Sexual Characters due to Natural Selection.
Besides the acquisition of weapons by the male for the purpose of fighting with other males, there are some other sexual characters which may have been produced by natural selection. Such are the various sounds and odours which are peculiar to the male, and which serve as a call to the female or as an indication of his presence. These are evidently a valuable addition to the means of recognition of the two sexes, and are a further indication that the pairing season has arrived; and the production, intensification, and differentiation of these sounds and odours are clearly within the power of natural selection. The same remark will apply to the peculiar calls of birds, and even to the singing of the males. These may well have originated merely as a means of recognition between the two sexes of a species, and as an invitation from the male to the female bird. When the individuals of a species are widely scattered, such a call must be of great importance in enabling pairing to take place as early as possible, and thus the clearness, loudness, and individuality of the song becomes a useful character, and therefore the subject of natural selection. Such is especially the case with the cuckoo, and with all solitary birds, and it may have been equally important at some period of the development of all birds. The act of singing is evidently a pleasurable one; and it probably serves as an outlet for superabundant nervous energy and excitement, just as dancing, singing, and field sports do with us. It is suggestive of this view that the exercise of the vocal power seems to be complementary to the development of accessory plumes and ornaments, all our finest singing birds being plainly coloured, and with no crests, neck or tail plumes to display; while the gorgeously ornamented birds of the tropics have no song, and those which expend much energy in display of plumage, as the turkey, peacocks, birds of paradise, and humming-birds, have comparatively an insignificant development of voice. Some birds have, in the wings or tail, peculiarly developed feathers which produce special sounds. In some of the little manakins of Brazil, two or three of the wing-feathers are curiously shaped and stiffened in the male, so that the bird is able to produce with them a peculiar snapping or cracking sound; and the tail-feathers of several species of snipe are so narrowed as to produce distinct drumming, whistling, or switching sounds when the birds descend rapidly from a great height. All these are probably recognition and call notes, useful to each species in relation to the most important function of their lives, and thus capable of being developed by the agency of natural selection.
Decorative Plumage of Birds and its Display.
Mr. Darwin has devoted four chapters of his Descent of Man to the colours of birds, their decorative plumage, and its display at the pairing season; and it is on this latter circumstance that he founds his theory, that both the plumage and the colours have been developed by the preference of the females, the more ornamented males becoming the parents of each successive generation. Any one who reads these most interesting chapters will admit, that the fact of the display is demonstrated; and it may also be admitted, as highly probable, that the female is pleased or excited by the display. But it by no means follows that slight differences in the shape, pattern, or colours of the ornamental plumes are what lead a female to give the preference to one male over another; still less that all the females of a species, or the great majority of them, over a wide area of country, and for many successive generations, prefer exactly the same modification of the colour or ornament.
The evidence on this matter is very scanty, and in most cases not at all to the point. Some peahens preferred an old pied peacock; albino birds in a state of nature have never been seen paired with other birds; a Canada goose paired with a Bernicle gander; a male widgeon preferred a pintail duck to its own species; a hen canary preferred a male greenfinch to either linnet, goldfinch, siskin, or chaffinch. These cases are evidently exceptional, and are not such as generally occur in nature; and they only prove that the female does exert some choice between very different males, and some observations on birds in a state of nature prove the same thing; but there is no evidence that slight variations in the colour or plumes, in the way of increased intensity or complexity, are what determines the choice. On the other hand, Mr. Darwin gives much evidence that it is not so determined. He tells us that Messrs. Hewitt, Tegetmeier, and Brent, three of the highest authorities and best observers, "do not believe that the females prefer certain males on account of the beauty of their plumage." Mr. Hewitt was convinced "that the female almost invariably prefers the most vigorous, defiant, and mettlesome male;" and Mr. Tegetmeier, "that a gamecock, though disfigured by being dubbed, and with his hackles trimmed, would be accepted as readily as a male retaining all his natural ornaments."[126] Evidence is adduced that a female pigeon will sometimes tn antipathy to a particular male without any assignable cause; or, in other cases, will take a strong fancy to some one bird, and will desert her own mate for him; but it is not stated that superiority or inferiority of plumage has anything to do with these fancies. Two instances are indeed given, of male birds being rejected, which had lost their ornamental plumage; but in both cases (a widow-finch and a silver pheasant) the long tail-plumes are the indication of sexual maturity. Such cases do not support the idea that males with the tail-feathers a trifle longer, or the colours a trifle brighter, are generally preferred, and that those which are only a little inferior are as generally rejected,—and this is what is absolutely needed to establish the theory of the development of these plumes by means of the choice of the female.
It will be seen, that female birds have unaccountable likes and dislikes in the matter of their partners, just as we have ourselves, and this may afford us an illustration. A young man, when courting, brushes or curls his hair, and has his moustache, beard, or whiskers in perfect order, and no doubt his sweetheart admires them; but this does not prove that she marries him on account of these ornaments, still less that hair, beard, whiskers, and moustache were developed by the continued preferences of the female sex. So, a girl likes to see her lover well and fashionably dressed, and he always dresses as well as he can when he visits her; but we cannot conclude from this that the whole series of male costumes, from the brilliantly coloured, puffed, and slashed doublet and hose of the Elizabethan period, through the gorgeous coats, long waistcoats, and pigtails of the early Georgian era, down to the funereal dress-suit of the present day, are the direct result of female preference. In like manner, female birds may be charmed or excited by the fine display of plumage by the males; but there is no proof whatever that slight differences in that display have any effect in determining their choice of a partner.
Display of Decorative Plumage.
The extraordinary manner in which most birds display their plumage at the time of courtship, apparently with the full knowledge that it is beautiful, constitutes one of Mr. Darwin's strongest arguments. It is, no doubt, a very curious and interesting phenomenon, and indicates a connection between the exertion of particular muscles and the development of colour and ornament; but, for the reasons just given, it does not prove that the ornament has been developed by female choice. During excitement, and when the organism develops superabundant energy, many animals find it pleasurable to exercise their various muscles, often in fantastic ways, as seen in the gambols of kittens, lambs, and other young animals. But at the time of pairing, male birds are in a state of the most perfect development, and possess an enormous store of vitality; and under the excitement of the sexual passion they perform strange antics or rapid flights, as much probably from an internal impulse to motion and exertion as with any desire to please their mates. Such are the rapid descent of the snipe, the soaring and singing of the lark, and the dances of the cock-of-the-rock and of many other birds.
It is very suggestive that similar strange movements are performed by many birds which have no ornamental plumage to display. Goatsuckers, geese, carrion vultures, and many other birds of plain plumage have been observed to dance, spread their wings or tails, and perform strange love-antics. The courtship of the great albatross, a most unwieldy and dull coloured bird, has been thus described by Professor Moseley: "The male, standing by the female on the nest, raises his wings, spreads his tail and elevates it, throws up his head with the bill in the air, or stretches it straight out, or forwards, as far as he can, and then utters a curious cry."[127] Mr. Jenner Weir informs me that "the male blackbird is full of action, spreads out his glossy wing and tail, turns his rich golden beak towards the female, and chuckles with delight," while he has never seen the more plain coloured thrush demonstrative to the female. The linnet distends his rosy breast, and slightly expands his brown wings and tail; while the various gay coloured Australian finches adopt such attitudes and postures as, in every case, to show off their variously coloured plumage to the best advantage.[128]
A Theory of Animal Coloration.