CHAPTER XXV

And also there's a little star—
So white, a virgin's it must be;—
Perhaps the lamp my love in heaven
Hangs out to light the way for me.
Song, THEOPHILE MARZIALS.

In this corner of Bourcelles the houses lie huddled together with an air of something shamefaced; they dare not look straight at the mountains or at the lake; they turn their eyes away even from the orchards at the back. They wear a mysterious and secret look, and their shoulders have a sly turn, as though they hid their heads in the daytime and stirred about their business only after dark.

They lie grouped about a cobbled courtyard that has no fountain in it. The fair white road goes quickly by outside, afraid to look in frankly; and the entrance to the yard is narrow. Nor does a single tree grow in it. If Bourcelles could have a slum, this would be it.

Why the old lady had left her cosy quarters in Les Glycines and settled down in this unpleasant corner of the village was a puzzle to everybody. With a shrug of the shoulders the problem was generally left unsolved. Madame Jequier discussed it volubly a year ago when the move took place, then dismissed it as one of those mysteries of old people no one can understand. To the son-in-law and the daughter, who got nearer the truth, it was a source of pain and sadness beyond their means of relief. Mrs. 'Plume'—it was a play in French upon her real name,—had been four years in the Pension, induced to come from a lonely existence in Ireland by her daughter and throw in her lot with the family, and at first had settled down comfortably enough. She was over seventy, and possessed 80 pounds a year—a dainty, witty, amusing Irish lady, with twinkling eyes and a pernicketty strong will, and a brogue she transferred deliciously into her broken French. She loved the children, yet did not win their love in return, because they stood in awe of her sarcastic criticisms. Life had gone hardly with her; she had lost her fortune and her children, all but this daughter, with whose marriage she was keenly disappointed. An aristocrat to the finger-tips, she could not accept the change of circumstances; distress had soured her; the transplanting hastened her decline; there was no sweetness left in her. She turned her heart steadily against the world.

The ostensible cause of this hiding herself away with her sorrow and disappointment was the presence of Miss Waghorn, with whom she disagreed, and even quarrelled, from morning till night. They formed a storm-centre that moved from salon to dining-room, and they squabbled acutely about everything—the weather, the heating, the opening or shutting of windows, the details of the food, the arrangement of the furniture, even the character of the cat. Miss Waghorn loved. The bickerings were incessant. They only had to meet for hot disagreement to break out. Mrs. Plume, already bent with age, would strike the floor with the ebony stick she always carried, and glare at the erect, defiant spinster—'That horrud, dirrty cat; its always in the room!' Then Miss Waghorn: 'It's a very nice cat, Madame'—she always called her Madame—'and when I was a young girl I was taught to be kind to animals.'—'The drawing-room is not the place for animals,' came the pricking answer. And then the scuffle began in earnest.

Miss Waghorn, owing to her want of memory, forgot the squabble five minutes afterwards, and even forgot that she knew her antagonist at all. She would ask to be introduced, or even come up sweetly and introduce herself within half an hour of the battle. But Madame Plume forgot nothing; her memory was keen and accurate. She did not believe in the other's failing. 'That common old woman!' she exclaimed with angry scorn to her daughter.

'It's deliberate offensiveness, that's all it is at all!' And she left the Pension.

But her attitude to the harmless old Quaker lady was really in small her attitude to humanity at large. She drew away in disgust from a world that had treated her so badly. Into herself she drew, growing smaller every day, more sour, more suspicious, and more averse to her own kind. Within the restricted orbit of her own bitter thoughts she revolved towards the vanishing point of life which is the total loss of sympathy. She felt with no one but herself. She belonged to that, alas, numerous type which, with large expectations unrealised, cannot accept disillusionment with the gentle laughter it deserves. She resented the universe. Sympathy was dead.

And she had chosen this unsavoury corner to dwell in because 'the poor' of the village lived there, and she wished to count herself among them. It emphasised the spite, the grudge, she felt against humanity. At first she came into dejeuner and souper, but afterwards her meals were sent over twice a day from the Pension. She discovered so many reasons for not making the little journey of a hundred yards. On Sunday the 'common people' were in the streets; on Saturday it was cleaning-day and the Pension smelt of turpentine; Monday was for letter-writing, and other days were too hot or too cold, too windy or too wet. In the end she accomplished her heart's desire. Madame Cornu, who kept the grocer's shop, and lived on the floor below with her husband, prepared the two principal meals and brought them up to her on a tray. She ate them alone. Her breakfast cup of tea she made herself, Mme. Cornu putting the jug of milk outside the door. She nursed her bitter grievance against life in utter solitude. Acidity ate its ugly pattern into her heart.