THE MAN ON THE KERB
SCENE: An underground room, bare of any furniture except two or three broken chairs, a tattered mattress on the stone floor and an old trunk. On a packing-chest are a few pots and pans and a kettle. A few sacks are spread over the floor, close to the empty grate; the walls are discoloured, with plentiful signs of damp oozing through. Close to the door, at back, is a window, looking on to the area; two of the panes are broken and stuffed with paper.
On the mattress a child is sleeping, covered with a tattered old mantle; MARY is bending over her, crooning a song. The woman is still quite young, and must have been very pretty; but her cheeks are hollow and there are great circles round her eyes; her face is very pale and bloodless. Her dress is painfully worn and shabby, but displays pathetic attempts at neatness. The only light in the room comes from the street lamp on the pavement above.
JOE comes down the area steps, and enters. His clothes are of the familiar colourless, shapeless kind one sees at street corners; he would be a pleasant-looking young fellow enough were it not that his face is abnormally lined, and pinched, and weather-beaten. He shambles in, with the intense weariness of a man who has for hours been forcing benumbed limbs to move; he shakes himself, on the threshold, dog-fashion, to get rid of the rain. MARY first makes sure that the child is asleep, then rises eagerly and goes to him. Her face falls as she notes his air of dejection.
MARY. [Wistfully.] Nothing, Joe?
JOE. Nothing. Not a farthing. Nothing.
[MARY turns away and checks a moan.
JOE. Nothing at all. Same as yesterday—worse than yesterday—I did bring home a few coppers—And you?
MARY. A lady gave Minnie some food—
JOE. [Heartily.] Bless her for that!