And the contrast brought back London. He thought of the long busy chapter of his life just finished. The transition had been so abrupt. As a rule periods fade into one another gradually in life, easily, divisions blurred; it is difficult on looking back to say where the change began. One is well into the new before the old is realised as left behind. 'How did I come to this?' the mind asks itself. 'I don't remember any definite decision. Where was the boundary crossed?' It has been imperceptibly accomplished.
But here the change had been sudden and complete, no shading anywhere. He had leaped a wall. Turmoil and confusion lay on that side; on this lay peace, rest and beauty. Strain and ugliness were left behind, and with them so much that now seemed false, unnecessary, vain. The grandeur of toil, and the insignificance of acquisition—the phrase ran through his mind with the sighing of the pine trees; it was like the first line of a song. The Vicar knew the song complete. Even Minks, perhaps, could pipe it too. Rogers was learning it. 'I must help them somehow,' he thought again. 'It's not a question of money merely. It's that they want welding together more—more harmony—more sympathy. They're separate bits of a puzzle now, whereas they might be a rather big and lovely pattern. …'
He lay down upon the moss and flung his hat away. He felt that Life stood still within him, watching, waiting, asking beautiful, deep, searching questions. It made him slightly uncomfortable. Henry Rogers, late of Threadneedle Street, took stock of himself, not of set intention, yet somehow deliberately. He reviewed another Henry Rogers who had been unable to leap that wall. The two peered at one another gravely.
The review, however, took no definite form; precise language hardly came to help with definite orders. A vague procession of feelings, half sad, half pleasurable, floated past his closing eyes. … Perhaps he slept a moment in the sunshine upon that bed of moss and pine needles. …
Such curious thoughts flowed up and out and round about, dancing like the brimstone butterflies out of reach before he could seize them, calling with voices like the cuckoos, themselves all the time just out of sight. Who ever saw a cuckoo when it's talking? Who ever foretold the instant when a butterfly would shoot upwards and away? Such darting, fragile thoughts they were, like hints, suggestions. Still, they were thoughts.
Minks, dragging behind him an enormous Scheme, emerged from the dark vaults of a Bank where gold lay piled in heaps. Minks was looking for him, yet smiling a little, almost pityingly, as he strained beneath the load. It was like a comic opera. Minks was going down the noisy, crowded Strand. Then, suddenly, he paused, uncertain of the way. From an upper window a shining face popped out and issued clear directions —as from a pulpit. 'That way—towards the river,' sang the voice—and far down the narrow side street flashed a gleam of flowing water with orchards on the farther bank. Minks instantly turned and went down it with his load so fast that the scenery changed before the heavy traffic could get out of the way. Everything got muddled up with fields and fruit-trees; the Scheme changed into a mass of wild- flowers; a lame boy knocked it over with his crutch; gold fell in a brilliant, singing shower, and where each sovereign fell there sprang up a buttercup or dandelion. Rogers rubbed his eyes … and realised that the sun was rather hot upon his face. A dragon fly was perched upon his hat three feet away. …
The tea hour at the Den was close, and Jimbo, no doubt, was already looking for him at the carpenter's house. Rogers hurried home among the silent forest ways that were sweet with running shadows and slanting sunshine. Oh, how fragrant was the evening air! And how the lily of the valley laughed up in his face! Normally, at this time, he would be sitting in a taxi, hurrying noisily towards his Club, thoughts full of figures, politics, philanthropy cut to line and measure—a big Scheme standing in squares across the avenue of the future. Now, moss and flowers and little children took up all the available space. … How curiously out of the world Bourcelles was, to be sure. Newspapers had no meaning any longer. Picture-papers and smart weekly Reviews, so necessary and important in St. James's Street, here seemed vulgar, almost impertinent—ridiculous even. Big books, yes; but not pert, topical comments issued with an absurd omnipotence upon things merely ephemeral. How the mind accumulated rubbish in a city! It seemed incredible. He surely had climbed a wall and dropped down into a world far bigger, though a world the 'city' would deem insignificant and trivial. Yet only because it had less detail probably! A loved verse flashed to him across the years:—
'O to dream, O to awake and wander
There, and with delight to take and render,
Through the trance of silence,
Quiet breath!
Lo! for there among the flowers and grasses,
Only the mightier movement sounds and passes;
Only winds and rivers,
Life and death.'
Bourcelles was important as London, yes, while simple as the nursery. The same big questions of life and death, of battle, duty, love, ruled the peaceful inhabitants. Only the noisy shouting, the clatter of superfluous chattering and feverish striving had dropped away. Hearts and minds wore fewer clothes among these woods and vineyards. There was no nakedness though … there were flowers and moss, blue sky and peace and beauty. … Thought ran into confused, vague pictures. He could not give them coherence, shape, form. …