‘But you must make the most of your holiday,’ he said presently; ‘you will use up your forces too soon——’

‘Perhaps,’ she laughed, ‘perhaps. Only I get restless with the feeling that I’m wanted elsewhere. There’s so little time to do anything. The years pass so quickly—after thirty; and if you always wait till you’re “quite fit,” you wait for ever, and nothing gets done.’

Paul turned and looked steadily at her for a moment. A sudden beauty, like a white and shining fire, leaped into her face, flashed about the eyes and mouth, and was gone. Paul never forgot that look to the end of his days.

‘By Jove,’ he said, ‘you are in earnest!’

‘Not more than others,’ she said simply; ‘not as much as many, even, I’m afraid. A good soldier goes on fighting whether he’s “fit” or not, doesn’t he?’

‘He ought to,’ said Paul—humbly, for some reason he could hardly explain.

They had many similar talks. She told him a great deal about her rescue work in London, and he, for his part, became more and more interested. From a distance, meanwhile, his sister observed them curiously,—though nothing that was in Margaret’s thoughts ever for a single instant found its way either into his mind or Joan’s. It was natural, of course, that Margaret, the reader of modern novels, should have formed certain conclusions, and perhaps it would have been the obvious and natural thing for Joan and Paul to have fallen in love and been happy ever afterwards with children of their own. It would also, no doubt, have been ‘artistic,’ and the way things are made to happen in novels.

But in real life things are not cut always so neatly to measure, and whether real life is artistic or not as a whole cannot be judged until the true, far end is known. For the perspective is wanting; the scale is on a vaster loom; and of the threads that weave into the pattern and out again, neither end nor beginning are open to inspection.

The novels Margaret delighted in, with their hotch-potch of duchesses and valets, Ministers of State and footmen, libertines and snobs, while doubtless portraying certain phases of modern life with accuracy, could in no way prepare her for the Pattern that was being woven beneath her eyes by the few and simple characters in this entirely veracious history. And it may be assumed, therefore, that Joan had come into the scenery of Paul’s life with no such commonplace motive—since the high Gods held the threads and wove them to their own satisfaction—as merely to marry off the hero.

And if Paul did not fall in love with Joan Nicholson, as he might, or ought, to have done, he at least did the next best thing to it. He fell head over ears in love with her work. And since love seeks ever to imitate and to possess, he cast about in his heart for means by which he might accomplish these ends. Already he possessed her secret. Now he had only to imitate her methods.