[138] On Francesco Livi, cf. Gaye, l. c. ii. 441 seq. On Ser Guasparre, see Rumohr, Ital. Forschungen, ii. 377 seq.; G. Milanesi, Documenti dell’arte Sanese, ii. 194 seq. On the Jesuates, cf. i. 596, 597, and L. Fanfani, Memorie di Sta. Maria del Pontenuovo (Pisa 1871), p. 124 seq.
[139] These basso-rilievos, removed from the cathedral when the organs were modernised, are now in the museum of the Palazzo del Podestà.
[140] Metropolitana Fiorentina, tables xxxiii.-xxxvi.
[141] Transferred from San Pancrazio to the church of San Francesco di Paola before the Porta Romana; Monuments sépulcraux, plate lvii.
[142] Monuments sépulcraux, plates lvi., xli., xxi.
[143] Monuments sépulcraux, plate xxxvi. Inscription:
SISTE VIDES MAGNUM QUÆ SERVANT MARMORA VATEM
INGENIO CUIUS NON SATIS ORBIS ERAT
QUÆ NATURA POLUS QUÆ MOS FERAT OMNIA NOVIT
KAROLUS ÆTATIS GLORIA MAGNA SUÆ
AUSONLÆ ET GRAJÆ CRINES NUNC SOLVITE MUSÆ
OCCIDIT HEU VESTRI FAMA DECUSQUE CHORI.
[144] Monuments sépulcraux, plates l., xxxi. Inscription:
POSTQUAM LEONARDUS E VITA MIGRAVIT HISTORIA LUGET
ELOQUENTIA MUTA EST FERTURQUE MUSAS TUM
GRAIAS TUM LATINAS LACRIMAS TENERE NON POTUISSE.
[145] Vespasiano da Bisticci, l. c. p. 157. Vasari mentions the modelling in Verrocchio, v. 152. Brunelleschi’s cast is in the building-office of Sta. Maria del Fiore (Opera del Duomo).