The mystery of the place was pretty thick about me just then. It was the fall of dusk, and the ghost of slanting sunshine was as unreal as though badly painted. The garden stood at attention all about me. I cannot explain it, but I can tell it, I think, exactly as it happened, for it remains vivid in me forever—that, for the first time, something almost happened, myself apparently the combining link through which it pressed towards delivery:
I had already turned towards the house. In my mind were pictures—not actual thoughts—of the motor, tea on the verandah, my sister, Mabel— when there came behind me this tumultuous, awful rush—as I left the garden. The ugliness, the pain, the striving to escape, the whole negative and suppressed agony that was the Place, focused that second into a concentrated effort to produce a result. It was a blinding tempest of long-frustrate desire that heaved at me, surging appallingly behind me like an anguished mob. I was in the act of crossing the frontier into my normal self again, when it came, catching fearfully at my skirts. I might use an entire dictionary of descriptive adjectives yet come no nearer to it than this—the conception of a huge assemblage determined to escape with me, or to snatch me back among themselves. My legs trembled for an instant, and I caught my breath—then turned and ran as fast as possible up the ugly terraces.
At the same instant, as though the clanging of an iron gate cut short the unfinished phrase, I thought the beginning of an awful thing:
"The Damned …"
Like this it rushed after me from that goblin garden that had sought to keep me:
"The Damned!"
For there was sound in it. I know full well it was subjective, not actually heard at all; yet somehow sound was in it—a great volume, roaring and booming thunderously, far away, and below me. The sentence dipped back into the depths that gave it birth, unfinished. Its completion was prevented. As usual, nothing happened. But it drove behind me like a hurricane as I ran towards the house, and the sound of it I can only liken to those terrible undertones you may hear standing beside Niagara. They lie behind the mere crash of the falling flood, within it somehow, not audible to all—felt rather than definitely heard.
It seemed to echo back from the surface of those sagging terraces as I flew across their sloping ends, for it was somehow underneath them. It was in the rustle of the wind that stirred the skirts of the drooping wellingtonias. The beds of formal flowers passed it on to the creepers, red as blood, that crept over the unsightly building. Into the structure of the vulgar and forbidding house it sank away; The Towers took it home. The uncomely doors and windows seemed almost like mouths that had uttered the words themselves, and on the upper floors at that very moment I saw two maids in the act of closing them again.
And on the verandah, as I arrived breathless, and shaken in my soul, Frances and Mabel, standing by the tea table, looked up to greet me. In the faces of both were clearly legible the signs of shock. They watched me coming, yet so full of their own distress that they hardly noticed the state in which I came. In the face of my hostess, however, I read another and a bigger thing than in the face of Frances. Mabel knew. She had experienced what I had experienced. She had heard that awful sentence I had heard but heard it not for the first time; heard it, moreover, I verily believe, complete and to its dreadful end.
"Bill, did you hear that curious noise just now?" Frances asked it sharply before I could say a word. Her manner was confused; she looked straight at me; and there was a tremor in her voice she could not hide.