Unable to deal with the rapture of delight that swept upon him, he stood stock still among the blossoms to his waist. Eyes, ears and nostrils were inadequate to report a beauty which, simple though it was, overbore nerves and senses accustomed to a lesser scale. Horizons indeed had lifted, the joy and confidence of fuller life poured in. His own being grew immense, stretched, widened, deepened, till it seemed to include all space. He was everywhere, or rather everything was happening somewhere in him all at once.... In place of the heavy suburb lay this garden of primal beauty, while yet, in a sense, the suburb itself remained as well. Only—it had flowered ... revealing the subconscious soul the bricks and pavements hid.... Its potential self had blossomed into loveliness and wonder.
The sound drew nearer. He was aware of movement. Figures were approaching; they were coming in his direction, coming towards him over the crest of the hill, nearer and nearer. Concealed by the forest of tall flowers, he watched them come. Yet as Presences he perceived them, rather than as figures, already borrowing power from them, as sails borrow from a rising wind. His consciousness expanded marvellously to let them in.
Their stature was conveyed to him, chiefly, at first, by the fact that these flowers, though rising to his own waist, did not cover the feet of them, yet that the flowers in the immediate line of their advance still swayed and nodded, as though no weight had lain upon their brilliance. The footsteps were of wind, the figures light as air; they shone; their radiant presences lit the acres. Their own atmosphere, too, came with them, as though the landscape moved and travelled with and in their being, as though the flowers, the natural beauty, emanated from them. The landscape was their atmosphere. They created, brought it with them. It seemed that they "expressed" the landscape and "were" the scenery, with all its multitudinous forms.
They approached with a great and easy speed that was not measurable. Over the crest of the living, sunlit hill they poured, with their bulk, their speed, their majesty, their sweet brimming joy. Fillery stood motionless watching them, his own joy touched with awed confusion, till wonder and worship mastered the final trace of fear.
Though he perceived these figures first as they topped the skyline, he was aware that great space also stretched behind them, and that this immense perspective was in some way appropriate to their appearance. Born of a greater space than his "mind" could understand, they flowed towards him across that windy crest and at the same time from infinitely far beyond it. Above the continuous humming sound, he heard their music too, faint but mighty, filling the air with deep vibrations that seemed the natural expression of their joyful beings. Each figure was a chord, yet all combining in a single harmony that had volume without loudness. It seemed to him that their sound and colour and movement wove a new pattern upon space, a new outline, form or growth, perhaps a flower, a tree, perhaps a planet.... They were creative. They expressed themselves naturally in a million forms.
He heard, he saw. He knew no other words to use. But the "hearing" was, rather, some kind of intimate possession so that his whole being filled and overbrimmed; and the "sight" was greater than the customary little irritation of the optic nerve—it involved another term of space. He could describe the sight more readily than the hearing. The apparent contradiction of distance and proximity, of vast size yet intimacy, made him tremble in his hiding-place.
His "sight," at any rate, perceived the approaching figures all round, all over, all at once, as they poured like a wave across the hill from far beyond its visible crest. For into this space below the horizon he saw as well, though, normally speaking, it was out of sight. Nor did he see one side only; he saw the backs of the towering forms as easily as the portion facing him; he saw behind them. It was not as with ordinary objects refracting light, the back and underneath and further edges invisible. All sides were visible at once. The space beyond, moreover, whence the mighty outlines issued, was of such immensity that he could think only of interstellar regions. Not to the little planet, then, did these magnificent shapes belong. They were of the Universe. The symbol of his valley, he knew suddenly, belonged here too.
Silent with wonder, motionless with worship, he watched the singing flood of what he felt to be immense, non-human nature-life pour past him. The procession lasted for hours, yet was over in a minute's flash. All categories his mind knew hitherto were useless. The faces, in their power, their majesty, the splendour even of their extent, were both appalling, yet infinitely tender. They were filled with stars, blue distance, flowers, spirals of fire, space and air, interwoven too, with shining geometrical designs whose intricate patterns merged in a central harmony. They brought their own winds with them.
Yet of features precisely, he was not aware. Each face was, rather, an immense expression, but an expression that was permanent and could not change. These were immutable, eternal faces. He borrowed from human terms the only words that offered, while aware that he falsely introduced the personal into that which was essentially impersonal.
There stole over him a strange certainty that what he worshipped was the grandeur of joyful service working through unalterable law—the great compassion of some untiring service that was deathless.... He stood within the Universe, face to face with its elemental builders, guardians, its constructive artizans, the impersonal angelic powers ... the region, the state, he now felt convinced, to which "N. H." belonged, and whence, by some inexplicable chance, he had come to occupy a human body.... And the sounds —the flash came to him with lightning conviction—were those essential rhythms which are the kernels of all visible, manifested forms....