Surely no human being ever stared as hard as I did in those next few minutes. Yet, the harder I stared the clearer appeared the amazing and monstrous apparition. For, after all, it was Sangree—and yet it was not Sangree. It was the head and face of an animal, and yet it was the face of Sangree: the face of a wild dog, a wolf, and yet his face. The eyes were sharper, narrower, more fiery, yet they were his eyes—his eyes run wild; the teeth were longer, whiter, more pointed—yet they were his teeth, his teeth grown cruel; the expression was flaming, terrible, exultant—yet it was his expression carried to the border of savagery—his expression as I had already surprised it more than once, only dominant now, fully released from human constraint, with the mad yearning of a hungry and importunate soul. It was the soul of Sangree, the long suppressed, deeply loving Sangree, expressed in its single and intense desire—pure utterly and utterly wonderful.
Yet, at the same time, came the feeling that it was all an illusion. I suddenly remembered the extraordinary changes the human face can undergo in circular insanity, when it changes from melancholia to elation; and I recalled the effect of hascheesh, which shows the human countenance in the form of the bird or animal to which in character it most approximates; and for a moment I attributed this mingling of Sangree’s face with a wolf to some kind of similar delusion of the senses. I was mad, deluded, dreaming! The excitement of the day, and this dim light of stars and bewildering mist combined to trick me. I had been amazingly imposed upon by some false wizardry of the senses. It was all absurd and fantastic; it would pass.
And then, sounding across this sea of mental confusion like a bell through a fog, came the voice of John Silence bringing me back to a consciousness of the reality of it all—
“Sangree—in his Double!”
And when I looked again more calmly, I plainly saw that it was indeed the face of the Canadian, but his face turned animal, yet mingled with the brute expression a curiously pathetic look like the soul seen sometimes in the yearning eyes of a dog,—the face of an animal shot with vivid streaks of the human.
The doctor called to him softly under his breath—
“Sangree! Sangree, you poor afflicted creature! Do you know me? Can you understand what it is you’re doing in your ‘Body of Desire’?”
For the first time since its appearance the creature moved. Its ears twitched and it shifted the weight of its body on to the hind legs. Then, lifting its head and muzzle to the sky, it opened its long jaws and gave vent to a dismal and prolonged howling.
But, when I heard that howling rise to heaven, the breath caught and strangled in my throat and it seemed that my heart missed a beat; for, though the sound was entirely animal, it was at the same time entirely human. But, more than that, it was the cry I had so often heard in the Western States of America where the Indians still fight and hunt and struggle—it was the cry of the Redskin!
“The Indian blood!” whispered John Silence, when I caught his arm for support; “the ancestral cry.”