VII.
We now pass to a form of supernaturalism more characteristic than any other of the direction which men’s thoughts were taking under the Roman empire, and more or less profoundly connected with all the other religious manifestations which have hitherto engaged our attention. This is the doctrine of immortality, a doctrine far more generally accepted in the first centuries of the Christian era, but quite apart from Christian influence, than is supposed by most persons. Here our most trustworthy information is derived from the epigraphic monuments. But for them, we might have continued to believe that public opinion on this subject was faithfully reflected by a few sceptical writers, who were, in truth, speaking only for themselves and for the numerically insignificant class to which they belonged. Not that the inscriptions all point one way and the books another way. On the contrary, there are epitaphs most distinctly repudiating the notion of a life beyond the grave, just as there are expressions let fall by men of learning which show that they accepted it as true. As much might be expected from the divisions then prevailing in the speculative world. Of all philosophical systems, Epicureanism was, at this time, the most widely diffused: its adherents rejected the belief in another world as a mischievous delusion; and many of them seem to have carefully provided that their convictions should be recorded on their tombs. The monument of one such philosopher, dedicated to eternal sleep, is still extant; others are dedicated to safe repose; others, again, speak of the opposite belief as a vain imagination. A favourite epitaph with persons of this school runs as follows:—‘I was nothing and became, I was and am no more, so much is true. To speak otherwise is to lie, for I shall be no more.’[358] Sometimes, from the depths of their unconsciousness, the dead are made to express indifference to the loss of existence. Sometimes, in what was popularly believed to be the spirit of Epicureanism, but was, in reality, most alien to it, they exhort the passer-by to indulge his appetites freely, since death is the end of all.
It must further be noted that disbelief in a future life, as a philosophical principle, was not confined to the Epicureans. All philosophers except the Platonists and Pythagoreans were materialists; and no logical thinker who had once applied his mind to the subject could accept such an absurdity as the everlasting duration of a complex corporeal substance, whether consisting of gaseous or of fiery matter. A majority of the Stoics allowed the soul to continue its individual existence until, in common with the whole world, it should be reabsorbed into the elemental fire; but others looked forward to a more speedy extinction, without ceasing on that account to consider themselves orthodox members of the school. Of these the most remarkable instance is Marcus Aurelius. The great emperor was not blind to what seemed the enormous injustice of death, and did not quite see his way to reconciling it with the Stoic belief in a beneficent providence; but the difficulty of finding room for so many ghosts, and perhaps also the Heracleitean dogma of perpetual transformation, led him to renounce whatever hope he may at one time have cherished of entering on a new existence in some better world.[359] A similar consequence was involved in the principles of the Peripatetic philosophy; and Alexander of Aphrodisias, the famous Aristotelian commentator, who flourished about 200 A.D., affirms the perishable nature of the soul on his own account, and, with perfect justice, attributes the same belief to Aristotle himself.[360]
Among the scientific and literary men who were not pledged to any particular school, we find the elder Pliny rejecting the belief in immortality, not only as irrational but as the reverse of consolatory. It robs us, he declares, of Nature’s most especial boon, which is death, and doubles the pangs of dissolution by the prospect of continued existence elsewhere.[361] Quintilian leaves the question undecided;[362] Tacitus expresses himself doubtfully;[363] and Galen, whose great physiological knowledge enabled him to see how fallacious were Plato’s arguments, while his philosophical training equally separated him from the materialists, also refuses to pronounce in favour of either side.[364] What Juvenal thought is uncertain; but, from his general tone, we may conjecture that he leant to the negative side.[365]
Against these we have to set the confident expressions of belief in a future life employed by all the Platonists and Pythagoreans, and by some of the Stoic school. But their doctrines on the subject will be most advantageously explained when we come to deal with the religious philosophy of the age as a whole. What we have now to examine is the general condition of popular belief as evinced by the character of the funereal monuments erected in the time of the empire. Our authorities are agreed in stating that the majority of these bear witness to a wide-spread and ever-growing faith in immortality, sometimes conveyed under the form of inscriptions, sometimes under that of figured reliefs, sometimes more naïvely signified by articles placed in the tomb for use in another world. ‘I am waiting for my husband,’ is the inscription placed over his dead wife by one who was, like her, an enfranchised slave. Elsewhere a widow ‘commends her departed husband to the gods of the underworld, and prays that they will allow his spirit to revisit her in the hours of the night.’[366] ‘In death thou art not dead,’ are the words deciphered on one mouldering stone. ‘No,’ says a father to a son whom he had lost in Numidia, ‘thou hast not gone down to the abode of the Manes but risen to the stars of heaven.’ At Doxato, near Philippi in Macedonia, ‘a mother has graven on the tomb of her child: “We are crushed by a cruel blow, but thou hast renewed thy being and art dwelling in the Elysian fields.”’[367] This conception of the future world as a heavenly and happy abode where human souls are received into the society of the gods, recurs with especial frequency in the Greek epitaphs, but is also met with in Latin-speaking countries. And, considering how great a part the worship of departed spirits plays in all primitive religions, just such a tendency might be expected to show itself at such a time, if, as we have contended, the conditions of society under the empire were calculated to set free the original forces by which popular faith is created. It seems, therefore, rather arbitrary to assume, as Friedländer does,[368] that the movement in question was entirely due to Platonic influence,—especially considering that there are distinct traces of it to be found in Pindar;—although at the same time we may grant that it was powerfully fostered by Plato’s teaching, and received a fresh impulse from the reconstitution of his philosophy in the third century of our era.
Side by side, however, with these exalted aspirations, the old popular belief in a subterranean abode of souls survived under its very crudest forms; and here also modern explorations have brought to light very surprising evidence of the strength with which the grotesque idea of Charon the Stygian ferryman still kept its hold on the imagination of uneducated people. Originally peculiar to Greece, where it still exists under a slightly altered form, this superstition penetrated into the West at a comparatively early period. Thus in the tombs of Campania alone many hundred skeletons have been found with bronze coins in their mouths, placed there to pay their passage across the Styx; and explorations at Praeneste show that this custom reaches back to the middle of the fourth century B.C. We also learn from Lucian that, in his time, the old animistic beliefs were entertained to the extent of burning or burying the clothes, ornaments, and other appurtenances of deceased persons along with their bodies, under the idea that the owners required them for use in the other world; and it is to such deposits that our museums of classical antiquity owe the greater part of their contents.[369]
When the belief in a future life assumes the form last mentioned, it is, as we have said, simply a survival of the most primitive animism, not testifying to any religious reaction at the time when it can be proved to have flourished. It is introduced in the present connexion merely to show what ideas were current among those classes to whose opinions Roman civilisation was gradually giving irresistible weight. How the minds of the richer and more educated classes were affected by this underlying stratum, is shown by the nature of the figured representations with which their last abodes were ornamented. Everyone has been made tolerably familiar with these through the sculptured sarcophagi preserved in our museums; but, from their symbolical character, the significance of the reliefs with which they are decorated is not obvious at first sight; and some of the mythical adventures thus embodied may have been wrought without any reference to the destination of the dark and narrow chamber which they enclosed, or may even have been intended to divert the imagination from sad thoughts by the luxuriance of rushing life and joy and victory which they displayed; but after making every possible deduction on this score, there remain many others offering a deeper source of consolation to the bereaved survivor by the pictured promise of future reunion with those whom he had loved and lost. One favourite subject is the visit of Diana to the sleeping Endymion, by which is clearly foreshadowed an awakening to divine felicity from the sleep of death. The rape of Proserpine, followed by her restoration to the upper world, conveys a similar intention; as also does the fate of Adonis, since he too was believed to have risen from the dead. The marriage of Bacchus and Ariadne unquestionably symbolises the exchange of an earthly for a heavenly life; and the scenes of Bacchic revelry with which the interior of some tombs is decorated, were, to the imagination of those who designed them, no unbecoming image of the joys awaiting a blessed soul in its celestial abode. An inscription of which we have already quoted the opening words expresses in terms that hope of companionship with the joyous band of Dionysus at which the plastic representations can but mutely hint. ‘Now in a flowery meadow,’ says the mourning mother of Doxato to her child, ‘the priestess marked with a sacred seal is enrolling thee in the troop of Bacchus, where the Naiads that bear the sacred baskets claim thee as their fellow to lead the solemn procession by the light of torches.’ At the same time, a tenderer or graver note is often struck. The stories of Admêtus and Alcestis, of Protesilaus and Laodameia, point to a renewal of conjugal love beyond the grave. What were formerly supposed to be scenes representing the eternal farewell of husband and wife are, in the opinion of modern archaeologists, pictures of their restoration to each other’s arms. Rising higher still, Achilles among the daughters of Lycomêdes probably typifies the liberation of an immortal spirit from the seductions of sense. The labours of Heracles recall his apotheosis, and seem to show that a life of noble effort shall be rewarded hereafter. The battle of the Amazons is an allegory of strife with and triumph over the temptations of earthly delight. Another often-recurring theme, the hunting of the Calydonian boar, may mean the soul’s victory over death; but this explanation is offered only as a conjecture of the present writer’s.
