But, if my ears were open, my eyes were opened too, and it were idle to pretend that I did not notice a hundred details that were capable of sinister interpretation had I been weak enough to yield. Some protective barrier had fallen into ruins round me, so that Terror stalked behind the general collapse, feeling for me through all the gaping fissures. Much of this, I admit, must have been merely the elaboration of those sensations I had first vaguely felt, before subsequent events and my talks with Frances had dramatized them into living thoughts. I therefore leave them unmentioned in this history, just as my mind left them unmentioned in that interminable final week. Our life went on precisely as before—Mabel unreal and outwardly so still; Frances, secretive, anxious, tactful to the point of slyness, and keen to save to the point of self-forgetfulness.
There were the same stupid meals, the same wearisome long evenings, the stifling ugliness of house and grounds, the Shadow settling in so thickly that it seemed almost a visible, tangible thing. I came to feel the only friendly things in all this hostile, cruel place were the robins that hopped boldly over the monstrous terraces and even up to the windows of the unsightly house itself. The robins alone knew joy; they danced, believing no evil thing was possible in all God's radiant world. They believed in everybody; their god's plan of life had no room in it for hell, damnation, and lakes of brimstone. I came to love the little birds. Had Samuel Franklyn known them, he might have preached a different sermon, bequeathing love in place of terror!
Most of my time I spent writing; but it was a pretence at best, and rather a dangerous one besides. For it stirred the mind to production, with the result that other things came pouring in as well. With reading it was the same. In the end I found an aggressive, deliberate resistance to be the only way of feasible defense. To walk far afield was out of the question, for it meant leaving my sister too long alone, so that my exercise was confined to nearer home. My saunters in the grounds, however, never surprised the goblin garden again. It was close at hand, but I seemed unable to get wholly into it. Too many things assailed my mind for any one to hold exclusive possession, perhaps.
Indeed, all the interpretations, all the "layers," to use my sister's phrase, slipped in by turns and lodged there for a time. They came day and night, and though my reason denied them entrance they held their own as by a kind of squatter's right. They stirred moods already in me, that is, and did not introduce entirely new ones; for every mind conceals ancestral deposits that have been cultivated in turn along the whole line of its descent. Any day a chance shower may cause this one or that to blossom. Thus it came to me, at any rate. After darkness the Inquisition paced the empty corridors and set up ghastly apparatus in the dismal halls; and once, in the library, there swept over me that easy and delicious conviction that by confessing my wickedness I could resume it later, since Confession is expression, and expression brings relief and leaves one ready to accumulate again. And in such mood I felt bitter and unforgiving towards all others who thought differently. Another time it was a Pagan thing that assaulted me—so trivial yet oh, so significant at the time—when I dreamed that a herd of centaurs rolled up with a great stamping of hoofs round the house to destroy it, and then woke to hear the horses tramping across the field below the lawns; they neighed ominously and their noisy panting was audible as if it were just outside my windows.
But the tree episode, I think, was the most curious of all—except, perhaps, the incident with the children which I shall mention in a moment—for its closeness to reality was so unforgettable.
Outside the east window of my room stood a giant wellingtonia on the lawn, its head rising level with the upper sash. It grew some twenty feet away, planted on the highest terrace, and I often saw it when closing my curtains for the night, noticing how it drew its heavy skirts about it, and how the light from other windows threw glimmering streaks and patches that turned it into the semblance of a towering, solemn image. It stood there then so strikingly, somehow like a great old-world idol, that it claimed attention. Its appearance was curiously formidable. Its branches rustled without visibly moving and it had a certain portentous, forbidding air, so grand and dark and monstrous in the night that I was always glad when my curtains shut it out. Yet, once in bed, I had never thought about it one way or the other, and by day had certainly never sought it out.
One night, then, as I went to bed and closed this window against a cutting easterly wind, I saw—that there were two of these trees. A brother wellingtonia rose mysteriously beside it, equally huge, equally towering, equally monstrous. The menacing pair of them faced me there upon the lawn. But in this new arrival lay a strange suggestion that frightened me before I could argue it away. Exact counterpart of its giant companion, it revealed also that gross, odious quality that all my sister's paintings held. I got the odd impression that the rest of these trees, stretching away dimly in a troop over the farther lawns, were similar, and that, led by this enormous pair, they had all moved boldly closer to my windows. At the same moment a blind was drawn down over an upper room; the second tree disappeared into the surrounding darkness.
It was, of course, this chance light that had brought it into the field of vision, but when the black shutter dropped over it, hiding it from view, the manner of its vanishing produced the queer effect that it had slipped into its companion—almost that it had been an emanation of the one I so disliked, and not really a tree at all! In this way the garden turned vehicle for expressing what lay behind it all …!
The behavior of the doors, the little, ordinary doors, seems scarcely worth mention at all, their queer way of opening and shutting of their own accord; for this was accountable in a hundred natural ways, and to tell the truth, I never caught one in the act of moving. Indeed, only after frequent repetitions did the detail force itself upon me, when, having noticed one, I noticed all. It produced, however, the unpleasant impression of a continual coming and going in the house, as though, screened cleverly and purposely from actual sight, some one in the building held constant invisible intercourse with—others.
Upon detailed descriptions of these uncertain incidents I do not venture, individually so trivial, but taken all together so impressive and so insolent. But the episode of the children, mentioned above, was different. And I give it because it showed how vividly the intuitive child-mind received the impression—one impression, at any rate—of what was in the air. It may be told in a very few words. I believe they were the coachman's children, and that the man had been in Mr. Franklyn's service; but of neither point am I quite positive.