“It’s come at last—I do believe,” he thought to himself, as he walked home, a new tumultuous emotion in his blood; “the exception, quite possibly, has come at last. I wonder....”

And it seemed he said it to the tall graceful figure by his side, who turned up dark eyes smilingly to meet his own, and whose lips repeated softly his last two words “I wonder....”

The experience, being new to him, was baffling. A part of his nature, long dormant, received the authentic thrill that pertains actually to youth. He was a man of chaste, abstemious custom. The reaction was vehement. That dormant part of him became obstreperous. He thought of his age, his appearance, his prospects; he looked thirty-eight, he was not unhandsome, his position was secure, even remarkable. That gorgeous young woman—he called her gorgeous—haunted him. Never could he forget that face, those eyes. It was extraordinary—he had left her there unspoken to, unknown, when an introduction would have been the simplest thing in the world.

“But it still is,” he replied. And the reflection filled his being with a flood of joy.

He checked himself again. Not so easily is established habit routed. He felt instinctively that, at last, he had met his mate; if he followed it up he was a man in love, a lost man enjoying a delusion, a deluded man. But the way she had looked at him! That air of intuitive invitation which not even the sweetest modesty could conceal! He felt an immense confidence in himself; also he felt oddly sure of her.

The presence of that following figure, already precious, came with him into his house, even into his study at the back where he sat over a number of letters by the open window. The pathetic little London garden showed its pitiful patch. The lilac had faded, but a smell of roses entered. The sun was just behind the buildings opposite, and the garden lay soft and warm in summer shadows.

He read and tossed aside the letters; one only interested him, from Edward Farque, whose journey to China had interrupted a friendship of long standing. Edward Farque’s work on eastern art and philosophy, on Chinese painting and Chinese thought in particular, had made its mark. He was an authority. He was to be back about this time, and his friend smiled with pleasure. “Dear old unpractical dreamer, as I used to call him,” he mused. “He’s a success, anyhow!” And as he mused, the presence that sat beside him came a little closer, yet at the same time faded. Not that he forgot her—that was impossible—but that just before opening the letter from his friend, he had come to a decision. He had definitely made up his mind to seek acquaintance. The reality replaced the remembered substitute.

“As the newspapers may have warned you,” ran the familiar and kinky writing, “I am back in England after what the scribes term my ten years of exile in Cathay. I have taken a little house in Hampstead for six months, and am just settling in. Come to us to-morrow night and let me prove it to you. Come to dinner. We shall have much to say; we both are ten years wiser. You know how glad I shall be to see my old-time critic and disparager, but let me add frankly that I want to ask you a few professional, or, rather, technical, questions. So prepare yourself to come as doctor and as friend. I am writing, as the papers said truthfully, a treatise on Chinese thought. But—don’t shy!—it is about Chinese Magic that I want your technical advice [the last two words were substituted for “professional wisdom,” which had been crossed out] and the benefit of your vast experience. So come, old friend, come quickly, and come hungry! I’ll feed your body as you shall feed my mind.—Yours,
“Edward Farque.”

“P.S.—‘The coming of a friend from a far-off land—is not this true joy?’”

Dr. Francis laid down the letter with a pleased anticipatory chuckle, and it was the touch in the final sentence that amused him. In spite of being an authority, Farque was clearly the same fanciful, poetic dreamer as of old. He quoted Confucius as in other days. The firm but kinky writing had not altered either. The only sign of novelty he noticed was the use of scented paper, for a faint and pungent aroma clung to the big quarto sheet.