- Adjusting pressure in machine, [38]
- Adjusting stones in machine, [37]
- Air drying—tin printing, [78], [79]
- Alum, [27]
- Aluminium plates, [57]
- Aluminium plates—
- Alterations, [62]
- Direct photo, [58], [85], [100]
- Etching, [61]
- Machining, [65]
- Printing bed, [65]
- Rolling up, [60]
- Sensitising, [99]
- Transferring, [59]
- Aluminium rotary machine, [65], [66]
- American printers, [53]
- Asphalt solution, [100]
- Bavarian limestone, [1], [2]
- Blocking out, [54], [55]
- Blue tinge, [70], [77]
- Boxwood scraper, [20]
- Brake cylinder, [38]
- Bronze printing, [49]
- Cam motion, [21]
- Canada balsam, [54]
- Castor oil, [28]
- Cause and effect, [2]
- Ceramic decoration, [55]
- Chalk drawings, [25], [26]
- Chemical affinity, [2]
- Clean stones, [3]
- Cohesion in printing ink, [54]
- Colour and design, [48]
- Changes, [70]
- Mixing, [30]
- Printing, [47]
- Registration, [48]
- Sequence, [48], [50], [76]
- Super-position, [48], [81]
- Transparencies, [55]
- Colours, standard, [55]
- Copperplate press, [17]
- Printing, [17-19]
- Stove, [18]
- Copy, photo-litho, [89]
- Copying table, [96]
- Crayon or chalk drawing, [8]
- Crayon work, [89], [90]
- Cylinder press, [21]
- Damping rollers, [40]
- Design, [24]
- Design, inverted, [68]
- Design, suitable, [80]
- Development, photo print, [99]
- Direct impression, A, [72]
- Discoloration, [70]
- Distortion, [49], [68], [75]
- Dryers, [71]
- Drying colours, [50], [71]
- Drying metal plates, [77], [78]
- Drying racks, [78], [79]
- Duplication of design, [30], [31]
- Effect of pinks and greys, [49]
- Effects in tin-plate printing, [81]
- Elastic bedding, [22], [23]
- Electricity, [46]
- Elements of lithography, [2]
- Embossed lines, [89]
- Plates, [82]
- Embossing dies, [82], [83]
- Enamelled paper, [51]
- Etching, [25], [26]
- Evolution of tin-plate printing, [67]
- Exposure, [99]
- Fine etching, [95]
- French chalk, [71], [76]
- Skins, [28]
- Friction glazed paper, [51]
- Glass muller, [6]
- Gold lacquer, [77], [81]
- Gold printing, [49]
- Grain, natural, [87]
- Graining stones, [5], [6]
- Grinding stones, [4-6]
- Gripper, [42]
- Gripper margins, [31]
- Grit, [43]
- Half-tone, photo-litho, [86]
- Halligan machine, [34-36]
- Hand labour and machine, [3]
- Lever, [21]
- Roller, [28]
- High lights, [89]
- Homogeneity of stones, [2]
- Illumination of copy, [99]
- Impression, [27]
- Impression, size of, [75]
- Impression, solid, [46]
- Inking rollers, [39]
- Inks, printing, [52-56]
- Tin-plate printing, [69-71]
- Transfer, [8-11]
- Inverted design, [68]
- Key formes, [27], [41]
- Lacquer, peculiar feature of, [83]
- Lacquer, tin-plate, [77]
- Lamp-black, [28]
- Leather dressing, [22]
- Level surfaces, [3]
- Levelling stones, [37]
- Line, photo-litho, [85]
- Linoleum, [23]
- Linseed oil, [52], [53]
- Litho press for copperplate, [19]
- Litho press, mechanical principles, [20], [21]
- Litho press, pressure, [20]
- Litho varnish, [52], [53]
- Magnesia, [71]
- Mechanical affinity, [2]
- Metal plates, [57]
- Method, [45]
- Modification of colour sequence, [48]
- Motor driving, [46]
- Nap roller, [28]
- Natural grain, [87]
- Negative, [88]
- Offsets, [27], [28]
- Oriental blue tinge, [70], [77]
- Original stones, [30]
- Outline forme, [48]
- Packing cylinder, [21]
- Paper, enamelled, [51]
- Well seasoned, [49-51]
- Pen and ink sketches, [89]
