To hear him use the words, the very phrase, struck me with sudden chill. Before I could answer, however, and certainly before I could master the touch of horror that rushed over me, I heard him continuing in a whisper. It seemed again that he spoke to himself as much as he spoke to me.
‘The soul, I suppose, has the right to choose its own conditions and surroundings. To pass elsewhere involves translation, not extinction.’ He smoked a moment in silence, then said another curious thing, looking up into my face with an expression of intense earnestness. Something genuine in him again replaced the pose of cynicism. ‘The soul is eternal and can take its place anywhere, regardless of mere duration. What is there in the vulgar and superficial Present that should hold it so exclusively; and where can it find to-day the belief, the faith, the beauty that are the very essence of its life—where in the rush and scatter of this tawdry age can it make its home? Shall it flutter for ever in a valley of dry bones, when a living Past lies ready and waiting with loveliness, strength, and glory?’ He moved closer; he touched my arm; I felt his breath upon my face. ‘Come with us,’ he whispered awfully; ‘come back with us! Withdraw your life from the rubbish of this futile ugliness! Come back and worship with us in the spirit of the Past. Take up the old, old splendour, the glory, the immense conceptions, the wondrous certainty, the ineffable knowledge of essentials. It all lies about you still; it’s calling, ever calling; it’s very close; it draws you day and night—calling, calling, calling....’
His voice died off curiously into distance on the word; I can hear it to this day, and the soft, droning quality in the intense yet fading tone: ‘Calling, calling, calling.’ But his eyes turned wicked. I felt the sinister power of the man. I was aware of madness in his thought and mind. The Past he sought to glorify I saw black, as with the forbidding Egyptian darkness of a plague. It was not beauty but Death that I heard calling, calling, calling.
‘It’s real,’ he went on, hardly aware that I shrank, ‘and not a dream. These ruined symbols still remain in touch with that which was. They are potent to-day as they were six thousand years ago. The amazing life of those days brims behind them. They are not mere masses of oppressive stone; they express in visible form great powers that still are—knowable.’ He lowered his head, peered up into my face, and whispered. Something secret passed into his eyes.
‘I saw you change,’ came the words below his breath, ‘as you saw the change in us. But only worship can produce that change. The soul assumes the qualities of the deity it worships. The powers of its deity possess it and transform it into its own likeness. You also felt it. You also were possessed. I saw the stone-faced deity upon your own.’
I seemed to shake myself as a dog shakes water from its body. I stood up. I remember that I stretched my hands out as though to push him from me and expel some creeping influence from my mind. I remember another thing as well. But for the reality of the sequel, and but for the matter-of-fact result still facing me to-day in the disappearance of George Isley—the loss to the present time of all George Isley was—I might have found subject for laughter in what I saw. Comedy was in it certainly. Yet it was both ghastly and terrific. Deep horror crept below the aspect of the ludicrous, for the apparent mimicry cloaked truth. It was appalling because it was real.
In the large mirror that reflected the room behind me I saw myself and Moleson; I saw Isley too in the background by the open window. And the attitude of all three was the attitude of hieroglyphics come to life. My arms indeed were stretched, but not stretched, as I had thought, in mere self-defence. They were stretched—unnaturally. The forearms made those strange obtuse angles that the old carved granite wears, the palms of the hands held upwards, the heads thrown back, the legs advanced, the bodies stiffened into postures that expressed forgotten, ancient minds. The physical conformation of all three was monstrous; and yet reverence and truth dictated even the uncouthness of the gestures. Something in all three of us inspired the forms our bodies had assumed. Our attitudes expressed buried yearnings, emotions, tendencies—whatever they may be termed—that the spirit of the Past evoked.
I saw the reflected picture but for a moment. I dropped my arms, aware of foolishness in my way of standing. Moleson moved forward with his long, significant stride, and at the same instant Isley came up quickly and joined us from his place by the open window. We looked into each other’s faces without a word. There was this little pause that lasted perhaps ten seconds. But in that pause I felt the entire world slide past me. I heard the centuries rush by at headlong speed. The present dipped away. Existence was no longer in a line that stretched two ways; it was a circle in which ourselves, together with Past and Future, stood motionless at the centre, all details equally accessible at once. The three of us were falling, falling backwards....
‘Come!’ said the voice of Moleson solemnly, but with the sweetness as of a child anticipating joy. ‘Come! Let us go together, for the boat of Ra has crossed the Underworld. The darkness has been conquered. Let us go out together and find the dawn. Listen! It is calling, calling, calling....’