lord, to this brave town of York;
Yonder’s the head of that arch enemy;
Does not the object cheer your heart, my lord?”
and as if to show what a common sight such terrible spectacles were in those days, a poetic justice is dealt out in the same play of Henry VI. on Clifford, where Warwick says—
“From off the gates of York fetch down the head,
Your father’s head, which Clifford placed there;
Instead whereof let this supply the room,
Measure for measure must be answered.”