The homogeneity and porosity of these stones render them peculiarly suitable for lithographic purposes, and it undoubtedly reflects a vast amount of credit upon Senefelder that even at the outset he should select a medium so well adapted and in every way so eminently suitable for graphic reproduction.
I have already, and almost inadvertently, indicated the peculiar value of the Bavarian stone, for homogeneity and porosity of texture are absolutely essential properties, and upon these is based almost every theory which has assisted in the development of this craft. These properties, in conjunction with a suitable greasy pigment, provide the requisite materials for that cause and effect which require and compel consideration.
The simple elements of lithography may be very briefly described, and in this direction at least we must follow certain well-defined lines which may be regarded as well-worn ruts, the consideration of which offers little that is new.
A brief review of the theories of chemical and mechanical affinities is best calculated to impress upon the mind the elementary principles of the lithographer’s art.
The penetrative power of a greasy pigment, together with the porous nature of the litho-stone, may be regarded as the cause by which the lithographer produces as an effect a design or impression which, to some extent, enters into the texture of the stone—the homogeneity of which checks any tendency to spread. This fatty matter may be applied in one or two ways, either as a transfer from some other printing surface, or as a direct drawing with pen, brush, or crayon.
The first question for consideration will be the initial preparation of the litho-stones. These preparatory operations—which have for their object the levelling, polishing, and cleaning of the stones—were at one time entirely performed by hand labour, but are now accomplished with much greater facility and in a more effective manner by machinery. The importance of each individual operation will be more readily appreciated when once its purpose is clearly understood. A litho-stone having a perfectly level surface is necessary in order to enable the printer to secure a firm and uniform pressure over the whole design when printing therefrom. A smooth, polished surface will readily receive the finest designs, and retain all their original characteristics. A clean surface is an absolute necessity, i.e. a chemically clean surface free from grease or any foreign matter which would be likely to enter into the texture of the stone and by so doing injure any greasy drawing or transfer which might be made thereon.
These are simple, elementary principles, and as such are probably familiar to every reader, but the frequent result of familiarity is a dangerous tendency to under-estimate the importance of everyday causes and effects. If, therefore, such a reference as the above to common details serves to convey some intelligent idea of their place and true value, then no apology whatever will be necessary for their insertion in this volume. It has already been stated that, in the preparation of litho-stones, the superseding of hand labour by machinery has effected considerable and important changes.
Several machines, all of more or less practical value, have been introduced to the trade. One of the more recent developments, a stone-planing machine, possesses many features of real merit ([Fig. 1]).
The stone is securely fixed on a perfectly true bed and passes slowly to and fro beneath the blades of powerful cutting knives. These blades are arranged in an inverted V-shape and locked in an oscillating framework. By an automatic action they are almost imperceptibly lowered at each traverse of the machine, when they lightly cut away the surface of the stone until the old work is completely removed and a smooth level face is assured. The chief objection to this type of machine is that in course of time the knives become worn and slightly irregular, and it is but reasonable to suppose that when a number of small stones have been operated upon and immediately afterwards a full-sized stone is planed, such irregularities will be very pronounced and detrimental.