CHAPTER VII.

The various forms of the visit to the Grail Castle in the romances—Conte du Graal: Chrestien; Gautier-Manessier; Gautier-Gerbert—Didot-Perceval—Mabinogi—Conte du Graal: Gawain’s visit to the Grail Castle—Heinrich von dem Türlin—Conte du Graal: Perceval’s visit to the Castle of Maidens—Inconsistency of these varying accounts; their testimony to stories of different nature and origin being embodied in the romances—Two main types: feud quest and unspelling quest—Reasons for the confusion of the two types—Evidence of the confusion in older Celtic literature—The Grail in Celtic literature: the gear of the Tuatha de Danann; the cauldron in the Ultonian cycle; the Mabinogi of Branwen; vessel of balsam and glaive of light in the contemporary folk-tale—The sword in Celtic literature: Tethra; Fionn; Manus—Parallels to the Bespelled Castle; the Brug of Oengus, the Brug of Lug, the Brug of Manannan Mac Lir, Bran’s visit to the Island of Women, Cormac Mac Art, and the Fairy Branch; Diarmaid and the Daughter of King Under the Waves—Unspelling stories: The Three Soldiers; the waiting of Arthur; Arthur in Etna; the Kyffhäuser Legend, objections to Martin’s views concerning it—Gawain’s visit to the Magic Castle and Celtic parallels; The Son of Bad Counsel; Fionn in Giant Land; Fionn in the House of Cuana; Fionn and the Yellow Face—The Vanishing of the Bespelled Castle—Comparison with the Sleeping Beauty cycle—The “Haunted Castle” form and its influence on Heinrich’s version—The Loathly Grail Messenger.

The analysis of the various versions has shown that the Conte du Graal is the oldest portion of the vast body of French romance which deals with the Grail, and that it presents the earliest form of the story. The examination of the theories put forward to explain the genesis and growth of the legend has shown how untenable is that hypothesis which makes the Christian legend the starting point of the cycle. The comparison of the Conte du Graal with Celtic legends and folk-tales has shown that the former is in the main a North French retelling of tales current then, as now, among the Celtic peoples of Britain, and probably of Brittany. One thing alone remains unexplained, the mysterious Grail itself. Nor has any light been thrown from Celtic sources upon the incident of the hero’s visit to the Castle of Talismans, his silence, and the ensuing misfortune which overtakes him. Where this incident does appear in a Celtic version, the Mabinogi, it is not brought in connection with the Grail, and it bears obvious traces of interpolation. The utmost we have been able to do is to reconstruct from scattered indications in different Celtic tales a sequence of incidents similar to that of the French romance. Let us, then, return to what may be called the central incident of the Grail legend in its older and purer form. And let us recall the fact that the hypothesis which finds a Christian origin for the whole legend has no explanation to offer of this incident. Birch-Hirschfeld can merely suggest that Perceval’s question upon which all hinges is “eine harmlose Erfindung Borron’s,” a meaningless invention of Borron’s. It is, indeed, his failure to account for such an essential element of the story that forms one of the strongest arguments against his hypothesis.

In the first place it must be noticed that the incident of a hero’s visit to a magic castle, of his omission whilst there to do certain things, and of the loss or suffering thereby caused, occurs not once, but many times; not in one, but in many forms in the vast body of Grail romance, as is seen by the following list, which likewise comprises all the occasions on which one or other of the questers has come near to or succeeded in seeing the Grail:—

(1) Chrestien: (Inc. 7). Perceval’s first visit to the Grail Castle. Question omitted.

(2) Gautier: (Inc. 22). Perceval’s second visit to the Grail Castle. Question put—

Incident breaks off in middle, and is continued in one version by:—

(2A) Manessier, who sends off the hero on a fresh quest, which is finished in

(3) Manessier: (Inc. 21). Perceval’s third visit to Grail Castle. The question is not mentioned. Hero’s final success.