‘I went out steerage,’ the man continued to himself, or to the sea, or to any one else who cared to listen, ‘and I come back steerage. That’s my trouble. And now’—his eye shifted for a fraction of a second and watched a huge wave go thundering by—‘I’m grave-huntin’, I guess. And that’s about the size of it. Jest see it and—git back again!’
The first-class passenger made some kind and appropriate reply—words with genuine sympathy in them—and then, getting no further answer, found it difficult to continue the conversation. The man, he realised, had only wanted a peg to hang his emotion on. It had to be a living peg, but any other living peg would do equally well, and before long he would find some one in the steerage who would listen with delight to the flood that was bound to come. And, presently, he took his departure to his own quarters where the sailors, with bare feet, were still swabbing the slippery decks.
A couple of hours later, after breakfast, he leaned over the rail and again saw the man on the steerage deck, and heard him talking volubly. The tears were gone, but the smudges were still visible on the cheeks, where they had traced a zigzag pattern. He was telling the history of his fifty years’ disappointments and failures to one and all who cared to listen.
And, apparently, many cared to listen. The man’s emotion was real; it found vigorous expression. The sight of the old, loved shore, not seen for half-a-century, but the subject of ten thousand yearnings, had been too much for him. He told in detail the substance of these ten thousand dreams—ever one and the same dream, of course—and in the telling of it he found the relief his soul sought. He got it all out; it did him a world of good, saving his inner being from a whole army of severe mental fevers and spiritual pains. The man revelled in a delirium of self-expression, and in so doing found sanity and health for his overburdened soul.
And the picture of that hard-faced old man crying accompanied Paul Rivers to the upper decks, and remained insistently with him for a long time. It portrayed with such neat emphasis precisely what was so deplorably lacking in his own character. There, in concrete form, though not precisely his own case, still near enough to be extremely illuminating, he had seen a grown-up man finding abundant and natural expression for his emotion. The man was not ashamed of his tears, and would doubtless have let them splash on the deck before a hundred passengers, whereas he, Paul Rivers, was, it seemed, constitutionally unable to reveal himself, to tell his deep longings, to find expression through any sensible medium for the ten thousand dreams that choked his life to the brim. He was unable, perhaps ashamed, to splash on the deck.
It was not that the big, bronzed Englishman wanted to cry, or to wash his soul in sentiment, but that the sight of this old man’s passion, and its frank and easy utterance, touched with dramatic intensity the crying need of his whole temperament. The need of the steerage passenger was the need of a moment; his own was the need of an existence.
‘Lucky devil!’ he exclaimed, half laughing, half sighing, as he went to his cabin for the field-glasses; ‘he knows how to get it out—and does get it out! while I—with my impossible yearnings and my absurd diffidence in speaking of them to others—I haven’t got a single safety-valve of any sort or kind. I can’t get it out of me—all this ocean in my heart and soul—not a drop, not even a blessed tear!’
He laughed again and, stooping to pick up the glasses, he caught a glimpse of his sunburned, bearded face in the cabin mirror.
‘Even my appearance is against me,’ he went on with mournful humour; ‘I look like a healthy lumberman more than anything else in God’s world!’
He bent forward and examined himself carefully in detail.