The weapon, however, that she did use without hesitation was her singing. There was nothing special either in its quality or skill; it was a voice untrained, I believe, and certainly without ambition; her repertoire was limited; she sang folk-songs mostly, the simple love-songs of primitive people, of peasants and the like, yet sang them with such truth and charm, with such power and conviction, somehow, that I knew enchantment as I listened. This, too, she instantly divined, and that behind my compliments lay hid a weakness of deep origin she could play upon to her sure advantage. She did so without mercy, until gradually I passed beneath her sway.
I will not now relate in detail the steps of my descent, or if you like it better, of my capture. This is a summary merely. So let me say in brief that her singing to the harp combined with the revelation of her physical beauty to lead me swiftly to the point where I ardently desired her, and that in this turmoil of desire I sought eagerly to find real love. There were times when I deceived myself most admirably; there were times when I plainly saw the truth. During the former I believed that my happiness lay in marrying her, but in the latter I recognised that a girl who meant nothing to my better self had grown of a sudden painfully yet exquisitely desirable. But even during the ascendancy of the latter physical mood, she had only to seat herself beside the harp and sing, for the former state to usurp its place, I watched, I listened, and I yielded. Her voice, aided by the soft plucking of the strings, completed my defeat. Now, strangest of all, I must add one other thing, and I will add it without comment. For though sure of its truth, I would not dwell upon it. And it is this: that in her singing, as also in her playing, in the "colour" of her voice as also in the very attitude and gestures of her figure as she sat beside the instrument, there lay, though marvellously hidden, something gross. It woke a response of something in myself, hitherto unrecognized, that was similarly gross....
It was in the empty billiard-room when the climax came, a calm evening of late July, the dusk upon the lawn, and most of the house-party already gone upstairs to dress for dinner. I had been standing beside the open window for some considerable time, motionless, and listening idly to the singing of a thrush or blackbird in the shrubberies—when I heard the faint twanging of the harp-strings in the room behind me, and turning, saw that Marion had entered and was there beside the instrument. At the same moment she saw me, rose from the harp and came forward. During the day she had kept me at a distance. I was hungry for her voice and touch; her presence excited me—and yet I was half afraid.
"What! Already dressed!" I exclaimed, anxious to avoid a talk a deux. "I must hurry then, or I shall be later than usual."
I crossed the room towards the door, when she stopped me with her eyes.
"Do you really mean to say you don't know the difference between an evening frock and—and this," she answered lightly, holding out the skirt in her fingers for me to touch. And in the voice was that hint of a sensual caress that, I admit, bewildered both my will and judgment. She was very close and her fragrance came on me with her breath, like the perfume of the summer garden. I touched the material carelessly; it was of softest smooth white serge. It seemed I touched herself that lay beneath it. And at that touch some fire of lightning ran through every vein.
"How stupid of me," I said quickly, making to go past her, "but it's white, you see, and in this dim light I——"
"A man's idea of an evening frock is always white, I suppose, or black." She laughed a little. "I'm not coming to dinner to-night," she added, sitting down to the harp. "I've got a headache and thought I might soothe it with a little music. I didn't know any one was here. I thought I was alone."
Thus, deftly, having touched a chord of pity in me, she began to play; her voice followed; dinner and dressing, the house-party and my mother's guests, were all forgotten. I remember that you looked in, your eyes touched with a suggestive and melancholy smile, and as quickly closed the door again. But even that little warning failed to help me. I sat down on the sofa facing her, the world forgotten. And, as I listened to her singing and to the sweet music of the harp, the spell, it seemed, of some ancient beauty stole upon my spirit. The sound of her soft voice reduced my resistance to utter impotence. An aggressive passion took its place. The desire for contact, physical contact, became a vehement aching that I scarcely could restrain, and my arms were hungry for her. Shame and repugnance touched me faintly for a moment, but at once died away again. I listened and I watched. The sensuous beauty of her figure and her movements, swathed in that soft and clinging serge, troubled my judgment; it seemed, as I saw her little foot upon the pedal, that I felt with joy its pressure on my heart and life. Something gross and abandoned stirred in me; I welcomed her easy power and delighted in it. I feasted my eyes and ears, the blood rose feverishly to my head. She did not look at me, yet knew that I looked at her, and how. No longer ashamed, but with a fiery pleasure in my heart, I spoke at last. Her song had ended. She softly brushed the strings, her eyes turned downwards.
"Marion," I said, agitation making my voice sound unfamiliar, "Marion, dear, I am enthralled; your voice, your beauty——"