Natural selection acts by suppressing, or developing, structurally distributed colour. So far as our researches have gone, it seems most probable that the fundamental or primitive colouration is arranged in spots. These spots may expand into regular or irregular patches, or run into stripes, of which many cases will be given in the sequel. Now, natural selection may suppress certain spots, or lines, or expand them into wide, uniform masses, or it may suppress some and repeat others. On these simple principles the whole scheme of natural colouration can be explained; and to do this is the object of the following pages.

Into the origin of the colour sense it is not our province to enlarge; but, it will reasonably be asked, How are these colours of use to the creature decorated? The admiration of colour, the charm of landscape, is the newest of human developments. Are we, then, to attribute to the lower animals a discriminative power greater than most races of men possess, and, if so, on the theory of evolution, how comes it that man lost those very powers his remote ancestors possessed in so great perfection? To these questions we will venture to reply.

Firstly, then, it must be admitted that the higher animals do actually possess this power; and no one will ever doubt it if he watches a common hedge-sparrow hunting for caterpillars. To see this bird carefully seeking the green species in a garden, and deliberately avoiding the multitudes of highly coloured but nauseous larvæ on the currant bushes, arduously examining every leaf and twig for the protected brown and green larvæ which the keen eye of the naturalist detects only by close observation; hardly deigning to look at the speckled beauties that are feeding in decorated safety before his eyes, while his callow brood are clamouring for food—to see this is to be assured for ever that birds can, and do, discriminate colour perfectly. What is true of birds can be shown to be true of other and lower types; and this leads us to a very important conclusion—that colouration has been developed with the evolution of the sense of sight. We can look back in fancy to the far off ages, when no eye gazed upon the world, and we can imagine that then colour in ornamental devices must have been absent, and a dreary monotony of simple hues must have prevailed.

With the evolution of sight it might be of importance that even the sightless animals should be coloured; and in this way we can account for the decoration of coral polyps, and other animals that have no eyes; just as we find no difficulty in understanding the colouration of flowers.

Colour, in fact, so far as external nature is concerned, is all in all to the lower animals. By its means prey is discovered, or foes escaped. But in the case of man quite a different state of things exists. The lower animals can only be modified and adapted to their surroundings by the direct influence of nature. Man, on the other hand, can utilise the forces of nature to his ends. He does not need to steal close to his prey—he possesses missiles. His arm, in reality, is bounded, not by his finger tips, but by the distance to which he can send his bolts. He is not so directly dependent upon nature; and, as his mental powers increase, his dependence lessens, and in this way—the æsthetic principle not yet being awakened—we can understand how his colour sense, for want of practice, decayed, to be reawakened in these our times, with a vividness and power as unequalled as is his mastery over nature—the master of his ancestors.

[CHAPTER IV.]
Colour, its Nature and Recognition.

T

THIS chapter will be devoted to a slight sketch of the nature of light and colour, and to proofs that niceties of colour are distinguished by animals.