- Pen and scraper effects, [90]
- Photo litho—
- Copy, [89]
- Development, [99], [100]
- Direct, [85]
- Half-tone, [86]
- Inception of, [84]
- Line, [85]
- Printing, [99]
- Transfer, [85]
- Transfer paper, [99]
- Plumbago, [22]
- Porosity of stones, [2]
- Preparation of stones, [2-7]
- Preparing designs, [24], [25]
- Pressure alterations, [43]
- Excessive, [37]
- Litho press, [20]
- Peculiarities, [75], [76]
- Printing inks, [52]
- Cohesion of, [54]
- Printing medium, [1]
- Proving, [29], [30]
- Recipes, transfer inks, [9-11]
- Transfer papers, [13-15]
- Reciprocal movement, [72]
- Reducing medium, [53], [54]
- Register lines, [29], [30]
- Registration, [29], [41]
- Registration of colour, [48]
- Remedy, A, [71]
- Re-transferring, [31]
- Rotary machine, printing, [65], [66]
- Rubber blanket, [72-75]
- Resilience of, [76]
- Scraper, [20-22]
- Scraper boards, [89], [90]
- Scratches, [5]
- Screen effect, [86]
- Screen photo, [86]
- Senefelder, [2]
- Sensitising solution, [99]
- Sequence of colour, [48]
- Set off, [71]
- Shading mediums, [90]
- Shadow, [89]
- Sheen of metal plate, [70]
- Side lay, [42]
- Silver print, [89]
- Slogger, [38]
- Sludge, [5]
- Solid oil, [53]
- Speed, [36], [37], [46]
- Speed cones, [46]
- Standard colours, [55]
- Stone-planing machine, [3], [4]
- Stone-polishing machine, [4], [5]
- Stoving tin-plates, [78]
- Transferred prints, [69]
- Substitutes for stone, [57]
- Suggestion, A, [49]
- Super-position of colours, [48]
- Tooth of grained stones, [7]
- Of metal plates, [58]
- Transfer inks—
- Active principle of, [8], [9]
- Copperplate, [10], [11]
- Extra powerful, [11]
- Plate, [9]
- Stone to stone, [10]
- Writing, [9], [10]
- Transfer paper—
- Autographic, [14]
- Copperplate, [14], [15]
- Diaphanic, [16]
- Grained, [15], [16]
- Photo-litho, [16], [99]
- Specific value of, [12]
- Stone to stone, [13]
- Transparent, [13], [14]
- Varnished, [13]
- Transfer printing, [55]
- Transferring, [32], [33], [100]
- Transparencies, [55]
- Trimming paper, [43]
- Tympan, [21], [22]
- V-shaped edge, [22]
- Varnish, litho, [52], [53]
- Vaseline, [54]
- Venetian red, [28]
- Water of Ayr stone, [25]
- White printing, [70], [76], [77]
- Zinc plates, [57]
- Zinc plates—
- Alterations, [62]
- De-polishing, [58]
- Etching, [61]
- Graining, [58]
- Machining, [65]
- Photo, direct, [58], [85], [99]
- Printing bed, [65]
- Rolling up, [60]
- Sensitising, [99]
- Transferring to, [59]
Printed by Morrison & Gibb Limited, Edinburgh
Obvious punctuation errors were repaired.
Both “overestimate” and “over-estimated” appear in the original text.
The following additional corrections were made to the text. The first passage is the original passage, the second the corrected one.
- [Page 46]:
of items are discussed therein which, though simple, are
of items are discussed herein which, though simple, are - [Page 48]:
the building up of a green by the superposition of blues, of
the building up of a green by the super-position of blues, of - [Page 70]:
printing. At same time, it must be remembered that
printing. At the same time, it must be remembered that - [Page 102]:
Bavarian limestone, 12
Bavarian limestone, 1, 2 - [Page 102]:
Embossing discs, 82, 83
Embossing dies, 82, 83 - [Page 103]:
Paper, enamelled, 61
Paper, enamelled, 51 - [Page 104]:
Extra powerful, 4
Extra powerful, 11 - [Page 104]:
Depolishing, 58
De-polishing, 58