TIME HALTS

He looked at his watch a second time, and found that it was later than he had supposed—eleven o'clock. In the act of winding it, however, he paused; something he had forgotten came back to him, and a curious smile broke over his face. He stroked his beard, glanced at the ceiling where the moths still banged and buzzed, then strolled over to the open window, and said "Hm!" He put his head and shoulders out into the air. And then he again said "Hm—m—m"—only longer than the first time. It seemed as if some one answered him. That "Hm" floated off to some one who was listening for it. Perhaps it was an echo that came floating back. Perhaps it wasn't.

But any grown-up person who hesitates in an empty room of a country house at eleven o'clock at night and murmurs "Hm" into the open air is not in an ordinary state of mind. The normal thing is to put the lights out and go up more or less briskly to bed. Uncle Felix was no exception to this rule. His emotions, evidently, were not quite normal.

He listened. The night was very still. The stars, like a shower of golden rain arrested in full flight, paused in a flock and looked at him, but in so deliberate a way that he was conscious of being looked at. It was rather a delightful sensation, he thought; never before had they seemed so intimate, so interested in his life. He was aware that a friendly relationship existed between him and those far, bright, twinkling eyes. "Hm" he murmured softly once again, then heard a sound of wings rush whirring past his face, and next a chattering of birds somewhere overhead among the heavy eaves. "So I'm not the only one awake," he thought, and, for some odd reason, felt rather pleased about it. "Sounds like swallows. I wonder!"

But he saw no movement anywhere; no wind stirred the ivy on the wall, the limes were motionless, the earth asleep. Even the stream beyond the laurel shrubberies ran silently. Dimly he made out the garden lying at attention, the flower-beds like folded hands upon its breast; and further off, the big untidy elms in pools of deeper shadow, their outlines blurred as dreams blur the mind. Yet, though he could detect no slightest movement, he was keenly aware that other things beside the stars were looking at him. The night was full of carefully-screened eyes, all fixed upon him. Framed in the lighted window, he was so easily visible. Night herself, calm and majestic, gazed down upon him through wide-open lids that filled the entire sky. He felt the intentness of her steadfast gaze, and paused. He stopped. It seemed that everything stopped too. So striking, indeed, was the sensation, that he gave expression to it half aloud:

"It's slowing up," he murmured, "stopping!… I do believe! Hm!…"

There was no answer this time, no sign of echo anywhere, but he heard an owl calling its muffled note from the Wood without a Centre.

"It's probably seen me too," he thought, and then it also stopped.

He waited a moment, hoping it would begin again, for he loved the atmosphere of childhood that the sound invoked in him. But the flutey call was not repeated. He drew his head in, closed and bolted the window, fastened the shutters carefully and pulled the curtains over; then he extinguished the lamps, lit his candle, and moved out softly into the hall on his way upstairs. And for the first time in his life he felt that in shutting the window he had not shut the beauty out. The beauty of that watching, listening night had not gone away from him by closing down the shutters. It was not lost. It stopped there. This novel realisation was very queer and very exquisite. Regret did not operate.

And he went along the passage, murmuring "Hm" over and over to himself, for there seemed nothing more adequate that he could think of. The servants had long since gone to bed; he alone was awake in the whole big house. He moved cautiously down the long corridor towards the green baize doors, fully aware that it was not the proper way upstairs. He pushed them, and they swung behind him with a grunt that repeated itself several times, lessening and shortening until it ended in an abrupt puffing sound—and he found himself in a chilly corridor of stone. It was very dark; the candle threw the shadow of his hand down the gaping length in front of him. He went stealthily a few steps further, then stopped opposite a closed door of white. For a moment he held his breath, examining the panels by the light of the raised candle; then turned the knob of brass, threw it wide open, and found himself—in Mrs. Horton's kitchen.