2. We find it to be the fact that colour increases in variety and intensity as external structures and dermal appendages become more differentiated and developed. It is on scales, hair, and especially on the more highly specialised feathers, that colour is most varied and beautiful; while among insects colour is most fully developed in those whose wing membranes are most expanded, and, as in the lepidoptera, are clothed with highly specialised scales. Here, too, we find an additional mode of colour production in transparent lamellae or in fine surface striae which, by the laws of interference, produce the wonderful metallic hues of so many birds and insects.

3. There are indications of a progressive change of colour, perhaps in some definite order, accompanying the development of tissues or appendages. Thus spots spread and fuse into bands, and when a lateral or centrifugal expansion has occurred—as in the termination of the peacocks' train feathers, the outer web of the secondary quills of the Argus pheasant, or the broad and rounded wings of many butterflies—into variously shaded or coloured ocelli. The fact that we find gradations of colour in many of the more extensive groups, from comparatively dull or simple to brilliant and varied hues, is an indication of some such law of development, due probably to progressive local segregation in the tissues of identical chemical or organic molecules, and dependent on laws of growth yet to be investigated.

4. The colours thus produced, and subject to much individual variation, have been modified in innumerable ways for the benefit of each species. The most general modification has been in such directions as to favour concealment when at rest in the usual surroundings of the species, sometimes carried on by successive steps till it has resulted in the most minute imitation of some inanimate object or exact mimicry of some other animal. In other cases bright colours or striking contrasts have been preserved, to serve as a warning of inedibility or of dangerous powers of attack. Most frequent of all has been the specialisation of each distinct form by some tint or marking for purposes of easy recognition, especially in the case of gregarious animals whose safety largely depends upon association and mutual defence.

5. As a general rule the colours of the two sexes are alike; but in the higher animals there appears a tendency to deeper or more intense colouring in the male, due probably to his greater vigour and excitability. In many groups in which this superabundant vitality is at a maximum, the development of dermal appendages and brilliant colours has gone on increasing till it has resulted in a great diversity between the sexes; and in most of these cases there is evidence to show that natural selection has caused the female to retain the primitive and more sober colours of the group for purposes of protection.

Concluding Remarks.

The general principles of colour development now sketched out enable us to give some rational explanation of the wonderful amount of brilliant colour which occurs among tropical animals. Looking on colour as a normal product of organisation, which has either been allowed free play, or has been checked and modified for the benefit of the species, we can see at once that the luxuriant and perennial vegetation of the tropics, by affording much more constant means of concealment, has rendered brilliant colour less hurtful there than in the temperate and colder regions. Again, this perennial vegetation supplies abundance of both vegetable and insect food throughout the year, and thus a greater abundance and greater variety of the forms of life are rendered possible, than where recurrent seasons of cold and scarcity reduce the possibilities of life to a minimum. Geology furnishes us with another reason, in the fact, that throughout the tertiary period tropical conditions prevailed far into the temperate regions, so that the possibilities of colour development were still greater than they are at the present time. The tropics, therefore, present to us the results of animal development in a much larger area and under more favourable conditions than prevail to-day. We see in them samples of the productions of an earlier and a better world, from an animal point of view; and this probably gives a greater variety and a finer display of colour than would have been produced, had conditions always been what they are now. The temperate zones, on the other hand, have recently suffered the effects of a glacial period of extreme severity, with the result that almost the only gay coloured birds they now possess are summer visitors from tropical or sub-tropical lands. It is to the unbroken and almost unchecked course of development from remote geological times that has prevailed in the tropics, favoured by abundant food and perennial shelter, that we owe such superb developments as the frills and crests and jewelled shields of the humming-birds, the golden plumes of the birds of paradise, and the resplendent train of the peacock. This last exhibits to us the culmination of that marvel and mystery of animal colour which is so well expressed by a poet-artist in the following lines. The marvel will ever remain to the sympathetic student of nature, but I venture to hope that in the preceding chapters I have succeeded in lifting—if only by one of its corners—the veil of mystery which has for long shrouded this department of nature.

On a Peacock's Feather.

In Nature's workshop but a shaving,
Of her poem but a word,
But a tint brushed from her palette,
This feather of a bird!
Yet set it in the sun glance,
Display it in the shine,
Take graver's lens, explore it,
Note filament and line,
Mark amethyst to sapphire,
And sapphire to gold,
And gold to emerald changing
The archetype unfold!
Tone, tint, thread, tissue, texture,
Through every atom scan,
Conforming still, developing,
Obedient to plan.
This but to form a pattern
On the garment of a bird!
What then must be the poem,
This but its lightest word!
Sit before it; ponder o'er it,
'Twill thy mind advantage more,
Than a treatise, than a sermon,
Than a library of lore.

FOOTNOTES:

[118] Darwin's Descent of Man, p. 271.