With the flowers it was similar, though far more difficult to detect in detail for description. I saw the smaller vegetable growth as impish, half-malicious. Even the terraces sloped ill, as though their ends had sagged since they had been so lavishly constructed; their varying angles gave a queerly bewildering aspect to their sequence that was unpleasant to the eye. One might wander among their deceptive lengths and get lost—lost among open terraces!—with the house quite close at hand. Unhomely seemed the entire garden, unable to give repose, restlessness in it everywhere, almost strife, and discord certainly.
Moreover, the garden grew into the house, the house into the garden, and in both was this idea of resistance to the natural—the spirit that says No to joy. All over it I was aware of the effort to achieve another end, the struggle to burst forth and escape into free, spontaneous expression that should be happy and natural, yet the effort for ever frustrated by the weight of this dark shadow that rendered it abortive. Life crawled aside into a channel that was a cul-de-sac, then turned horribly upon itself. Instead of blossom and fruit, there were weeds. This approach of life I was conscious of—then dismal failure. There was no fulfilment. Nothing happened.
And so, through this singular mood, I came a little nearer to understand the unpure thing that had stammered out into expression through my sister’s talent. For the unpure is merely negative; it has no existence; it is but the cramped expression of what is true, stammering its way brokenly over false boundaries that seek to limit and confine. Great, full expression of anything is pure, whereas here was only the incomplete, unfinished, and therefore ugly. There was strife and pain and desire to escape. I found myself shrinking from house and grounds as one shrinks from the touch of the mentally arrested, those in whom life has turned awry. There was almost mutilation in it.
Past items, too, now flocked to confirm this feeling that I walked, liberty captured and half-maimed, in a monstrous garden. I remembered days of rain that refreshed the countryside, but left these grounds, cracked with the summer heat, unsatisfied and thirsty; and how the big winds, that cleaned the woods and fields elsewhere, crawled here with difficulty through the dense foliage that protected The Towers from the North and West and East. They were ineffective, sluggish currents. There was no real wind. Nothing happened. I began to realise—far more clearly than in my sister’s fanciful explanation about ‘layers’—that here were many contrary influences at work, mutually destructive of one another. House and grounds were not haunted merely; they were the arena of past thinking and feeling, perhaps of terrible, impure beliefs, each striving to suppress the others, yet no one of them achieving supremacy because no one of them was strong enough, no one of them was true. Each, moreover, tried to win me over, though only one was able to reach my mind at all. For some obscure reason—possibly because my temperament had a natural bias towards the grotesque—it was the goblin layer. With me, it was the line of least resistance....
In my own thoughts this ‘goblin garden’ revealed, of course, merely my personal interpretation. I felt now objectively what long ago my mind had felt subjectively. My work, essential sign of spontaneous life with me, had stopped dead; production had become impossible. I stood now considerably closer to the cause of this sterility. The Cause, rather, turned bolder, had stepped insolently nearer. Nothing happened anywhere; house, garden, mind alike were barren, abortive, torn by the strife of frustrate impulse, ugly, hateful, sinful. Yet behind it all was still the desire of life—desire to escape—accomplish. Hope—an intolerable hope—I became startlingly aware—crowned torture.
And, realising this, though in some part of me where Reason lost her hold, there rose upon me then another and a darker thing that caught me by the throat and made me shrink with a sense of revulsion that touched actual loathing. I knew instantly whence it came, this wave of abhorrence and disgust, for even while I saw red and felt revolt rise in me, it seemed that I grew partially aware of the layer next below the goblin. I perceived the existence of this deeper stratum. One opened the way for the other, as it were. There were so many, yet all inter-related; to admit one was to clear the way for all. If I lingered I should be caught—horribly. They struggled with such violence for supremacy among themselves, however, that this latest uprising was instantly smothered and crushed back, though not before a glimpse had been revealed to me, and the redness in my thoughts transferred itself to colour my surroundings thickly and appallingly—with blood. This lurid aspect drenched the garden, smeared the terraces, lent to the very soil a tinge as of sacrificial rites, that choked the breath in me, while it seemed to fix me to the earth my feet so longed to leave. It was so revolting that at the same time I felt a dreadful curiosity as of fascination—I wished to stay. Between these contrary impulses I think I actually reeled a moment, transfixed by a fascination of the Awful. Through the lighter goblin veil I felt myself sinking down, down, down into this turgid layer that was so much more violent and so much more ancient. The upper layer, indeed, seemed fairy by comparison with this terror born of the lust for blood, thick with the anguish of human sacrificial victims.
Upper! Then I was already sinking; my feet were caught; I was actually in it! What atavistic strain, hidden deep within me, had been touched into vile response, giving this flash of intuitive comprehension, I cannot say. The coatings laid on by civilisation are probably thin enough in all of us. I made a supreme effort. The sun and wind came back. I could almost swear I opened my eyes. Something very atrocious surged back into the depths, carrying with it a thought of tangled woods, of big stones standing in a circle, motionless white figures, the one form bound with ropes, and the ghastly gleam of the knife. Like smoke upon a battlefield, it rolled away....
I was standing on the gravel path below the second terrace when the familiar goblin garden danced back again, doubly grotesque now, doubly mocking, yet, by way of contrast, almost welcome. My glimpse into the depths was momentary, it seems, and had passed utterly away. The common world rushed back with a sense of glad relief, yet ominous now for ever, I felt, for the knowledge of what its past had built upon. In street, in theatre, in the festivities of friends, in music-room or playing-field, even indeed in church—how could the memory of what I had seen and felt not leave its hideous trace? The very structure of my Thought, it seemed to me, was stained. What has been thought by others can never be obliterated until ...
With a start my reverie broke and fled, scattered by a violent sound that I recognised for the first time in my life as wholly desirable. The returning motor meant that my hostess was back. Yet, so urgent had been my temporary obsession, that my first presentation of her was—well, not as I knew her now. Floating along with a face of anguished torture I saw Mabel, a mere effigy captured by others’ thinking, pass down into those depths of fire and blood that only just had closed beneath my feet. She dipped away. She vanished, her fading eyes turned to the last towards some saviour who had failed her. And that strange intolerable hope was in her face.
The mystery of the place was pretty thick about me just then. It was the fall of dusk, and the ghost of slanting sunshine was as unreal as though badly painted. The garden stood at attention all about me. I cannot explain it, but I can tell it, I think, exactly as it happened, for it remains vivid in me for ever—that, for the first time, something almost happened, myself apparently the combining link through which it pressed towards delivery.