Incredible Adventures

by Algernon Blackwood

That I could have taken the little sound from the bedroom where I actually heard it, and spread it thus over the entire house and grounds, is evidence, perhaps, of the state my nerves were in. The wailing assuredly was in my mind alone. But the longer I hesitated, the more difficult became my task, and, gathering up my dressing-gown, lest I should trip in the darkness, I passed slowly down the staircase into the hall below. I carried neither candle nor matches; every switch in room and corridor was known to me. The covering of darkness was indeed rather comforting than otherwise, for if it prevented seeing, it also prevented being seen. The heavy pistol, knocking against my thigh as I moved, made me feel I was carrying a child’s toy, foolishly. I experienced in every nerve that primitive vast dread which is the Thrill of darkness. Merely the child in me was comforted by that pistol.

The night was not entirely black; the iron bars across the glass front door were visible, and, equally, I discerned the big, stiff wooden chairs in the hall, the gaping fireplace, the upright pillars supporting the staircase, the round table in the centre with its books and flower-vases, and the basket that held visitors’ cards. There, too, was the stick and umbrella stand and the shelf with railway guides, directory, and telegraph forms. Clocks ticked everywhere with sounds like quiet footfalls. Light fell here and there in patches from the floor above. I stood a moment in the hall, letting my eyes grow more accustomed to the gloom, while deciding on a plan of search. I made out the ivy trailing outside over one of the big windows ... and then the tall clock by the front door made a grating noise deep down inside its body—it was the Presentation clock, large and hideous, given by the congregation of his church—and, dreading the booming strike it seemed to threaten, I made a quick decision. If others beside myself were about in the night, the sound of that striking might cover their approach.

So I tiptoed to the right, where the passage led towards the dining-room. In the other direction were the morning- and drawing-room, both little used, and various other rooms beyond that had been his, generally now kept locked. I thought of my sister, waiting upstairs with that frightened woman for my return. I went quickly, yet stealthily.

And, to my surprise, the door of the dining-room was open. It had been opened. I paused on the threshold, staring about me. I think I fully expected to see a figure blocked in the shadows against the heavy sideboard, or looming on the other side beneath his portrait. But the room was empty; I felt it empty. Through the wide bow-windows that gave on to the verandah came an uncertain glimmer that even shone reflected in the polished surface of the dinner-table, and again I perceived the stiff outline of chairs, waiting tenantless all round it, two larger ones with high carved backs at either end. The monkey-trees on the upper terrace, too, were visible outside against the sky, and the solemn crests of the wellingtonias on the terraces below. The enormous clock on the mantelpiece ticked very slowly, as though its machinery were running down, and I made out the pale round patch that was its face. Resisting my first inclination to turn the lights up—my hand had gone so far as to finger the friendly knob—I crossed the room so carefully that no single board creaked, nor a single chair, as I rested a hand upon its back, moved on the parquet flooring. I turned neither to the right nor left, nor did I once look back.

I went towards the long corridor, filled with priceless objets d’art, that led through various antechambers into the spacious music-room, and only at the mouth of this corridor did I next halt a moment in uncertainty. For this long corridor, lit faintly by high windows on the left from the verandah, was very narrow, owing to the mass of shelves and fancy tables it contained. It was not that I feared to knock over precious things as I went, but that, because of its ungenerous width, there would be no room to pass another person—if I met one. And the certainty had suddenly come upon me that somewhere in this corridor another person at this actual moment stood. Here, somehow, amid all this dead atmosphere of furniture and impersonal emptiness, lay the hint of a living human presence; and with such conviction did it come upon me, that my hand instinctively gripped the pistol in my pocket before I could even think. Either some one had passed along this corridor just before me, or some one lay waiting at its farther end—withdrawn or flattened into one of the little recesses, to let me pass. It was the person who had opened the door. And the blood ran from my heart as I realised it.

It was not courage that sent me on, but rather a strong impulsion from behind that made it impossible to retreat: the feeling that a throng pressed at my back, drawing nearer and nearer; that I was already half surrounded, swept, dragged, coaxed into a vast prison-house where there was wailing and gnashing of teeth, where their worm dieth not and their fire is not quenched. I can neither explain nor justify the storm of irrational emotion that swept me as I stood in that moment, staring down the length of the silent corridor towards the music-room at the far end, I can only repeat that no personal bravery sent me down it, but that the negative emotion of fear was swamped in this vast sea of pity and commiseration for others that surged upon me.

My senses, at least, were no whit confused; if anything, my brain registered impressions with keener accuracy than usual. I noticed, for instance, that the two swinging doors of baize that cut the corridor into definite lengths, making little rooms of the spaces between them, were both wide open—in the dim light no mean achievement. Also that the fronds of a palm plant, some ten feet in front of me, still stirred gently from the air of some one who had recently gone past them. The long green leaves waved to and fro like hands. Then I went stealthily forward down the narrow space, proud even that I had this command of myself, and so carefully that my feet made no sound upon the Japanese matting on the floor.

It was a journey that seemed timeless. I have no idea how fast or slow I went, but I remember that I deliberately examined articles on each side of me, peering with particular closeness into the recesses of wall and window. I passed the first baize doors, and the passage beyond them widened out to hold shelves of books; there were sofas and small reading-tables against the wall. It narrowed again presently, as I entered the second stretch. The windows here were higher and smaller, and marble statuettes of classical subjects lined the walls, watching me like figures of the dead. Their white and shining faces saw me, yet made no sign. I passed next between the second baize doors. They, too, had been fastened back with hooks against the wall. Thus all doors were open—had been recently opened.

And so, at length, I found myself in the final widening of the corridor which formed an ante-chamber to the music-room itself. It had been used formerly to hold the overflow of meetings. No door separated it from the great hall beyond, but heavy curtains hung usually to close it off, and these curtains were invariably drawn. They now stood wide. And here—I can merely state the impression that came upon me—I knew myself at last surrounded. The throng that pressed behind me, also surged in front: facing me in the big room, and waiting for my entry, stood a multitude; on either side of me, in the very air above my head, the vast assemblage paused upon my coming. The pause, however, was momentary, for instantly the deep, tumultuous movement was resumed that yet was silent as a cavern underground. I felt the agony that was in it, the passionate striving, the awful struggle to escape. The semi-darkness held beseeching faces that fought to press themselves upon my vision, yearning yet hopeless eyes, lips scorched and dry, mouths that opened to implore but found no craved delivery in actual words, and a fury of misery and hate that made the life in me stop dead, frozen by the horror of vain pity. That intolerable, vain Hope was everywhere.

And the multitude, it came to me, was not a single multitude, but many; for, as soon as one huge division pressed too close upon the edge of escape, it was dragged back by another and prevented. The wild host was divided against itself. Here dwelt the Shadow I had ‘imagined’ weeks ago, and in it struggled armies of lost souls as in the depths of some bottomless pit whence there is no escape. The layers mingled, fighting against themselves in endless torture. It was in this great Shadow I had clairvoyantly seen Mabel, but about its fearful mouth, I now was certain, hovered another figure of darkness, a figure who sought to keep it in existence, since to her thought were due those lampless depths of woe without escape.... Towards me the multitudes now surged.