A remarkable circumstance connected with the evidence afforded by the figured monuments is its progressive character. According to M. Ravaisson, ‘As time goes on, the indications of belief in a future life, instead of becoming fainter, grow clearer and more distinct. More and more exalted ideas are formed of the soul’s destiny, and ever increasing honours are paid to the dead. Moreover, these ideas and practices are extended so as to cover a greater number of individuals. At first it would seem that the only persons whose fate excites any interest are kings and heroes, the children or the descendants of the gods; in the course of time many others, and at last all, or nearly all, are admitted to a share in the same regard. The ancient principle that happiness is reserved for those who resemble the gods remains unchanged; but the notion of what constitutes resemblance to the gods, or in other words perfection, gradually becomes so modified, that all men may aspire to reach it.’[370]
We are here in presence of a phenomenon like that to which attention was invited in an early chapter of this work.[371] The belief in immortality, entertained under a gloomy and repulsive form by the uneducated, is taken up by the higher classes, brought into contact with their more generous ideas, broadened, deepened, purified, and finally made the basis of a new religion. Nevertheless, in the present instance at least, all was not clear gain; and the faith which smiles on us from storied sarcophagus and mural relief, or pleads for our sympathy in epitaphs more enduring than the hope which they enshrine, had also its grotesque and hideous side, for an expression of which we must turn to literature again.
Once credited with a continued existence, the departed spirit would not remain in the Hades or the Elysium provided for it by the justice or the piety, of the survivor, but persisted in returning to this world and manifesting a most uncomfortable interest in its affairs; or, even if willing to remain at rest, it was liable to be dragged back by incantations, and compelled to reveal the secrets of futurity at the bidding of an unprincipled magician. What science and good feeling combined have proved unable to keep down among ourselves, naturally raged with unmitigated virulence at a time when the primitive barbarism and superstition were only covered over by a crust of culture which at many points was growing thinner every day. Among Latin writers, the younger Pliny, Suetonius, and Apuleius, among Greek writers, Plutarch, Pausanias, Maximus Tyrius, Philostratus, and Dion Cassius, afford unequivocal evidence of their belief and the belief of their contemporaries in ghostly apparitions; and Lucian, while rejecting ghost-stories on his own account, speaks as if they were implicitly accepted even in philosophical circles.[372] Still more abundant is the evidence proving the frequency of attempts made to evoke spirits by means of magical incantations. Horace’s Canidia boasts that she can raise the dead even after their bodies have been burned.[373] Lucan describes the process of conjuring up a ghost at length; and it is thought that he inserted the whole scene in his poem as a satire on the emperor Nero, who is known to have been addicted to such practices, as were also his successors, Didius Julianus, Caracalla, and Elagabalus. And that the same art was cultivated by private persons is clear from the allusions made to it by Quintilian, Apuleius, Tertullian, and Heliodôrus.[374]